Clyde
LightNews LightNews
banner
createdbyclyde.bsky.social
Clyde
@createdbyclyde.bsky.social
670 followers 430 following 140 posts
Cartoonist, creator behind Problems After Death, Processing and STEPPERS.

https://www.kickstarter.com/projects/createdbyclyde/steppers-volume-1?ref=6y27nm
Posts Replies Media Videos
createdbyclyde.bsky.social
On Saturday, December 6th, the Colorado Comics Collective will be bringing together nearly 40 cartoonists, many of which I envy for their talent and a select few for their good looks.

I’ll be there debuting STEPPERS Volume 1 in print!

Come find us at Town Hall Collaborative from 11am - 5pm.
Poster for DeCAF 3, the Denver Comic & Arts Festival, a free event on Saturday, December 6th from 11am - 5pm.
December 4, 2025 at 12:45 AM
createdbyclyde.bsky.social
STEPPERS was just funded on Kickstarter, with 2 hours to spare! Not even close. ;)

Thank you to all that supported our campaign.
Kickstarter for STEPPERS, a graphic novel, was just funded. In the right corner is the Project We Love badge from Kickstarter, with the cover of the book in the center. On the cover is Mickey Mouse, Jay Bird, Oswald the Lucky Rabbit and Karma Dog, with ominous eyes in a plume of dark smoke in the sky.
May 18, 2025 at 10:03 PM
createdbyclyde.bsky.social
Over halfway there with over 50% of our funding goal, and we’re now one of the projects we love on Kickstarter!

Go check out STEPPERS, our communist Mickey Mouse book and pledge if it is of interest to you!

www.kickstarter.com/projects/cre...
April 23, 2025 at 4:08 PM
createdbyclyde.bsky.social
My name is Clyde, the co-creator of STEPPERS, a comic that delves into themes of scarcity, economic turmoil, and our complex relationship with art and identity.

It asks questions about political resistance against violent systems that alienate us from feeling accountability.

