C.Scott
@cscott412.bsky.social
Pittsburgh-based producer & music person.
It’s Jozie with a “Z” tho.
June 7, 2025 at 6:25 PM
It’s Jozie with a “Z” tho.
#MWE Day 28
A compilation of various Thelonious Monk sessions from the early-mid 50s, a couple cuts of which feature Sonny Rollins.
Man. Sonny Rollins is a master of melody - a seemingly endless wellspring of ideas. I just want to say that we’re all lucky to be living at the same time as him.
A compilation of various Thelonious Monk sessions from the early-mid 50s, a couple cuts of which feature Sonny Rollins.
Man. Sonny Rollins is a master of melody - a seemingly endless wellspring of ideas. I just want to say that we’re all lucky to be living at the same time as him.
March 1, 2025 at 5:04 AM
#MWE Day 28
A compilation of various Thelonious Monk sessions from the early-mid 50s, a couple cuts of which feature Sonny Rollins.
Man. Sonny Rollins is a master of melody - a seemingly endless wellspring of ideas. I just want to say that we’re all lucky to be living at the same time as him.
A compilation of various Thelonious Monk sessions from the early-mid 50s, a couple cuts of which feature Sonny Rollins.
Man. Sonny Rollins is a master of melody - a seemingly endless wellspring of ideas. I just want to say that we’re all lucky to be living at the same time as him.
#MWE Day 27
Gritty Midwestern soul meets silky Philly elegance (Gamble & Huff! Thom Bell! Vince Montana!). You can hear the emergent strains of what would become disco in a few years, but it’s really about the ballads and slow dance numbers here. They don’t make slow jams like they used to. Word.
Gritty Midwestern soul meets silky Philly elegance (Gamble & Huff! Thom Bell! Vince Montana!). You can hear the emergent strains of what would become disco in a few years, but it’s really about the ballads and slow dance numbers here. They don’t make slow jams like they used to. Word.
March 1, 2025 at 4:24 AM
#MWE Day 27
Gritty Midwestern soul meets silky Philly elegance (Gamble & Huff! Thom Bell! Vince Montana!). You can hear the emergent strains of what would become disco in a few years, but it’s really about the ballads and slow dance numbers here. They don’t make slow jams like they used to. Word.
Gritty Midwestern soul meets silky Philly elegance (Gamble & Huff! Thom Bell! Vince Montana!). You can hear the emergent strains of what would become disco in a few years, but it’s really about the ballads and slow dance numbers here. They don’t make slow jams like they used to. Word.
#MWE Day 26
Generally, more of the kind of material present on the first LP with slightly better recording quality. What I said about Take One applies. “Reverend Lee” is a huge stand out- vivid storytelling with her voice contorting to match every lyric and an all-timer Chuck Rainey bassline.
Generally, more of the kind of material present on the first LP with slightly better recording quality. What I said about Take One applies. “Reverend Lee” is a huge stand out- vivid storytelling with her voice contorting to match every lyric and an all-timer Chuck Rainey bassline.
February 28, 2025 at 6:09 AM
#MWE Day 26
Generally, more of the kind of material present on the first LP with slightly better recording quality. What I said about Take One applies. “Reverend Lee” is a huge stand out- vivid storytelling with her voice contorting to match every lyric and an all-timer Chuck Rainey bassline.
Generally, more of the kind of material present on the first LP with slightly better recording quality. What I said about Take One applies. “Reverend Lee” is a huge stand out- vivid storytelling with her voice contorting to match every lyric and an all-timer Chuck Rainey bassline.
#MWE Day 25
A ballad-heavy set that exemplifies Flack’s steadfast elegance. What would be saccharine in someone else’s hands is graceful in hers. My favorite moments are the more groove-oriented tunes. Ron Carter absolutely holds it DOWN on “Compared to What” and “Tryin’ Times”.
A ballad-heavy set that exemplifies Flack’s steadfast elegance. What would be saccharine in someone else’s hands is graceful in hers. My favorite moments are the more groove-oriented tunes. Ron Carter absolutely holds it DOWN on “Compared to What” and “Tryin’ Times”.
February 28, 2025 at 5:24 AM
#MWE Day 25
A ballad-heavy set that exemplifies Flack’s steadfast elegance. What would be saccharine in someone else’s hands is graceful in hers. My favorite moments are the more groove-oriented tunes. Ron Carter absolutely holds it DOWN on “Compared to What” and “Tryin’ Times”.
