booktrib.com/2025/11/12/f...
@tadethompson.bsky.social
@sannewman.bsky.social
@catamaroon.bsky.social
booktrib.com/2025/11/12/f...
@tadethompson.bsky.social
@sannewman.bsky.social
@catamaroon.bsky.social
WORLD AT STAKE. GOOD AND EVIL.
QUEST. FATE OF HUMANITY.
And, lastly . . .
WORLD AT STAKE. GOOD AND EVIL.
QUEST. FATE OF HUMANITY.
And, lastly . . .
reactormag.com/new-science-...
@reactorsff.bsky.social
@diversionbooks.bsky.social
@awfulagent.bsky.social
@zenoagency.bsky.social
#ColinBrush #Exo #sciencefiction
reactormag.com/new-science-...
@reactorsff.bsky.social
@diversionbooks.bsky.social
@awfulagent.bsky.social
@zenoagency.bsky.social
#ColinBrush #Exo #sciencefiction
dungeness.org.uk/info/exo-a-n...
dungeness.org.uk/info/exo-a-n...
In Andy Weir’s Project Hail Mary, we’re given a problem – the coming death of humankind – and . . .
In Andy Weir’s Project Hail Mary, we’re given a problem – the coming death of humankind – and . . .
Nuclear war begins with a blip on a radar screen.
This is a minute-by-minute account of what comes next.
It has to be read to be believed.
Or:
What is it?
How does it work?
Why should you read it?
Nuclear war begins with a blip on a radar screen.
This is a minute-by-minute account of what comes next.
It has to be read to be believed.
Or:
What is it?
How does it work?
Why should you read it?
Thank you, @ala-booklist.bsky.social & John Faria for the Exo review. Thanks as ever to:
@diversionbooks.bsky.social
@awfulagent.bsky.social
@zenoagency.bsky.social
www.booklistonline.com/products/981...
Thank you, @ala-booklist.bsky.social & John Faria for the Exo review. Thanks as ever to:
@diversionbooks.bsky.social
@awfulagent.bsky.social
@zenoagency.bsky.social
www.booklistonline.com/products/981...
'Which they were. But now they are not.'
These two short, plain sentences early in the blurb for @headofzeus.bsky.social and @kellylink.bsky.social The Book of Love provide the hinge for this pitch. Three dead teenagers are no longer dead – why? A subtle, surprising . . .
'Which they were. But now they are not.'
These two short, plain sentences early in the blurb for @headofzeus.bsky.social and @kellylink.bsky.social The Book of Love provide the hinge for this pitch. Three dead teenagers are no longer dead – why? A subtle, surprising . . .
@gollancz.bsky.social new edition you wouldn't know it is SF, you'd never know it was set on a distant alien planet.
@gollancz.bsky.social new edition you wouldn't know it is SF, you'd never know it was set on a distant alien planet.