Relevant? idk, maybe
The comic page is composed of four panels, rendered in a grayscale, noir-inspired style. Top Panel: A vintage-style car, driven by a mouse character, approaches a crosswalk at night. Sitting beside the driver is a crow character. Both appear serious as they observe a figure crossing the road ahead. The figure, a hooded character carrying a large, blank sign, walks briskly with their face turned away. Second Panel: A closer view reveals the hooded figure holding a protest-style sign that reads, "THE END IS NEAR." The figure's expression is obscured by their hood and dark sunglasses, adding an air of mystery and foreboding. Third Panel: The mouse driver’s face is shown in a close-up, their expression one of wide-eyed shock or concern as they watch the hooded figure. The framing emphasizes the mouse's emotional reaction. Bottom Panel: The hooded figure is now stationary, holding their sign down. The reverse side of the sign is revealed, reading, "Need a couple bucks for food. God bless." Their stance and demeanor suggest weariness or resignation. The page creates a striking contrast between the dramatic proclamation on one side of the sign and the mundane, desperate plea on the other, blending social commentary with visual tension. This comic page consists of four panels, blending a dark narrative tone with a retro cartoon aesthetic. Top Left Panel: A mouse character, wearing a cap, is shown mopping the floor in what appears to be a mundane, institutional setting. A framed picture of a dog hangs on the wall, hinting at a theme of control or confinement. The narration reads: "The beauty is that a sick dog doesn’t have to be put in a cage." Top Right Panel: A large dog character, exaggeratedly cheerful, licks an ice cream cone. The narration continues: "...taking up air, space, and sympathy," juxtaposing the carefree dog with a biting commentary on complacency or dependency. Bottom Left Panel: A dramatic close-up of the dog’s face, wide-eyed and tongue out, conveys a mix of panic and vulnerability. The narration reads: "’Til one day he just up and dies of his own volition," underscoring a grim inevitability. Bottom Right Panel: The scene shifts to a silhouette of the dog, possibly as a poster or advertisement, displayed in a window. A cheerful character, holding a sign that reads "Scream for Ice Cream," sits in front, seemingly oblivious to the dark undertone. The final narration states: "Guess that’s what they call freedom," offering a stark, cynical reflection. This page delivers a sharp critique, using the contrast between the upbeat imagery and the grim narration to provoke thought on themes of control, agency, and resignation. This comic page has a somber and reflective tone, with three main narrative elements. Top Left Section: The narration begins with the line, “But the sick dog can also be rabid. Now that’s a disease with a little agency.” This sets the stage for a shift in tone, contrasting passive illness with something more active and destructive. In the foreground, a cheerful monkey-like character, dressed in a hoodie with an ice cream cone logo, waves a sign that reads “I SCREAM.” They seem oblivious to the dark undertones of the narration. Middle Section: The narration continues: “A rabid dog infects others with his poison.” The background reveals a chilling detail—a lifeless dog-like figure inside a medical or industrial-looking chamber, possibly a crematorium or incinerator. This grim visual reinforces the idea of systemic decay and destruction. Bottom Section: The final narration reads: “He rages through his internal chains and he bites hands that feed him... because in this world any hand that tries to feed you for free is only trying to give you medicine.” The words critique the illusion of freedom and kindness, tying together the imagery of systemic control and rebellion with a harsh commentary on societal power structures. The page juxtaposes an upbeat visual character with disturbing background details and a cynical narrative, creating a thought-provoking commentary on agency, control, and the nature of freedom. This comic page has a biting, satirical tone with sharp visual storytelling and commentary. Top Left Panel: A close-up of a mouse character’s mouth delivers an emphatic dialogue: “Medicine to pacify you!” The panel conveys anger or disdain, setting the stage for a critique of societal control disguised as compassion. Middle Left Panel: The mouse character holds a book titled "Plaything," featuring a silhouette of a provocative figure on the cover. The narration continues, “To turn you into that pitiful dying lump in the gutter,” implying manipulation or exploitation disguised as care. Middle Right Panel: A zoomed-in view of a thumb with a noticeable sore or wound. A speech bubble questions angrily, “Is that what compassion is, Jay?!?” The injury adds to the tension, possibly symbolizing harm inflicted by a system pretending to help. Bottom Panel: A large capsule labeled "Hardonlapin (cyanide)" dominates the frame, accompanied by fine print, likely mimicking a pharmaceutical ad disclaimer. Below, the mouse character’s shocked expression while reading the book reinforces the grim realization of false promises. The narration concludes: “Seems to me that compassion never was,” delivering a chilling critique of toxic compassion masked as assistance. This page combines sharp dialogue with visually striking elements to explore themes of manipulation, disillusionment, and the darker side of societal systems.
December 10, 2024 at 6:54 AM
createdbyclyde.bsky.social
#SequentialSaturdays

From STEPPERS Chapter 5, I was inspired by a Soviet era propaganda poster for the last panel, in line with the themes of our story
Page from Steppers Chapter 5
December 7, 2024 at 4:12 PM
createdbyclyde.bsky.social
Walking around Taipei with my bud talking about comics and then bam we just stumble upon this place
December 4, 2024 at 3:17 PM
createdbyclyde.bsky.social
Introduce yourself with four comic covers
Processing #2 Cover: A well dressed man in a suit sits on a stool with a large beam of light in the shape of a cross behind him. Processing #3 Cover: The devil with people pouring out of her mouth and a glowing magic oozing from her hands. Processing #4 Cover: Sisyphus sits atop a boulder with the main character of the story, Clyde, sitting at the base of the boulder holding a sign. STEPPERS Graphic Novel cover. A factory fire in the background with a large plume of black smoke and ominous eyes above. There is a broken TV with "Steamboat Willie" playing, a dog and rabbit are dancing in the foreground. Mickey Mouse and a bird are prominently pictured on the left of the cover.
December 3, 2024 at 5:41 AM
createdbyclyde.bsky.social
Is a graphic novel written about income inequality and the problems of late stage capitalism through the lens of the public domain version of Mickey Mouse as niche as I think it is?
Comic page from STEPPERS chapter 2
December 1, 2024 at 5:30 AM
createdbyclyde.bsky.social
Early photographs from the Mickey Mouse Club in the 1930s. I think I’d be a lot more receptive to the horror adaptations if this was a larger source for inspiration