A ballad-heavy set that exemplifies Flack’s steadfast elegance. What would be saccharine in someone else’s hands is graceful in hers. My favorite moments are the more groove-oriented tunes. Ron Carter absolutely holds it DOWN on “Compared to What” and “Tryin’ Times”.
I’m so tired of jazz album cover design that’s an inferior rip-off of either the Blue Note or ECM graphic design aesthetic. We need more arch-top guitars on Mars.
February 27, 2025 at 9:00 PM
I’m so tired of jazz album cover design that’s an inferior rip-off of either the Blue Note or ECM graphic design aesthetic. We need more arch-top guitars on Mars.
#MWE Day 24
Kool & the Gang’s early brand of jazz-inflected funk speaks for itself. I just have one question:
Is “Rated X” the greatest funk Mellotron performance?
It’s kinda running unopposed unless we count the outro of “Mercy Mercy Me”. Still though, love hearing Mellotron outside of prog.
Kool & the Gang’s early brand of jazz-inflected funk speaks for itself. I just have one question:
Is “Rated X” the greatest funk Mellotron performance?
It’s kinda running unopposed unless we count the outro of “Mercy Mercy Me”. Still though, love hearing Mellotron outside of prog.
February 27, 2025 at 4:57 AM
#MWE Day 24
Kool & the Gang’s early brand of jazz-inflected funk speaks for itself. I just have one question:
Is “Rated X” the greatest funk Mellotron performance?
It’s kinda running unopposed unless we count the outro of “Mercy Mercy Me”. Still though, love hearing Mellotron outside of prog.
Kool & the Gang’s early brand of jazz-inflected funk speaks for itself. I just have one question:
Is “Rated X” the greatest funk Mellotron performance?
It’s kinda running unopposed unless we count the outro of “Mercy Mercy Me”. Still though, love hearing Mellotron outside of prog.
#MWE Day 23
Scarface casts a cold, unflinching gaze towards 90s street life. There’s a darkness underpinning everything- even the escapism afforded by sex, weed, and drink. Vivid and soulful, every word carries the greatest possible weight.
How’d it take me this long to get around to this?!
Scarface casts a cold, unflinching gaze towards 90s street life. There’s a darkness underpinning everything- even the escapism afforded by sex, weed, and drink. Vivid and soulful, every word carries the greatest possible weight.
How’d it take me this long to get around to this?!
February 26, 2025 at 5:23 AM
#MWE Day 23
Scarface casts a cold, unflinching gaze towards 90s street life. There’s a darkness underpinning everything- even the escapism afforded by sex, weed, and drink. Vivid and soulful, every word carries the greatest possible weight.
How’d it take me this long to get around to this?!
Scarface casts a cold, unflinching gaze towards 90s street life. There’s a darkness underpinning everything- even the escapism afforded by sex, weed, and drink. Vivid and soulful, every word carries the greatest possible weight.
How’d it take me this long to get around to this?!
#MWE Day 22
A precision engineered missile of angsty rock aimed squarely at 13-year-olds from ‘94 til Infinity. Basically immune to critique- it is exactly what it aims to be. No more and no less. The album that launched a million power chor
A precision engineered missile of angsty rock aimed squarely at 13-year-olds from ‘94 til Infinity. Basically immune to critique- it is exactly what it aims to be. No more and no less. The album that launched a million power chor
February 24, 2025 at 4:42 AM
#MWE Day 22
A precision engineered missile of angsty rock aimed squarely at 13-year-olds from ‘94 til Infinity. Basically immune to critique- it is exactly what it aims to be. No more and no less. The album that launched a million power chor
A precision engineered missile of angsty rock aimed squarely at 13-year-olds from ‘94 til Infinity. Basically immune to critique- it is exactly what it aims to be. No more and no less. The album that launched a million power chor
#MWE Day 21
Noodly. Not necessarily in a bad way. Has the vibe of a live-focused group attempting to consolidate their sound into a studio recording. The LP makes me more curious to seek out a live bootleg. National Health, this group’s heir apparent, got it right tho. For nerds and completists.
Noodly. Not necessarily in a bad way. Has the vibe of a live-focused group attempting to consolidate their sound into a studio recording. The LP makes me more curious to seek out a live bootleg. National Health, this group’s heir apparent, got it right tho. For nerds and completists.
