I’m still not as cool as Serengeti guy. But I’m telling stories that matter. Out in the wild. Doing the work I once dreamed of.
Maybe I’m on the right path. And maybe, just maybe, I’ve earned 10% of the cool.
I’m still not as cool as Serengeti guy. But I’m telling stories that matter. Out in the wild. Doing the work I once dreamed of.
Maybe I’m on the right path. And maybe, just maybe, I’ve earned 10% of the cool.
I never forgot that moment.
This year and last, I had the surreal honor of filming for Mutual of Omaha’s Wild Kingdom (now Protecting the Wild)—one of TV’s longest-running nature shows.
I never forgot that moment.
This year and last, I had the surreal honor of filming for Mutual of Omaha’s Wild Kingdom (now Protecting the Wild)—one of TV’s longest-running nature shows.
I wanted to ask him, “How do you get to do this?” But I stayed silent. Out of respect—or maybe because I was holding a humble 1DX II with a 70–200, and he looked like he filmed for the BBC.
I wanted to ask him, “How do you get to do this?” But I stayed silent. Out of respect—or maybe because I was holding a humble 1DX II with a 70–200, and he looked like he filmed for the BBC.
On the roof sat a guy who, in my eyes, was the coolest human alive. Quiet confidence. Cigarette in hand. A camera rig that probably cost more than his truck. He waited for the cheetah to stir.
On the roof sat a guy who, in my eyes, was the coolest human alive. Quiet confidence. Cigarette in hand. A camera rig that probably cost more than his truck. He waited for the cheetah to stir.