Credit: www.reddit.com/r/Historical...
A large gathering of people sitting within a theater wearing Mickey Mouse masks. Archive photo of the Mickey Mouse Club (1930) A group of kids interacting with two adults dressed in Mickey Mouse costumes. Archive photo of the Mickey Mouse Club (1930) A well-dressed lady with a fur wrapped around her neck with two adults dressed in Mickey Mouse & Minney Mouse costumes. Archive photo of the Mickey Mouse Club (1930) A child with a serious expression posing for a photo with two adults dressed in Mickey Mouse & Minney Mouse costumes. Archive photo of the Mickey Mouse Club (1930)
November 28, 2024 at 7:44 AM
createdbyclyde.bsky.social
A lot of new followers, welcome! I'm Clyde; let me tell you about STEPPERS!

After decades behind bars, Mickey Mouse is released into a world he doesn't recognize. Read the first five chapters and let us know what you think!

createdbyclyde.substack.com/s/steppers

#comics #webcomic #steamboatwillie
The cover of the graphic novel "STEPPERS" features a bold, monochromatic design. The title "STEPPERS" is prominently displayed in large, white block letters at the top, with the subtitle "A Graphic Novel" in smaller text below. The focus is on a foreboding scene dominated by a menacing, cloud-like entity with sharp, glowing eyes looming over the frame. Beneath this ominous figure, plumes of smoke rise from industrial smokestacks, contributing to the dark, atmospheric tone. In the foreground, three cartoonish characters are illustrated in a retro, 1930s animation style. A stern-looking Mickey mouse in a military-style cap stands on the left, exuding an air of determination. Next to the mouse is a serious bird, gazing into the distance. On the right, two livelier characters—a cheerful, mischievous rabbit and a playful dog—interact energetically, one pointing to an upward arrow while surrounded by music notes and chaotic wires. This juxtaposition of moods suggests a blend of tension and whimsy. At the bottom of the cover, text reads: "Act One - 'Steam'" in bold, and beneath that, the creators' names, "A Comic Created by C. Clyde & Henry Miller," are displayed in clean, sans-serif font. The entire composition evokes mystery and intrigue, blending vintage cartoon aesthetics with modern storytelling themes.
November 27, 2024 at 8:12 AM
createdbyclyde.bsky.social
Chapter 1, Part 3: Mr. Esteem (3/3)