February 22, 2025 at 5:44 AM
#MWE Day 21
Noodly. Not necessarily in a bad way. Has the vibe of a live-focused group attempting to consolidate their sound into a studio recording. The LP makes me more curious to seek out a live bootleg. National Health, this group’s heir apparent, got it right tho. For nerds and completists.
Noodly. Not necessarily in a bad way. Has the vibe of a live-focused group attempting to consolidate their sound into a studio recording. The LP makes me more curious to seek out a live bootleg. National Health, this group’s heir apparent, got it right tho. For nerds and completists.
#MWE Day 20
Honestly? Went into all of these albums expecting to dislike them and maybe get a dunk or two off. Coming out of all of them not necessarily loving everything, but deeply appreciating that a guy as open and curious as JC can be successful. Good for him.
Honestly? Went into all of these albums expecting to dislike them and maybe get a dunk or two off. Coming out of all of them not necessarily loving everything, but deeply appreciating that a guy as open and curious as JC can be successful. Good for him.
February 22, 2025 at 4:27 AM
#MWE Day 20
Honestly? Went into all of these albums expecting to dislike them and maybe get a dunk or two off. Coming out of all of them not necessarily loving everything, but deeply appreciating that a guy as open and curious as JC can be successful. Good for him.
Honestly? Went into all of these albums expecting to dislike them and maybe get a dunk or two off. Coming out of all of them not necessarily loving everything, but deeply appreciating that a guy as open and curious as JC can be successful. Good for him.
#MWE Day 19
You know what? I went in expecting to really detest this album but I don’t. R&B JC isn’t my favorite, but this could be a lot worse. I don’t need to hear him rap ever again tho.
Sidebar: sometimes I wish music school students never found out about Dilla tbh.
You know what? I went in expecting to really detest this album but I don’t. R&B JC isn’t my favorite, but this could be a lot worse. I don’t need to hear him rap ever again tho.
Sidebar: sometimes I wish music school students never found out about Dilla tbh.
February 20, 2025 at 3:30 AM
#MWE Day 19
You know what? I went in expecting to really detest this album but I don’t. R&B JC isn’t my favorite, but this could be a lot worse. I don’t need to hear him rap ever again tho.
Sidebar: sometimes I wish music school students never found out about Dilla tbh.
You know what? I went in expecting to really detest this album but I don’t. R&B JC isn’t my favorite, but this could be a lot worse. I don’t need to hear him rap ever again tho.
Sidebar: sometimes I wish music school students never found out about Dilla tbh.
#MWE Day 18
Kind of a nice surprise! When JC slightly dials back his maximalist approach, he’s capable of moments of subtle beauty and charm. The folk orientation works better for his voice. A bit long, and stumbles towards the end, but I found myself enjoying this much more than anticipated.
Kind of a nice surprise! When JC slightly dials back his maximalist approach, he’s capable of moments of subtle beauty and charm. The folk orientation works better for his voice. A bit long, and stumbles towards the end, but I found myself enjoying this much more than anticipated.
February 18, 2025 at 7:02 PM
#MWE Day 18
Kind of a nice surprise! When JC slightly dials back his maximalist approach, he’s capable of moments of subtle beauty and charm. The folk orientation works better for his voice. A bit long, and stumbles towards the end, but I found myself enjoying this much more than anticipated.
Kind of a nice surprise! When JC slightly dials back his maximalist approach, he’s capable of moments of subtle beauty and charm. The folk orientation works better for his voice. A bit long, and stumbles towards the end, but I found myself enjoying this much more than anticipated.
#MWE Day 17
What happens when you put Hiatus Kaiyote, Bo Diddley, and Hideki Naganuma in a blender? Track 3. It’s… a whole lot.
I can kind of appreciate the boundary-free exploration of styles but the phrase that kept coming to mind:
Just because you can doesn’t mean you should.
What happens when you put Hiatus Kaiyote, Bo Diddley, and Hideki Naganuma in a blender? Track 3. It’s… a whole lot.
I can kind of appreciate the boundary-free exploration of styles but the phrase that kept coming to mind:
Just because you can doesn’t mean you should.
February 18, 2025 at 1:36 AM
#MWE Day 17
What happens when you put Hiatus Kaiyote, Bo Diddley, and Hideki Naganuma in a blender? Track 3. It’s… a whole lot.
