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6
Head of a Woman (1500–10)
Head of a Woman, a small brush drawing with pigment, depicts a young woman with her head tilted and her eyes downcast. Her posture recalls the Virgin Mary in Leonardo’s The Virgin of the Rocks, suggesting that the drawing may have served as a model.
Head of a Woman (1500–10)
Head of a Woman, a small brush drawing with pigment, depicts a young woman with her head tilted and her eyes downcast. Her posture recalls the Virgin Mary in Leonardo’s The Virgin of the Rocks, suggesting that the drawing may have served as a model.
November 18, 2024 at 2:15 PM
6
Head of a Woman (1500–10)
Head of a Woman, a small brush drawing with pigment, depicts a young woman with her head tilted and her eyes downcast. Her posture recalls the Virgin Mary in Leonardo’s The Virgin of the Rocks, suggesting that the drawing may have served as a model.
Head of a Woman (1500–10)
Head of a Woman, a small brush drawing with pigment, depicts a young woman with her head tilted and her eyes downcast. Her posture recalls the Virgin Mary in Leonardo’s The Virgin of the Rocks, suggesting that the drawing may have served as a model.
5
The Virgin of the Rocks (c. 1483–86)
Based on stylistic evidence, many scholars consider the painting The Virgin of the Rocks in the Louvre the first of two paintings that Leonardo made of an apocryphal legend in which the Holy Family meets Saint John the Baptist as they flee to Egypt
The Virgin of the Rocks (c. 1483–86)
Based on stylistic evidence, many scholars consider the painting The Virgin of the Rocks in the Louvre the first of two paintings that Leonardo made of an apocryphal legend in which the Holy Family meets Saint John the Baptist as they flee to Egypt
November 18, 2024 at 2:12 PM
5
The Virgin of the Rocks (c. 1483–86)
Based on stylistic evidence, many scholars consider the painting The Virgin of the Rocks in the Louvre the first of two paintings that Leonardo made of an apocryphal legend in which the Holy Family meets Saint John the Baptist as they flee to Egypt
The Virgin of the Rocks (c. 1483–86)
Based on stylistic evidence, many scholars consider the painting The Virgin of the Rocks in the Louvre the first of two paintings that Leonardo made of an apocryphal legend in which the Holy Family meets Saint John the Baptist as they flee to Egypt
4
Self Portrait (c. 1490/1515–16)
Long regarded as a self-portrait, the red chalk drawing of an old man with long wavy hair and a beard has been reproduced to such an extent that it defines how most people think of Leonardo’s appearance
Self Portrait (c. 1490/1515–16)
Long regarded as a self-portrait, the red chalk drawing of an old man with long wavy hair and a beard has been reproduced to such an extent that it defines how most people think of Leonardo’s appearance
November 18, 2024 at 2:10 PM
4
Self Portrait (c. 1490/1515–16)
Long regarded as a self-portrait, the red chalk drawing of an old man with long wavy hair and a beard has been reproduced to such an extent that it defines how most people think of Leonardo’s appearance
Self Portrait (c. 1490/1515–16)
Long regarded as a self-portrait, the red chalk drawing of an old man with long wavy hair and a beard has been reproduced to such an extent that it defines how most people think of Leonardo’s appearance
3 Vitruvian Man (c. 1490)
Leonardo’s pen-and-ink drawing Vitruvian Man comes from one of the many notebooks that he kept on hand during his mature years. It is accompanied by notes, written in mirror script, on the ideal human proportions that the Roman architect Vitruvius laid out in a book
Leonardo’s pen-and-ink drawing Vitruvian Man comes from one of the many notebooks that he kept on hand during his mature years. It is accompanied by notes, written in mirror script, on the ideal human proportions that the Roman architect Vitruvius laid out in a book
November 18, 2024 at 2:07 PM
3 Vitruvian Man (c. 1490)
Leonardo’s pen-and-ink drawing Vitruvian Man comes from one of the many notebooks that he kept on hand during his mature years. It is accompanied by notes, written in mirror script, on the ideal human proportions that the Roman architect Vitruvius laid out in a book
Leonardo’s pen-and-ink drawing Vitruvian Man comes from one of the many notebooks that he kept on hand during his mature years. It is accompanied by notes, written in mirror script, on the ideal human proportions that the Roman architect Vitruvius laid out in a book
2
Last Supper (c. 1495–98)
the Last Supper was commissioned by Ludovico duke of Milan . Depicting a sequential narrative, Leonardo illustrates several closely connected moments in the Gospels, i Matthew 26:21–28, Jesus declares that one of the Apostles will betray him
Last Supper (c. 1495–98)
the Last Supper was commissioned by Ludovico duke of Milan . Depicting a sequential narrative, Leonardo illustrates several closely connected moments in the Gospels, i Matthew 26:21–28, Jesus declares that one of the Apostles will betray him
November 18, 2024 at 2:02 PM
2
Last Supper (c. 1495–98)
the Last Supper was commissioned by Ludovico duke of Milan . Depicting a sequential narrative, Leonardo illustrates several closely connected moments in the Gospels, i Matthew 26:21–28, Jesus declares that one of the Apostles will betray him
Last Supper (c. 1495–98)
the Last Supper was commissioned by Ludovico duke of Milan . Depicting a sequential narrative, Leonardo illustrates several closely connected moments in the Gospels, i Matthew 26:21–28, Jesus declares that one of the Apostles will betray him
Short code *887*50#
Option 2 UEW
Number 230008599
Please sir
For school fees
Or momo 0536009364 Obeng Alex
Option 2 UEW
Number 230008599
Please sir
For school fees
Or momo 0536009364 Obeng Alex
November 18, 2024 at 10:03 AM
Short code *887*50#
Option 2 UEW
Number 230008599
Please sir
For school fees
Or momo 0536009364 Obeng Alex
Option 2 UEW
Number 230008599
Please sir
For school fees
Or momo 0536009364 Obeng Alex