Critic's Notebook
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Critic's Notebook
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A nascent website formed by graduate students at the BFI and New York University Tisch School of the Arts Martin Scorsese Department of Cinema Studies. criticsnotebook.com
“The perennially debonair leading man brings with him substantial baggage from his own time in the limelight, which immediately resonates with those who’ve borne witness to his career.”
@martintsai.bsky.social on George Clooney . . . oops, we meant "Jay Kelly." bit.ly/4oFQMbr

#filmsky @netflix.com
November 13, 2025 at 3:06 PM
“With [Sean] Baker as its editor, 'Left-Handed Girl' definitely shares the hyperkinetic energy emblematic of his work.”
@martintsai.bsky.social reviews. bit.ly/4oFctbA

#filmsky @netflix.com
November 12, 2025 at 4:34 PM
Reposted by Critic's Notebook
it took two decades of trying for me to land a piece in
@sightsoundmag.bsky.social

at this rate i will be 60 before i get a staff job somewhere.

anyway. i'm not going shut up about my review of "peter hujar's day": bit.ly/47utCi1

#filmsky @filmforumnyc.bsky.social @filmlinc.bsky.social
November 7, 2025 at 7:04 PM
“Though 'Sentimental Value' doesn’t center on a romantic relationship as its predecessor did, it nevertheless rehashes some of the same dynamics and feelings of guilt and regret.”
@martintsai.bsky.social reviews. bit.ly/47rTICk

#filmsky @neon-rated.bsky.social
November 7, 2025 at 6:50 PM
“The film challenges the superhero genre narrative that is so deeply ingrained in us and the latent sexist feelings toward successful woman go-getters, all while reenforcing and reaffirming these tropes.”
@martintsai.bsky.social reviews #BUGONIA. bit.ly/3Wd9pHd

#filmsky @focusfeatures.bsky.social
October 24, 2025 at 4:50 PM
“The film challenges the superhero genre narrative that is so deeply ingrained in us and the latent sexist feelings toward successful woman go-getters, all while reenforcing and reaffirming these tropes.”
@martintsai.bsky.social reviews #BUGONIA. bit.ly/3Wd9pHd

#filmsky @focusfeatures.bsky.social
October 20, 2025 at 11:52 PM
Reposted by Critic's Notebook
Not to be THAT dictionary, but…

It’s ‘per se,’ not ‘per say.’
It’s ‘dog-eat-dog world,’ not ‘doggy-dog world.’
It’s ‘hunger pangs,’ not ‘hunger pains.’
It’s ‘one and the same,’ not ‘one in the same.’
It's 'buck naked,' not 'butt naked.'
October 20, 2025 at 5:21 PM
“There’s no horror or suspense whatsoever, just magical dismemberments under golden hues and glittering harps on the soundtrack. It’s all kind of perverse, and I’m not sure if Mr. del Toro really meant it that way.”
@martintsai.bsky.social reviews "Frankenstein." bit.ly/4qd5Azq
#filmsky @netflix.com
October 17, 2025 at 4:55 PM
“It’s especially timely to us in the West, as our political climates grow more tenuous.”
@martintsai.bsky.social reviews "It Was Just an Accident." bit.ly/4obfJe2

#filmsky @filmforumnyc.bsky.social @filmlinc.bsky.social @neon-rated.bsky.social
October 15, 2025 at 3:10 PM
“There’s no horror or suspense whatsoever, just magical dismemberments under golden hues and glittering harps on the soundtrack. It’s all kind of perverse, and I’m not sure if Mr. del Toro really meant it that way.”
@martintsai.bsky.social reviews "Frankenstein." bit.ly/4qd5Azq
#filmsky @netflix.com
October 15, 2025 at 2:58 PM
“It’s especially timely to us in the West, as our political climates grow more tenuous.”
@martintsai.bsky.social reviews "It Was Just an Accident." bit.ly/4obfJe2

#filmsky @filmforumnyc.bsky.social @filmlinc.bsky.social @neon-rated.bsky.social
October 13, 2025 at 4:53 PM
“'A House of Dynamite,' is, for the most part, one of those end-of-days Armageddon movies, except it never actually culminates in special effects-laden spectacles of total obliteration.”
@martintsai.bsky.social reviews. bit.ly/4q5ZeSf

#filmsky @netflix.com @paristheaternyc.bsky.social
October 10, 2025 at 3:11 PM
“The script’s ambiguities regarding the perpetrator and the victim are very nuanced, and Mr. Guadagnino seemingly backs away, possibly due to the optics of victim blaming.”
@martintsai.bsky.social reviews #AfterTheHuntMovie. bit.ly/3Wx2wjT