If you enjoyed this, read the next chapter at createdbyclyde.substack.com/s/steppers
Panel (Single Full-Page Panel): Two silhouetted figures engage in a conversation, their forms highlighted by stark lighting. One figure, seated and smoking, speaks with calculated precision, while the other stands, listening intently. The dialogue lays out the terms of an offer: "Medical bills associated with your treatment will be covered by us." "Your estranged daughter will receive an anonymous donation upon her 16th birthday, matching the amount of life insurance we offer to our employees." The tone shifts to emphasize expectations: "In return, we expect you to keep the peace. Our mutual friend is considered a credible threat to the wellbeing of the company and its employees." "You and I both know this is a much different world than before his sentence." The offer ends with a pointed reminder: "Incentives aside, we both want to avoid any more violence. Wouldn’t you agree?" Panel 1 (Top Left): A silhouetted figure sits back, speaking: "He has every right to be pissed, you know. And yeah, things have changed since he’s been there." Panel 2 (Top Right): The dialogue continues: "It does wear you down, if age don’t do it first." The tone is reflective and resigned. Panel 3 (Middle Row, Left and Right): A contrasting perspective is presented: "We’re living through the most peaceful time in history. The revolution didn’t die because the world has changed. We just got better at serving what people wanted." The speaker emphasizes progress and adaptation. Panel 4 (Bottom Left): A close-up of a hand handing over an envelope as someone says: "Talk to him. Help him work through it." Panel 5 (Bottom Right): The second character, Jay, sits reading the letter, retorting sharply: "I didn’t buy it then, and I certainly don’t buy that bullshit now. Spare me with your propaganda." They conclude with pointed skepticism: "And if I don’t buy it, do you really think he will?" Panel 1 (Top Left): A silhouetted hand holds a large key, preparing to unlock something. A caption reads: "So what’s next?" Panel 2 (Top Right): The sound effect "KLINK" accompanies the unlocking of a mechanism. The dialogue continues: "He’s getting out today. Best to see a familiar face when he’s released." Another caption adds: "Everything else you need is in that envelope." Panel 3 (Middle Left): A figure sits hunched on the floor, their body language conveying exhaustion or frustration. The caption reads: "…Oh, and Jay? Maybe it’s best that he didn’t see the film." Panel 4 (Middle Right): A close-up shows a gloved hand resting on a bent knee. The voice speaks with sarcasm: "Hah. Your whole thing is maximizing viewership by any means necessary." The reply is resigned: "How can I stop that?" Panel 1 (Top Half): The title of the chapter is displayed prominently: "STEPPERS: Chapter 1 - 'Mr. Esteem'" alongside credits for writing and art. The character "Mickey Mouse" (referred to as "Mr. Esteem") is illustrated in a serious pose, resting his arms on his knees with a determined or intense expression. Panel 2 (Bottom Half): A close-up of Mickey’s face focuses on his piercing, contemplative gaze. A speech bubble from off-panel says: "Hey, Mickey." Below, the phrase "To Be Continued..." leaves the chapter on a suspenseful note.
November 26, 2024 at 6:55 AM
createdbyclyde.bsky.social
Chapter 1, Part 2: Mr. Esteem (2/3)
Panel (Single Full-Page Panel): A large, detailed close-up of a bird-like character with sharp, expressive eyes and a pronounced beak fills the frame. The character is holding a rounded object with clawed hands, drawing attention to their calculated and deliberate demeanor. The grayscale shading enhances the somber and mysterious mood. A caption in the lower-right corner reads, "Did you make it here alright?" This cryptic question deepens the intrigue, suggesting a significant meeting or event has just occurred or is about to begin. Panel 1 (Top Left): A shadowed figure, likely Jay, stands in profile, expressing frustration: "I can already feel it. This was a mistake. This fucking place." Panel 2 (Top Right): A hand gestures toward a chair as someone off-panel says: "Jay, listen. I just want what's best for him, too. Please, take a seat." Jay, standing with arms crossed, responds curtly: "I'm fine standing." Panel 3 (Middle Left): A lit cigar is held in one hand, smoke curling upward. The off-panel speaker acknowledges Jay’s demeanor: "This aversion to comfort. I do respect the commitment, Jay." Panel 4 (Bottom Right): The speaker, their hand resting on a file or folder, continues with a philosophical observation: "But eventually, a man realizes a few things about the world. A certain factor that equalizes all of us. It makes this war as meaningless as trying to fight the weather." Panel 1 (Top Left): A high-angle view shows two shadowy figures walking along a staircase. A voice-over declares, "A man only focused on money doesn’t know shit about the world." Panel 2 (Top Right): A character behind bars, presumably Jay, is sitting in a prison cell. Another voice counters, "No, Jay. Not money." A dramatic pause follows, with the single word: "Time." Panel 3 (Middle Left): A close-up of a document labeled "Medical Records" with Jay’s full name, "Jay Bird," and their photo. The dialogue continues, "Time, which, according to my sources, is a very limited factor for you." Panel 4 (Bottom Right): A close-up of Jay’s determined face. They retort defiantly, "You think I’m scared to die? I’ll go to the grave with a smile knowing I didn’t betray who I was." Panel 1 (Top Left): A caption reads: "Despite this rift between us, I take no pleasure in seeing your proximity to the end." The characters, partially obscured by prison bars, evoke a somber atmosphere. Panel 2 (Top Right): The dialogue continues: "There was a time when we were like brothers." One character grips the bars, addressing the other directly: "I want to help you navigate what time you have left with grace." Panel 3 (Middle): A side view of the speaker's hand gripping the bars accompanies their pointed statement: "And let’s face the facts. You already reviewed the offer. You wouldn’t have met with me if you weren’t interested." Panel 4 (Bottom): A close-up of the other character’s eye, sharp and resolute. Their response challenges the speaker: "I want to hear it from you. No corpo speak or legal jargon."
November 26, 2024 at 6:50 AM
createdbyclyde.bsky.social
Created in collaboration with a brilliant friend, "STEPPERS" is a project that pushes boundaries and takes risks. If you like bold stories, check out Chapter 1: Mr. Esteem! Follow the thread below for the full chapter. (1/3)

