@dalehardy.bsky.social
Reposted
Double exposures with Rae. After shooting with Rae in my studio space I rewound the film and shot the second exposure in Toronto's Graffiti Alley.
January 10, 2026 at 1:03 PM
Double exposures with Rae. After shooting with Rae in my studio space I rewound the film and shot the second exposure in Toronto's Graffiti Alley.
Reposted
~ compare and contrast
I have enjoyed using some of the Revolog pre-exposed film for a couple of my double exposure projects but I think that's enough - I much prefer my own double exposures. Both exposures on the B&W image are mine, the colour image is Revolog film. I won't buy any more.
I have enjoyed using some of the Revolog pre-exposed film for a couple of my double exposure projects but I think that's enough - I much prefer my own double exposures. Both exposures on the B&W image are mine, the colour image is Revolog film. I won't buy any more.
January 6, 2026 at 5:25 PM
~ compare and contrast
I have enjoyed using some of the Revolog pre-exposed film for a couple of my double exposure projects but I think that's enough - I much prefer my own double exposures. Both exposures on the B&W image are mine, the colour image is Revolog film. I won't buy any more.
I have enjoyed using some of the Revolog pre-exposed film for a couple of my double exposure projects but I think that's enough - I much prefer my own double exposures. Both exposures on the B&W image are mine, the colour image is Revolog film. I won't buy any more.
Reposted
~ compare and contrast (part 2)
I have enjoyed using some of the Revolog pre-exposed film for a couple of my double exposure projects but I think that's enough - I much prefer my own double exposures. Both exposures on the B&W image are mine, the colour image is Revolog film. I won't buy any more.
I have enjoyed using some of the Revolog pre-exposed film for a couple of my double exposure projects but I think that's enough - I much prefer my own double exposures. Both exposures on the B&W image are mine, the colour image is Revolog film. I won't buy any more.
January 7, 2026 at 2:44 PM
~ compare and contrast (part 2)
I have enjoyed using some of the Revolog pre-exposed film for a couple of my double exposure projects but I think that's enough - I much prefer my own double exposures. Both exposures on the B&W image are mine, the colour image is Revolog film. I won't buy any more.
I have enjoyed using some of the Revolog pre-exposed film for a couple of my double exposure projects but I think that's enough - I much prefer my own double exposures. Both exposures on the B&W image are mine, the colour image is Revolog film. I won't buy any more.
Reposted
'Before+After @lilfauxfox 'Ellenglas'
January 3, 2026 at 11:08 PM
'Before+After @lilfauxfox 'Ellenglas'
Reposted
Before+After @lilfauxfox
November 22, 2025 at 8:58 PM
Before+After @lilfauxfox
Reposted
That time my friend Sam came over and did an abstract painting on Roarie Yum.
May 2019
#roarieyum #nudephotography #nudemodel #bodyscape #bodypaint #artnude
May 2019
#roarieyum #nudephotography #nudemodel #bodyscape #bodypaint #artnude
October 12, 2025 at 6:20 AM
That time my friend Sam came over and did an abstract painting on Roarie Yum.
May 2019
#roarieyum #nudephotography #nudemodel #bodyscape #bodypaint #artnude
May 2019
#roarieyum #nudephotography #nudemodel #bodyscape #bodypaint #artnude
Reposted
LIzzie on Film
A double exposure on Kodak HD200. Pentax K1000, 50mm f1.2. In Sept the garage was still warm enough and the garden lush enough.
A double exposure on Kodak HD200. Pentax K1000, 50mm f1.2. In Sept the garage was still warm enough and the garden lush enough.
February 6, 2025 at 12:12 PM
LIzzie on Film
A double exposure on Kodak HD200. Pentax K1000, 50mm f1.2. In Sept the garage was still warm enough and the garden lush enough.
A double exposure on Kodak HD200. Pentax K1000, 50mm f1.2. In Sept the garage was still warm enough and the garden lush enough.
Reposted
February 16, 2025 at 3:16 PM
Reposted
This lighting is something I kind of stumbled on by chance. I bought these lights for another purpose but then found they have this cool mode cycling through a range of colours. Thank you Zoia for playing along.
August 10, 2025 at 1:43 PM
This lighting is something I kind of stumbled on by chance. I bought these lights for another purpose but then found they have this cool mode cycling through a range of colours. Thank you Zoia for playing along.
Reposted
I am absolutely delighted when one of my double exposure images turns out so nicely as this.
35mm PanatomicX, ISO32 shot at 120, expire 1988 (I think?).
35mm PanatomicX, ISO32 shot at 120, expire 1988 (I think?).
August 25, 2025 at 3:37 PM
I am absolutely delighted when one of my double exposure images turns out so nicely as this.
35mm PanatomicX, ISO32 shot at 120, expire 1988 (I think?).
35mm PanatomicX, ISO32 shot at 120, expire 1988 (I think?).
Reposted
Some highkey bodyscape details I created with Kayla a while back. I don't do this highkey lighting often enough.
August 31, 2025 at 1:04 AM
Some highkey bodyscape details I created with Kayla a while back. I don't do this highkey lighting often enough.
Reposted
~ shape of
Another example of a style of bodyscape I think fabric would ruin. In this image, I am especially delighted by the "mystery" of what we are looking at. If she were wearing something the mystery would not exist, we would recognize instantly what this is, delight would be lost.
Another example of a style of bodyscape I think fabric would ruin. In this image, I am especially delighted by the "mystery" of what we are looking at. If she were wearing something the mystery would not exist, we would recognize instantly what this is, delight would be lost.
September 15, 2025 at 5:14 PM
~ shape of
Another example of a style of bodyscape I think fabric would ruin. In this image, I am especially delighted by the "mystery" of what we are looking at. If she were wearing something the mystery would not exist, we would recognize instantly what this is, delight would be lost.
Another example of a style of bodyscape I think fabric would ruin. In this image, I am especially delighted by the "mystery" of what we are looking at. If she were wearing something the mystery would not exist, we would recognize instantly what this is, delight would be lost.