‘Bugonia’ Makes A Crash Landing
“I know you want there to be a master plan,” the kidnapping victim says to her captor. In _Bugonia_ , the latest movie by Yorgos Lanthimos, Emma Stone plays girlboss biotech CEO Michelle Fuller, and Jesse Plemons is Teddy Gatz, who works at a fulfillment center for Michelle’s Auxolith corporation, in a town hollowed out by the opioid crisis and other disasters. Teddy, a beekeeper, is especially conscious of colony collapse disorder, which is possibly linked to neonicotinoids released into the environment by Auxolith, and which he connects to larger systemic issues as well as his own more intimate trials, his mother having slipped into a coma while enrolled in a trial for Auxolith’s experimental opioid-withdrawl drug. And so he has yanked Michelle from her home, chained her up in his basement, and subjected her to enhanced interrogation, convinced that there _is_ a master plan. No, not the asphyxiation of the New Deal welfare state by triangulating laissez-faire liberals, Silicon Valley disruptors, and bootstrappy ghouls in thrall to the profit motive—he thinks that she is a member of an alien race from the Andromeda galaxy, sent to Earth to dominate and destroy us.
The median American voter has a remarkable ability to diagnose a social malaise while misapprehending its causes in monumentally scattershot ways. _Bugonia_ , as explicitly as the quoted “master plan” dialogue indicates, allegorizes a particularly American paranoia. Things as they are are so sinister that publicly available explanations for them are inadequate, Teddy believes, and if these secret, sinister causes were just revealed, people would finally awaken in outrage to things as they are.