#Comics #webcomics #mickeymouse #steamboatwillie #publicdomain #STEPPERS
Panel 1 (Top Left): A corner of a barbed-wire fence is depicted, evoking a prison or detention facility. The perspective emphasizes the imposing and inescapable nature of the structure. Panel 2 (Top Right): A silhouetted guard, identifiable by their uniform and posture, stands in a watchtower overlooking the barbed-wire fence. The sharp coils of the wire are prominently displayed, reinforcing the sense of entrapment and control. Panel 3 (Bottom): A dollar bill lies prominently in the foreground, partially illuminated, while the background fades into a blank, hazy white strip. This juxtaposition of money and the abstract void suggests a commentary on economic power, corruption, or the influence of wealth within systems of control. Panel 1 (Top): A cartoonish character struggles to push a large, heavy box across a shaded floor, sweating and grunting, "HNNGH." Panel 2 (Middle Left): The character’s hands reach out toward something just out of view, shouting, "COME ON…!!" Their effort is palpable, as the shadowy background emphasizes their exertion. Panel 3 (Middle Right): A close-up reveals the character's face lit with excitement and triumph as they exclaim, "YES!" Panel 4 (Bottom): The character stands in front of a vending machine labeled "$1.25" and holds out a crumpled dollar bill featuring a bird emblem. Frustration sets in as they curse, "GOD DAMN IT." A shout of "KENSEY!!" from off-panel adds tension, suggesting urgency or confrontation. Panel 1 (Top Left): A close-up of a mustached character with a stern expression asks, "Kensey, you know what today is?" Panel 2 (Top Right): The smaller character, Kensey, standing upright in a formal outfit, replies politely, "Yes, sir. It is Tuesday." Panel 3 (Middle Left): The mustached character continues, speaking with significance, "And what a momentous Tuesday it is, at least in our neck of the woods. Today, we must part with Mr. Esteem." Panel 4 (Middle Right): Kensey reacts in shock, clutching their face and stammering, "...T-TODAY!?" Panel 5 (Bottom): The mustached character leans closer, emphasizing, "T-T-TODAY? Shit, Kensey, how could you forget? It’s not every day that we part with a bona fide celebrity from these walls." The scene builds tension, highlighting the importance of the day and Kensey's apparent forgetfulness, setting up intrigue about "Mr. Esteem." Panel 1 (Top Left): A character remarks, "I guess I just figured they’d find a way to extend his sentence," as they gesture toward a darkened doorway. Panel 2 (Top Right): The mustached character responds, "You and me both, but no. Even the law has its limits. His friend has arrived, and you shall escort him to Mr. Esteem’s cell." Panel 3 (Middle Left): A new character, robotic in design, informs, "He’s right outside, in the waiting room. Oh, and Kensey?" Panel 4 (Middle Right): A hand presents a coin featuring a bird insignia. The mustached character says, "For your troubles." Kensey, seen from behind, replies quietly, "...Thanks," while holding the coin. Panel 5 (Bottom): A silhouetted hand grips a door handle, accompanied by the sound effect "CREEEKKKK," implying the door to Mr. Esteem's cell is being opened, building tension.
November 26, 2024 at 6:46 AM
createdbyclyde.bsky.social
Problems After Death #3: Journey in the Middle. This comic delves into AI art, and my own musings about what the issues are with the relationship between creativity, ideas and LLMs.