I can kind of appreciate the boundary-free exploration of styles but the phrase that kept coming to mind:
Just because you can doesn’t mean you should.
What happens when you put Hiatus Kaiyote, Bo Diddley, and Hideki Naganuma in a blender? Track 3. It’s… a whole lot.
I can kind of appreciate the boundary-free exploration of styles but the phrase that kept coming to mind:
Just because you can doesn’t mean you should.
#MWE Day 15
The embryonic beginnings of a distinct regional rap sound developing on the West Coast. Much of this album has more than a passing resemblance to contemporary East Coast styles (Juice Crew, Run DMC), but “Just Clowning” feels distinctly LA. Solid 80s rap LP that suggests the future.
The embryonic beginnings of a distinct regional rap sound developing on the West Coast. Much of this album has more than a passing resemblance to contemporary East Coast styles (Juice Crew, Run DMC), but “Just Clowning” feels distinctly LA. Solid 80s rap LP that suggests the future.
February 17, 2025 at 4:22 AM
#MWE Day 15
The embryonic beginnings of a distinct regional rap sound developing on the West Coast. Much of this album has more than a passing resemblance to contemporary East Coast styles (Juice Crew, Run DMC), but “Just Clowning” feels distinctly LA. Solid 80s rap LP that suggests the future.
The embryonic beginnings of a distinct regional rap sound developing on the West Coast. Much of this album has more than a passing resemblance to contemporary East Coast styles (Juice Crew, Run DMC), but “Just Clowning” feels distinctly LA. Solid 80s rap LP that suggests the future.
#MWE Day 15
There are many recordings of Ahmad Jamal playing “Poinciana”. It’s astounding that it never seems perfunctory- there’s a palpable joy that exudes from every performance. He was happy to sit in that tune, explore it a little more, and share that with folks for his whole life.
Message!
There are many recordings of Ahmad Jamal playing “Poinciana”. It’s astounding that it never seems perfunctory- there’s a palpable joy that exudes from every performance. He was happy to sit in that tune, explore it a little more, and share that with folks for his whole life.
Message!
February 16, 2025 at 4:50 AM
#MWE Day 15
There are many recordings of Ahmad Jamal playing “Poinciana”. It’s astounding that it never seems perfunctory- there’s a palpable joy that exudes from every performance. He was happy to sit in that tune, explore it a little more, and share that with folks for his whole life.
Message!
There are many recordings of Ahmad Jamal playing “Poinciana”. It’s astounding that it never seems perfunctory- there’s a palpable joy that exudes from every performance. He was happy to sit in that tune, explore it a little more, and share that with folks for his whole life.
Message!
#MWE Day 14
Black Milk is a producer with few true peers as a technician. Rather than give us the full baroque treatment here, he strips it back to the loop. “Drumless” maybe, but masterfully executed with Fat Ray’s charismatic stink pink gator Detroit flow as a perfect complement.
Black Milk is a producer with few true peers as a technician. Rather than give us the full baroque treatment here, he strips it back to the loop. “Drumless” maybe, but masterfully executed with Fat Ray’s charismatic stink pink gator Detroit flow as a perfect complement.
February 15, 2025 at 5:34 AM
#MWE Day 14
Black Milk is a producer with few true peers as a technician. Rather than give us the full baroque treatment here, he strips it back to the loop. “Drumless” maybe, but masterfully executed with Fat Ray’s charismatic stink pink gator Detroit flow as a perfect complement.
Black Milk is a producer with few true peers as a technician. Rather than give us the full baroque treatment here, he strips it back to the loop. “Drumless” maybe, but masterfully executed with Fat Ray’s charismatic stink pink gator Detroit flow as a perfect complement.
#MWE Day 13
When I was a child, my mom would occasionally return home from the import store with some small instrument. I would sit around with it, tapping out rhythms or plucking notes and sitting with the reverberating sound. This album reminds me of those times innocently exploring sound.
When I was a child, my mom would occasionally return home from the import store with some small instrument. I would sit around with it, tapping out rhythms or plucking notes and sitting with the reverberating sound. This album reminds me of those times innocently exploring sound.
February 14, 2025 at 5:45 AM
#MWE Day 13
When I was a child, my mom would occasionally return home from the import store with some small instrument. I would sit around with it, tapping out rhythms or plucking notes and sitting with the reverberating sound. This album reminds me of those times innocently exploring sound.
