This post ranks and reviews 28 films across five categories, ranging from "Masterpieces" to "Skip It." Highlights include the 1930s vampire thriller Sinners (96/100) and the weak Pitch Perfect 2 (30/100). The list blends 2025 upcoming releases with classics, providing brief, witty critiques focused on visuals, plot, and performance.

The Dirty Dr. Pepper Experiment | Wait…Did You Hear!? 🍒☕ This week on Wait…Did You Hear!?, Dave and Hilary take a wild detour into the world of viral

A comprehensive roundup of 28 movies from 1968–2025, reviewing horror, comedy, sci-fi, and thrillers. Highlights include praise for Avatar’s visuals, Misery’s tension, Gremlins’ charm, and The Long Walk’s suspense, while noting uneven sequels (Hell House LLC series) and weaker thrillers (Nuked, The Woman in Cabin 10). Scores range from 29–94/100.

YouTube video by Interpreting Everything

I don't always get around to writing full reviews for my website - however, I often do video reviews for YouTube - but in this post, you can find paragraph-long reviews for all of those movies in the last month or so (28 movies) below! Jump to Review: 213 Bones (2025) Anaconda (1997) AVP 1 - Alien vs. Predator (2004) AVP 2 - Aliens vs Predator: Requiem (2007) Before Midnight (2013) Beverly Hills Cop: Axel F (2024) Cabin Fever (2002) Challengers (2024) Constantine (2005) Entrapment (1999) Escape from New York (1981)

'Reset' aims for mystery but delivers confusion, with a muddled plot and unanswered questions. While the practical creature design somewhat impresses, weak pacing, a passive lead, and a lack of narrative payoff make it feel far longer than its short runtime. Ultimately, it’s a frustrating, undercooked sci-fi misfire.

Jaws remains the quintessential shark movie, blending revolutionary practical effects with Spielberg’s masterful suspense. While it might not earn the same accolades if released today, its influence is undeniable. Iconic moments, implied terror, and timeless beach paranoia cement its legacy—even if I wouldn’t personally rewatch it often.

The Fly is a well-crafted ‘80s body horror with standout practical effects and a surprisingly intense Jeff Goldblum. While its pacing falters mid-film and tension drops too soon, its transformation sequences remain gripping, cementing its place as a classic, if not as shocking to modern audiences.

Together is a bold, twisted body horror film about codependency, anchored by stellar performances from Dave Franco and Allison Brie. Visually unforgettable and narratively daring, it’s best experienced blind—but marketing spoils its surprises. Despite that, it remains a gripping, grotesque, and beautifully executed psychological thriller worth watching.

The Pickup is a forgettable, uninspired heist comedy with a solid cast but no personality. Eddie Murphy and Pete Davidson are wasted in roles anyone could’ve played. It’s watchable background noise, but there’s nothing funny, unique, or memorable here—just another safe, soulless movie lost in the crowd.

The Girl Next Door blends raunchy teen comedy with surprising heart, offering a unique coming-of-age tale beneath familiar tropes. While it contradicts its own message at times—objectifying even as it preaches empathy—it still stands out for trying to say something deeper about identity, judgment, and the messiness of youth.

'Don't Log Off' is a pandemic-era screenlife thriller about a birthday video call gone wrong. While mostly limited to Zoom, it still nails the format with natural performances and effective screen interaction. The pacing drags, but solid chemistry and a suspenseful third act make it a decent entry in the genre.

The Life of Chuck is a beautifully original, metaphor-rich fantasy drama about life, death, and the small moments that define us. Told in reverse, it’s haunting, dreamlike, and emotionally resonant, with strong performances and unexpected musicality. Not for everyone, but unforgettable for those it reaches.

Leave the World Behind is a visually striking, slow-burning apocalyptic mystery that keeps its characters—and viewers—in the dark. Strong performances and detailed production design elevate the eerie, tension-filled atmosphere, though its length and familiar tropes may test some viewers’ patience. Still, it rewards full attention with a haunting experience.

Universal’s War of the Worlds (2025) is a misguided screenlife adaptation filmed during the pandemic and released far too late. Despite some solid virtual design work, Ice Cube is wildly miscast, the visuals are outdated, and the story lacks urgency. A baffling, boring remake no one asked for

'28 Years Later' has a bold vision and striking visuals, but its disjointed story and uneven execution leave it polarizing. Technically impressive in parts—especially the zombie design—it struggles narratively, with tonal inconsistencies and bizarre character choices that may frustrate more than they intrigue. Ambitious, but far from seamless.

Sketch is a charming, kid-friendly monster movie that blends imagination, emotion, and vibrant visuals. It tackles mental health with heart, showing how dark thoughts can be transformed into creative expression. Both fun and thoughtful, it’s a refreshing reminder that even children’s stories can carry powerful, meaningful messages.

Lilo & Stitch is a well-made yet emotionally inconsistent remake. Strong performances and visuals can’t fully mask tonal whiplash, odd character changes, and a colder take on family. It respects the original, but something vital feels missing—especially in the ending, which left my soul quietly screaming.

Happy Gilmore 2 plays it safe, echoing the original's humor and tone. While Sandler isn’t who he once was, seeing him return feels nostalgic. Some cameos shine, and Shooter McGavin steals the show, but script rewrites and recycled beats hold it back. Still, it feels like it belongs.

'Friendship' is an absurd, offbeat comedy starring Tim Robinson and Paul Rudd, blending 'I Think You Should Leave' chaos with 'Single White Female' obsession. It’s funny, bizarre, and unpredictable—but also divisive. Some will love the wild energy; others may be left bewildered. Either way, it’s undeniably unique.

Trapped in a cryo-pod with fading oxygen and no memory, Mélanie Laurent delivers a gripping solo performance in Oxygen, a tense, claustrophobic sci-fi thriller. While the mystery twists are solid, the film leans more on panic than plot-driving action. Gripping, if not entirely original.

The Heartbreak Kid isn’t as bad as its reputation suggests, but it’s far from great. Some jokes land, and Malin Akerman shines, but the characters are deeply unlikable, and the humor leans offensive. A promising concept held back by poor writing and unmet expectations.