#filmsky
October 10, 2025 at 2:57 PM
"There’s an existing, well-worn trope of underdog stories in sports. Mr. Safdie resists a lot of that low-hanging fruit."
@martintsai.bsky.social reviews "The Smashing Machine." bit.ly/485YFS2

@a24movies.bsky.social #filmsky
October 3, 2025 at 7:23 PM
"There’s an existing, well-worn trope of underdog stories in sports. Mr. Safdie resists a lot of that low-hanging fruit."
@martintsai.bsky.social reviews "The Smashing Machine." bit.ly/485YFS2

@a24movies.bsky.social #filmsky
October 2, 2025 at 3:18 PM
Reposted by Critic's Notebook
Chantal Akerman’s 1994 coming-of-age masterwork, “Portrait of a Young Girl at the End of the 60s in Brussels,” can’t be reissued because of its needle drops. But a complete retrospective of the director’s work at MOMA offers two rare screenings.
One of Chantal Akerman’s Best Films Is in Legal Limbo
The Belgian-born director’s 1994 coming-of-age masterwork, about a precocious teen-ager’s romantic audacity, can’t be reissued because of its needle drops.
www.newyorker.com
September 12, 2025 at 9:02 PM
"Hosoda employs traditional hand-drawn style for the characters but places them against immersive photo-realistic C.G.I. backdrops. While this is nothing new, his particular art style creates interesting contrast and juxtaposition."
@martintsai.bsky.social reviews "Scarlet." bit.ly/41G0BMZ

#filmsky
September 4, 2025 at 9:18 PM
"Roman Vasyanov’s cinematography feels too precious, unable to convey the grittiness and dark humor in Tosches’s work."
@martintsai.bsky.social reviews Julian Schnabel's "In the Hand of Dante" at #BiennaleCinema2025 #Venezia82. bit.ly/46if4RU

#filmsky
September 3, 2025 at 9:02 PM
"Indeed, he nails precisely what makes the film so resonant with those who have been wronged by powerful entities and the sense of helplessness carved deep into their psyches."
@martintsai.bsky.social reviews Gus Van Sant's "Dead Man's Wire" at #BiennaleCinema2025 #Venezia82. bit.ly/3UWZoxa
#filmsky
September 2, 2025 at 10:01 PM
" 'A House of Dynamite,' is, for the most part, one of those end-of-days Armageddon movies, except it never actually culminates in special effects-laden spectacles of total obliteration."
@martintsai.bsky.social reviews at #BiennaleCinema2025 #Venezia82. bit.ly/3UZA8Gv

#filmsky @netflix.com
September 2, 2025 at 9:16 PM
"There’s an existing, well-worn trope of underdog stories in sports. Mr. Safdie resists a lot of that low-hanging fruit."
@martintsai.bsky.social reviews "The Smashing Machine" at #BiennaleCinema2025 #Venezia82. bit.ly/47nKUOg

#filmsky @a24movies.bsky.social
September 1, 2025 at 8:50 PM
"The script’s ambiguities regarding the perpetrator and the victim are very nuanced, and Mr. Guadagnino seemingly backs away, possibly due to the optics of victim blaming."
@martintsai.bsky.social reviews #AfterTheHuntMovie at #BiennaleCinema2025 #Venezia82. bit.ly/3UX39CG

#filmsky
August 31, 2025 at 3:40 PM
"There’s no horror or suspense whatsoever, just magical dismemberments under golden hues and glittering harps on the soundtrack."
@martintsai.bsky.social on Guillermo del Toro's "Frankenstein" at #BiennaleCinema2025 #Venezia82. bit.ly/4lUnLXo

#filmsky @netflix.com
August 30, 2025 at 10:10 PM
"Unlike Costa-Gavras, Mr. Park frames the protagonist as more blue-collar. He also cast Mr. Lee, excellent as a villain in 'Squid Game,' over someone amiable like José Garcia of 'Le couperet.' "
@martintsai.bsky.social on "No Other Choice" at #BiennaleCinema2025 #Venezia82. bit.ly/4mP6AYn

#filmsky
August 29, 2025 at 8:58 PM
"The perennially debonair leading man brings with him substantial baggage from his own time in the limelight, which immediately resonates with those who’ve borne witness to his career."
@martintsai.bsky.social on "Jay Kelly" at #BiennaleCinema2025 #Venezia82. bit.ly/47efutA

#filmsky @netflix.com
August 29, 2025 at 6:50 PM