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dhlawrencesocna.bsky.social
D. H. Lawrence Society of North America
@dhlawrencesocna.bsky.social
Official 🟦☁️ account for the DHLSNA, a non-profit academic org. Managed by @buxiduan.bsky.social, assistant social media coordinator of the Society. Website: https://dhlsna.bravesites.com/
And this is the end of this #InternationalDHLawrenceConference. Thank you Mexico🇲🇽 and the lovely friends we met here who made this experience so sweet and precious. Look forward to meeting many of you at the next conference!
August 16, 2025 at 6:29 PM
The winner of the Harry T. Moore Award
For Lifetime Achievement in Lawrence Studies is, Dr Andrew Harrison!!!

Huge congratulations Andrew!!!🎉
August 16, 2025 at 6:26 PM
The Mark Spilka Lectureship, an honorary lectureship established in 2005 and awarded only at the International D.H. Lawrence conferences, goes to Dr Catherine Brown!

Congratulations Catherine!👏
August 16, 2025 at 6:20 PM
The Biennial Award to a Newly Published Scholar in Lawrence Studies goes to Aaron Botwick for his article “The Gospel of the Death Drive,” in The D.H. Lawrence Review 44.2 (2019): 67-87.

Congratulations Aaron!🎉
August 16, 2025 at 6:14 PM
Many congratulations Jamie!!!🎉🥳👏
August 16, 2025 at 3:13 PM
The Virginia Hyde Memorial Award for the Best Paper at the 2024 Virtual Graduate Student Conference was awarded to Jamie Lewis for her paper ‘THE MECHANICAL MAN: POSTHUMANISM IN D.H. LAWRENCE'S LADY CHATTERLEY'S LOVER AND WOMEN IN LOVE.’

Congratulations Jamie!!!🎉
August 16, 2025 at 4:34 AM
After Dr Harrison’s brilliant talk, we had the privilege listening to a concert delivered by UNAM’s faculty of music. Marvellous!!!
August 16, 2025 at 1:05 AM
We’re now enjoying the plenary lecture, The Harry T. Moore Lecture, delivered by Dr Andrew Harrison. And the title of this lecture is “‘A hot and piping trinity of rough-stuff primitivism, and freudian hot-sex-stuff’: D. H. Lawrence in Wyndham Lewis’s Paleface (1929)”.
August 15, 2025 at 11:02 PM
The final speaker of this panel is Pamela Wright, whose paper is titled “Exploring Cultural Dichotomies and Misrepresentation in D.H. Lawrence’s ‘The Mozo’”.
August 15, 2025 at 10:03 PM
Following Prof Roberts’s wonderful talk, we have Prof Gaku Iwai, whose presentation is titled “D. H. Lawrence and Yiyun Li: Cross-Cultural Influence”.
August 15, 2025 at 9:37 PM
For the panel ‘Intercultural Lawrence II’, Prof Neil Roberts is presenting his talk titled ‘Lawrence and Naïveté’.
August 15, 2025 at 9:17 PM
The third and final speaker of the second panel is Isobel Dixon, whose presentation is titled “Motion, Memory, Anticipation and Innovation: Questioning D.H. Lawrence’s Multifaceted Engagements with Place”.
August 15, 2025 at 6:55 PM
After Ben’s brilliant talk, we have Aaron Botwick delivering his talk titled “Moles and Men: ‘Second Best’ and the Hazards of Creative Destruction”.
August 15, 2025 at 6:39 PM
The second panel of today is titled ‘Life, Death and Creation’ and the first speaker is the president of @dhlawrencesocna.bsky.social, Ben Hagen, whose presentation is titled “Translating Oblivion, Or Learning to Die in D.H. Lawrence’s ‘The Last Poems Notebook’”.
August 15, 2025 at 6:28 PM
The third speaker is Prof Adam Parkes and his talk is titled ‘Abstraction in Lawrence’s Tortoises’.
August 15, 2025 at 5:22 PM
Our second speaker is Samuel Bradley, whose talk is titled ‘Translating the Nonhuman: D.H. Lawrence, Jocelyn Brooke and the Language of Plants’.
August 15, 2025 at 5:01 PM
The first panel of today is on ‘The Natural World’.

While our first speaker Seungho Lee cannot make it in person, the panel’s chair, Prof Holly Laird, kindly gives a read of the abstract Seungho’s talk titled ‘Mountains and Modernity in D.H. Lawrence’s Work’.
August 15, 2025 at 4:58 PM