Runs @ddofcartoons.bsky.social
Nothing to see here.
Nothing to see here.
Not only does Carl Stalling use "Powerhouse B" for the first time, but Freleng would reuse the feud between two pets in his later shorts, especially with Sylvester.
Cartoon: "Hiss And Make Up" (1943, Friz Freleng)
Not only does Carl Stalling use "Powerhouse B" for the first time, but Freleng would reuse the feud between two pets in his later shorts, especially with Sylvester.
Cartoon: "Hiss And Make Up" (1943, Friz Freleng)
Cartoon: "The Fire Chief" (1940, Jack King)
Cartoon: "The Fire Chief" (1940, Jack King)
The sequence with Ralph’s conveyor-belt morning routine is pure genius (even using “Powerhouse” here), showing his procrastination until his shift starts.
Cartoon: “A Sheep in the Deep” (1962, Chuck Jones)
The sequence with Ralph’s conveyor-belt morning routine is pure genius (even using “Powerhouse” here), showing his procrastination until his shift starts.
Cartoon: “A Sheep in the Deep” (1962, Chuck Jones)
Cartoon: “Pet Peeve” (1954, Hanna-Barbera)
Cartoon: “Pet Peeve” (1954, Hanna-Barbera)
Cartoon: "Witch Crafty" (1955, Paul J. Smith)
Cartoon: "Witch Crafty" (1955, Paul J. Smith)
Cartoon: "Transylvania 6-5000" (1963, Chuck Jones)
Cartoon: "Transylvania 6-5000" (1963, Chuck Jones)
Freleng made a smart move by having Ross animate this scene. His smooth, expressive handling of Sylvester makes each pose flow naturally, showing Sylvester’s thought process as he tries on the different hats.
Freleng made a smart move by having Ross animate this scene. His smooth, expressive handling of Sylvester makes each pose flow naturally, showing Sylvester’s thought process as he tries on the different hats.
Here, the movement is smooth yet controlled, especially when Bugs and Beaky wrestle and dance together, fast and lively, without distortion, keeping a sense of real weight and believable motion throughout.
Here, the movement is smooth yet controlled, especially when Bugs and Beaky wrestle and dance together, fast and lively, without distortion, keeping a sense of real weight and believable motion throughout.
This is one of his memorable scenes in "Hare Trigger" where Bugs and Sam draw guns.
This is one of his memorable scenes in "Hare Trigger" where Bugs and Sam draw guns.
Cartoon: "Scaredy Cat" (1948, Chuck Jones)
Cartoon: "Scaredy Cat" (1948, Chuck Jones)
Also, expect a lot of Red Skeleton jokes here, given that Avery was a big fan of the radio program.
Cartoon: "Who Killed Who" (1943, Tex Avery)
Also, expect a lot of Red Skeleton jokes here, given that Avery was a big fan of the radio program.
Cartoon: "Who Killed Who" (1943, Tex Avery)
Cartoon: Fraidy Cat (1942, Hanna-Barbera)
Cartoon: Fraidy Cat (1942, Hanna-Barbera)
>Third place in judged
Glad to be on the podium and thanks for voting y'all.
>Third place in judged
Glad to be on the podium and thanks for voting y'all.
www.youtube.com/watch?v=TKCv...
www.youtube.com/watch?v=TKCv...
Pretty much what I said about his work at WB and MGM applies here, fluid animation, movements and all, especially seen here with the Crow.
Cartoon: "The Magic Fluke" (1949, John Hubley)
Pretty much what I said about his work at WB and MGM applies here, fluid animation, movements and all, especially seen here with the Crow.
Cartoon: "The Magic Fluke" (1949, John Hubley)
Cartoon: "Out-Foxed" (1949, Tex Avery)
Cartoon: "Out-Foxed" (1949, Tex Avery)
His animation style was loose yet fluid, with characters often flowing smoothly from one pose into another, as seen in this clip, for example.
Cartoon: "Hare Conditioned" (1945, Chuck Jones)
His animation style was loose yet fluid, with characters often flowing smoothly from one pose into another, as seen in this clip, for example.
Cartoon: "Hare Conditioned" (1945, Chuck Jones)
Cartoon: "Conrad the Sailor" (1942, Chuck Jones)
Cartoon: "Conrad the Sailor" (1942, Chuck Jones)
Cartoon: "SH-H-H-H-H-H" (1955, Tex Avery)
Cartoon: "SH-H-H-H-H-H" (1955, Tex Avery)
I might get a trailer ready before the contest opens to the public.
I might get a trailer ready before the contest opens to the public.
As an anti-smoking PSA, it’s surprisingly effective, shifting from a bouncy tune to surreal, nightmarish imagery as Porky is tormented. Also, the song is a real treat to listen to.
As an anti-smoking PSA, it’s surprisingly effective, shifting from a bouncy tune to surreal, nightmarish imagery as Porky is tormented. Also, the song is a real treat to listen to.