I have seen 3 versions of Laura Wade’s Home, I’m Darling (WE, Tour, RADA) & I have to say, Louise Lacassagne’s Judy was beyond joyous & complex, merging 1950 and contemporary styles with such subtlety, that it made me fall in love with this play all over again - definitely one to keep on your radar!

I’m currently reading Isley Lynn & Libby Rodliffe’s Jobsworth, and I’ve got to THAT (the elevator) moment, and I AUDIBLY gasped out loud on the tube. Such exquisite writing, and I’m kicking myself I never got to see it live! 😭

💡 ED FRINGE LIGHTING 💡

Very excited to be doing some design work at this years #EdFringe for a few companies - more than happy also to chat with anyone else who are looking for a programmer and designer for their productions! ☺️

📧: eliottshepp@gmail.com

#Designer #Programmer #Lighting

The way An Interrogation has shifted itself from Edinburgh to London, whilst maintaining its suspense and tension through similar dimensions and claustrophobic experience, is no coincidence; Dan Light’s video design excels in this new version, whilst the whole cast give blinding performances 👏

There’s a rich, shimmering atmosphere in the room when catching Revenge: After the Levoyah @theyardtheatre.bsky.social; we’re thrown into this story with Lauren (Gemma Barnett) and Dan (Dylan Corbett-Bader) who are both impeccable at comic timing and switching between the most absurd characters 👏

I went to see Philip Ridley’s ‘Tarantula’ yesterday @arcolatheatre.bsky.social and I have to say, Georgie Henley’s performance will I think simmer with me for a long time - the strength, breath work, and the way in which she owns that stage and draws you in, is just on another level 👏