i'd put this down largely to the fact that they're using AMD rather than Nvidia for their hardware

there's no tensor cores, so you end up with FSR instead of DLSS

this AI initiative is a high risk system according to Maryland's own ​​AI Risk Classification System.

why wasn't this mentioned? what safeguards are involved? where's the mandatory AI Risk Assessment report that's supposed to be made?

*meant to say “to call all of dance music drug fueled decadence” there. i hate how many typos i make

anyway, some people should teally google Underground Resistance and Drexiciya

“Black money music”

Vince Staples’ work with Sophie was also not “money” by any stretch of the word (nor is all of Jay-Zs music tbh). techno only vaguely started resembling “money” once Europeans got involved. flattening any of these styles as “money music” is kinda insulting to all the working class poc innovators

well the thing is that there’s not much of a difference sonic between black “money” hip-hop and the woke kind. based on your comment about Sophie’s production it kinda sounds like you think the wealth aspect is stored in the frequencies?

... the Israelis appropriated trance from Europeans who in turn appropriated techno from the same black producers who influenced your beats

this is a disappointingly reductive take coming from a rapper imo. by this standard, Anchecka is also wealth music

does this also apply to the tracks she did with Vince Staples?

the point here i'm getting at here is that hip-hop and dance music have perceptions as soulful black poetry and white hedonist drug music respectively when in reality the two have been intertwined from the start up until the present...

do you think SOPHIE made wealth music?

it's bait from a TERF because The Atlantic is a TERF magazine whose leadership agrees with Bari Weiss

i think it's a case of the old "competing standards" issue popularized by xkcd. everyone wants to be the one who builds a protocol that becomes standardized