#webcomic #aisucks #problemsafterdeath #comics #processing
Panel 1: A middle-aged man in a suit, holding a clipboard, walks alongside his colleague Douglas. He asks, "Where are they?" Douglas explains that "they're at the table, alongside the 'I'm not religious, just spiritual' types." Panel 2: A close-up of the suited man as he asks for clarification, noting, "But these people are believers, correct?" Douglas responds that these people are struggling to imagine what the afterlife looks like, despite believing in it. Panel 3: A close-up of Douglas adjusting his glasses, replying that the group shares the same profession: "Prompt engineers." Douglas: "I've heard of this. Alright, I'll handle it. Send them to my office." Panel 4: A young person with a ponytail sits across from Douglas in an office. The young person asks, "So is this Heaven?" Douglas responds, "Oh God no. Sorry, phrasing. You’re at Central Processing. We help the dead that didn’t believe in anything choose their place after death." Panel 5: The young person, looking exasperated, asks, "Why am I here? I believed in God!" Douglas calmly explains, "The emotional connection to your imagination has been impaired." Panel 6: Douglas holds a laptop and says, "Close your eyes for a second, and try to picture Heaven for me." The man tries but exclaims, "It's blank! I can’t see anything!" Douglas responds, "Just as I thought." Panel 7: Douglas pulls out a laptop and asks, "Tell me, what do you know about AI art?" The young person enthusiastically replies, explaining they used it to sell T-shirt designs online. Douglas hands them the laptop and says, "Write in this chat box what you think Heaven looks like." Panel 8: An imaginative scene of Heaven is shown: a golden palace in the clouds, illuminated by a beautiful sunset. The young person smiles and says, "Yes, it’s beautiful. Thank you so much!" Douglas shakes their hand and replies, "Of course. Head on through." Panel 9: Back outside the office, the suited man knocks and asks Douglas if they found a solution. "I used a… Guest is sitting on the other side of the portal, with just a floating image of heaven in front of him. It is an entirely white purgatory like space otherwise. Douglas (caption): To be honest, I have no idea. The title of the comic, Problems After Death #3: Journey in the Middle, is centered on the page. Below that, a link to read more comics is listed: https://createdbyclyde.substack.com
November 25, 2024 at 6:00 AM
createdbyclyde.bsky.social
I’d appreciate being added to this list! Thank you!
November 24, 2024 at 11:54 AM
createdbyclyde.bsky.social
I like this trend
November 22, 2024 at 1:43 PM
createdbyclyde.bsky.social
What does Mickey Mouse represent in today's world? In "STEPPERS," we flip the script on this iconic character to explore deeper societal issues. #ReimaginedClassics #Comics #webcomics #mickeymouse #steamboatwillie #publicdomain #STEPPERS
November 22, 2024 at 4:40 AM
createdbyclyde.bsky.social
It’s so ominous in the fog
November 21, 2024 at 3:40 PM
createdbyclyde.bsky.social
Problems After Death #2: Orientation

#comics #webcomic #existential #darkcomedy #problemsafterdeath
November 21, 2024 at 7:01 AM
createdbyclyde.bsky.social
Nice! We have Oswald in our comic, too. Glad to see this dude shining again in the public domain!
November 20, 2024 at 4:30 PM
createdbyclyde.bsky.social
Problems After Death #1: Introducing the aPhone. The first release of this existential webcomic exploring what could be happening after.

#comics #webcomics #stevejobs
November 20, 2024 at 11:59 AM
createdbyclyde.bsky.social
With gratitude that sound is off
November 18, 2024 at 4:28 AM