I had always wondered why you hadn't done more with it. FWIW, we didn't find Buja et al's result until long after yours, so having it there was a huge boon to us
I had always wondered why you hadn't done more with it. FWIW, we didn't find Buja et al's result until long after yours, so having it there was a huge boon to us
It's vaguely distance flavoured, but in a way that we don't (as far as I know) have a general word to describe
It's vaguely distance flavoured, but in a way that we don't (as far as I know) have a general word to describe
Requiring symmetry is perhaps the most reasonable choice but it's not the only possible choice
Requiring symmetry is perhaps the most reasonable choice but it's not the only possible choice
I wonder if the former group want to say KL isn't a distance whenever possible to make their definition the more prevalent one
I wonder if the former group want to say KL isn't a distance whenever possible to make their definition the more prevalent one
en.wikipedia.org/wiki/Alexand...
en.wikipedia.org/wiki/Alexand...
Monday: Odd
Tuesday: Odd
Wednesday: Even if you were just thinking about Tue/Thu, Odd if you were just thinking about Monday
Thursday: Odd
Friday: Same as Wednesday
Saturday: Even
Sunday: Weakly even
Monday: Odd
Tuesday: Odd
Wednesday: Even if you were just thinking about Tue/Thu, Odd if you were just thinking about Monday
Thursday: Odd
Friday: Same as Wednesday
Saturday: Even
Sunday: Weakly even
Even so, without more thought, this feels more like it side-steps the issue in my intuition than directly tackles it
Even so, without more thought, this feels more like it side-steps the issue in my intuition than directly tackles it
Even though continuity means that the arcs have to exist in a countable-basis subspace, it feels so unintuitive that this gives room for a curve with uncountably many orthogonal chord pairs set up like this
Do you have any intuition on how you reconcile these two things?
Even though continuity means that the arcs have to exist in a countable-basis subspace, it feels so unintuitive that this gives room for a curve with uncountably many orthogonal chord pairs set up like this
Do you have any intuition on how you reconcile these two things?