I saw this, it was a charming interview by @thomasduke98.bsky.social!

For now though, the show will obviously be back in March to make the 20th anniversary (I predict 29/03), and in the meantime, Big Finish Productions is, and continues to be a remarkable opportunity for exactly this. Big Finish, if you’re hiring lmk (10/10)

Anyway, I can’t see that happening anytime soon, but if for any reason the BBC want to chat I’m all ears (9/10)

In an eight, ten or twelve ep series, the showrunner should shape its storyline and give help to those that need it moreso than being a channel of the show’s popularity. (8/10)

In an age of streaming, and new voices and stories forever emerging, legacy shows need to fight to stay relevant else risk being forgotten and cancelled. (7/10)

There are so many talented people in the industry already that you could hire: Adjani Salmon, Daniel Lawrence Taylor, Nida Manzoor, Ambreen Razia, or Gbemisola Ikumelo. There are also great upcoming filmmakers and storytellers who have exciting ideas. (6/10)

Equally, with a Black lead and a British-Indian companion, imagine if we gave episodes to those that reflected its diverse crew (5/10)

It’s why talent from @vinaypatel.bsky.social, Dylan Holmes Williams and Kate Herron rise to the surface as something special. They zing with a spark that the show has missed for years. (4/10)

Imagine instead of RTD, Moffat or Chibnall the show gives a platform to upcoming talent as a way to zap freshness. The show has affected so many and it’s an institution of talent so why not continue that for behind the scenes? (3/10)

Quite simply: give more onus onto the writers/directors and turn down the significance of the showrunner. (2/10)

Yes! A social deduction TV game version of Werewolf but entirely based on guessing and vibes. It’s camp and excellent.