When I was a child, my mom would occasionally return home from the import store with some small instrument. I would sit around with it, tapping out rhythms or plucking notes and sitting with the reverberating sound. This album reminds me of those times innocently exploring sound.
#MWE Day 12
I love Phil The Agony. He’s like the snotty, raw Phife Dawg of the Strong Arm Steady/ Likwit Crew continuum. Whenever he pops up on a record, it’s a high point for me.
This is labeled as an album but it’s really a mixtape- a 2004 mixtape. Kinda a mixed bag, but again… Phil rules.
I love Phil The Agony. He’s like the snotty, raw Phife Dawg of the Strong Arm Steady/ Likwit Crew continuum. Whenever he pops up on a record, it’s a high point for me.
This is labeled as an album but it’s really a mixtape- a 2004 mixtape. Kinda a mixed bag, but again… Phil rules.
February 13, 2025 at 5:31 AM
#MWE Day 12
I love Phil The Agony. He’s like the snotty, raw Phife Dawg of the Strong Arm Steady/ Likwit Crew continuum. Whenever he pops up on a record, it’s a high point for me.
This is labeled as an album but it’s really a mixtape- a 2004 mixtape. Kinda a mixed bag, but again… Phil rules.
I love Phil The Agony. He’s like the snotty, raw Phife Dawg of the Strong Arm Steady/ Likwit Crew continuum. Whenever he pops up on a record, it’s a high point for me.
This is labeled as an album but it’s really a mixtape- a 2004 mixtape. Kinda a mixed bag, but again… Phil rules.
#MWE Day 11
The post-Chronic 2001 checklist:
Dre, Nate, Snoop, & Em features ✅
Mel-Man, Scott Storch, Battlecat, & Quik production ✅
Brickwalled to the point of slightly clipping mastering job ✅✅✅
Extremely of its time, but still a pretty fun listen. A step down from the last LP to me tho.
The post-Chronic 2001 checklist:
Dre, Nate, Snoop, & Em features ✅
Mel-Man, Scott Storch, Battlecat, & Quik production ✅
Brickwalled to the point of slightly clipping mastering job ✅✅✅
Extremely of its time, but still a pretty fun listen. A step down from the last LP to me tho.
February 12, 2025 at 4:44 AM
#MWE Day 11
The post-Chronic 2001 checklist:
Dre, Nate, Snoop, & Em features ✅
Mel-Man, Scott Storch, Battlecat, & Quik production ✅
Brickwalled to the point of slightly clipping mastering job ✅✅✅
Extremely of its time, but still a pretty fun listen. A step down from the last LP to me tho.
The post-Chronic 2001 checklist:
Dre, Nate, Snoop, & Em features ✅
Mel-Man, Scott Storch, Battlecat, & Quik production ✅
Brickwalled to the point of slightly clipping mastering job ✅✅✅
Extremely of its time, but still a pretty fun listen. A step down from the last LP to me tho.
#MWE Day 10
It’s the bigger, more expensive sounding sequel record that so often falls flat on its face but here… doesn’t! Well, a couple regrettable choruses and beats don’t kill it anyway. A marvel of engineering- this sounds HUGE. I want my future records to knock like this.
It’s the bigger, more expensive sounding sequel record that so often falls flat on its face but here… doesn’t! Well, a couple regrettable choruses and beats don’t kill it anyway. A marvel of engineering- this sounds HUGE. I want my future records to knock like this.
February 11, 2025 at 3:23 AM
#MWE Day 10
It’s the bigger, more expensive sounding sequel record that so often falls flat on its face but here… doesn’t! Well, a couple regrettable choruses and beats don’t kill it anyway. A marvel of engineering- this sounds HUGE. I want my future records to knock like this.
It’s the bigger, more expensive sounding sequel record that so often falls flat on its face but here… doesn’t! Well, a couple regrettable choruses and beats don’t kill it anyway. A marvel of engineering- this sounds HUGE. I want my future records to knock like this.
#MWE Day 9
Hard rhyming on dusted beats. This record is the platonic ideal of a good mid-90s rap record. Nothing is blowing my mind conceptually, but it hits exactly the way it should.
Also, E Swift deserves more acclaim as a producer. That man’s sound is incredible.
Hard rhyming on dusted beats. This record is the platonic ideal of a good mid-90s rap record. Nothing is blowing my mind conceptually, but it hits exactly the way it should.
Also, E Swift deserves more acclaim as a producer. That man’s sound is incredible.
February 10, 2025 at 10:20 PM
#MWE Day 9
Hard rhyming on dusted beats. This record is the platonic ideal of a good mid-90s rap record. Nothing is blowing my mind conceptually, but it hits exactly the way it should.
Also, E Swift deserves more acclaim as a producer. That man’s sound is incredible.
Hard rhyming on dusted beats. This record is the platonic ideal of a good mid-90s rap record. Nothing is blowing my mind conceptually, but it hits exactly the way it should.
Also, E Swift deserves more acclaim as a producer. That man’s sound is incredible.
#MWE Day 8
Today I’m switching it up with a good rap record that I didn’t have to force myself to finish!
Blu and Evidence craft a love letter to the ugly beauty of their hometown. It’s a study in contrasts: grime & glamour. “LA has a dark side” has been explored before, but this does it well.
Today I’m switching it up with a good rap record that I didn’t have to force myself to finish!
Blu and Evidence craft a love letter to the ugly beauty of their hometown. It’s a study in contrasts: grime & glamour. “LA has a dark side” has been explored before, but this does it well.
February 9, 2025 at 3:56 AM
#MWE Day 8
Today I’m switching it up with a good rap record that I didn’t have to force myself to finish!
Blu and Evidence craft a love letter to the ugly beauty of their hometown. It’s a study in contrasts: grime & glamour. “LA has a dark side” has been explored before, but this does it well.
Today I’m switching it up with a good rap record that I didn’t have to force myself to finish!
Blu and Evidence craft a love letter to the ugly beauty of their hometown. It’s a study in contrasts: grime & glamour. “LA has a dark side” has been explored before, but this does it well.
#MWE Day 7
In 1994, Guru told us it’s “Mostly Tha Voice”.
In 1999, Ja Rule and his raspy baritone proved that it really isn’t only the voice.
Listen to the difference in charisma and presence when Jay-Z and DMX pop up on “It’s Murda”. Says it all, really.
RIP Irv Gotti though.
In 1994, Guru told us it’s “Mostly Tha Voice”.
In 1999, Ja Rule and his raspy baritone proved that it really isn’t only the voice.
Listen to the difference in charisma and presence when Jay-Z and DMX pop up on “It’s Murda”. Says it all, really.
RIP Irv Gotti though.
February 8, 2025 at 4:52 AM
#MWE Day 7
In 1994, Guru told us it’s “Mostly Tha Voice”.
In 1999, Ja Rule and his raspy baritone proved that it really isn’t only the voice.
Listen to the difference in charisma and presence when Jay-Z and DMX pop up on “It’s Murda”. Says it all, really.
RIP Irv Gotti though.
In 1994, Guru told us it’s “Mostly Tha Voice”.
In 1999, Ja Rule and his raspy baritone proved that it really isn’t only the voice.
Listen to the difference in charisma and presence when Jay-Z and DMX pop up on “It’s Murda”. Says it all, really.
RIP Irv Gotti though.
#MWE Day 6
Last week, our man Gary was on a podcast talking about the Belly OST. Yesterday, the use of ARP Solina strings made me think about the title track of this LP. I put this LP on and it all connected! “Moving On” with Mya, Nore, and Raekwon is pretty great for a random soundtrack cut.
Last week, our man Gary was on a podcast talking about the Belly OST. Yesterday, the use of ARP Solina strings made me think about the title track of this LP. I put this LP on and it all connected! “Moving On” with Mya, Nore, and Raekwon is pretty great for a random soundtrack cut.
February 7, 2025 at 4:23 AM
#MWE Day 6
Last week, our man Gary was on a podcast talking about the Belly OST. Yesterday, the use of ARP Solina strings made me think about the title track of this LP. I put this LP on and it all connected! “Moving On” with Mya, Nore, and Raekwon is pretty great for a random soundtrack cut.
Last week, our man Gary was on a podcast talking about the Belly OST. Yesterday, the use of ARP Solina strings made me think about the title track of this LP. I put this LP on and it all connected! “Moving On” with Mya, Nore, and Raekwon is pretty great for a random soundtrack cut.