Colin the Copywriter
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colinthecopywriter.bsky.social
Colin the Copywriter
@colinthecopywriter.bsky.social
Author of debut SF novel, Exo, available NOW | A quarter of a century writing UK publishing jacket copy | 5,000+ blurbs | Talking the cover stories that persuade readers to buy | A few mine, mostly others' | Also find me here colinthecopywriter.com
It's been a long journey, but thanks to @jberlyne.bsky.social @awfulagent.bsky.social @tonimargarita.bsky.social & Shannon Donnelly and all at @diversionbooks.bsky.social (not to mention @bookforward.bsky.social & @michelvrana.com ) for bringing Exo out into the world in style.
November 18, 2025 at 6:44 AM
Thanks to @booktrib.bsky.social for the chance to talk about five books dealing with change in the world & how we live with that change, each of which changed how I wrote my own novel, Exo.
booktrib.com/2025/11/12/f...
@tadethompson.bsky.social
@sannewman.bsky.social
@catamaroon.bsky.social
November 14, 2025 at 9:43 AM
Blurbs in the wild (1/2): Follow where the title leads. For @cornerstone_press & Ernest Cline's Ready Player One the super-short blurb is all tell and no show, leaning heavily on gaming tropes.

WORLD AT STAKE. GOOD AND EVIL.

QUEST. FATE OF HUMANITY.

And, lastly . . .
November 13, 2025 at 9:01 AM
I've read it from top to bottom twice and, while I accept I've got a vested interest, I do think you might have missed one . . .

reactormag.com/new-science-...
@reactorsff.bsky.social
@diversionbooks.bsky.social
@awfulagent.bsky.social
@zenoagency.bsky.social
#ColinBrush #Exo #sciencefiction
November 12, 2025 at 7:42 PM
Blurbs in the wild (1/3): Classic book, classic copy shape. @gollancz.bsky.social edition of Frank Herbert's Dune features copy with an inverted triangle shape. We start big and wide with awards & movie affirmation, followed by landmark works of SF that followed Dune. Says: this book matters . . .
November 12, 2025 at 6:53 PM
Lovers of Dungeness: click below to discover how this curious corner of Kent coastline was the seed for Exo, my SF murder mystery set at the end of the world. Thanks to Michael Golding for asking me to write about his home & not minding my hubris at playing nemesis.
dungeness.org.uk/info/exo-a-n...
November 11, 2025 at 4:44 PM
Blurbs in the wild (1/2): This old warhorse! After all these years @gollancz.bsky.social & @lordgrimdark.bsky.social The Blade Itself is still sporting its original cover and blurb. But this blurb knows something legions of Grim Dark fantasy imitators often forget: it's all about the characters ...
November 7, 2025 at 5:27 PM
Blurbs in the wild (1/2): The secret here is in the middle. Most blurb writers (myself included?) would pitch @harpercollins.bsky.social and @robinhobb.bsky.social Assassin's Apprentice with just paragraphs 1 and 3 of this blurb. Pitch the set up, the character's situation and the story direction...
November 5, 2025 at 8:09 AM
Blurbs in the wild (1/2): Avoiding spoilers. Sometimes pitching the book’s plot would spoil the read. But how do you find an intriguing way of pitching the little you can say?

In Andy Weir’s Project Hail Mary, we’re given a problem – the coming death of humankind – and . . .
November 3, 2025 at 11:52 AM
Some blurbs hint (1/2) Originally published by @angryrobotbooks.bsky.social the @michaeljbooks.bsky.social edition of Lauren Beukes' @clarkeaward.bsky.social winning Zoo City features the original cover & blurb. The book's big weird involves criminals being magically attached to animal familiars ...
October 24, 2025 at 12:12 PM
Blurbs in the wild: Start small, end big. Kate Summerscale's The Peepshow blurb starts with a grisly find, details bringing it to life. Then it expands, the horrors within beguiling a nation. Finally, the last para offers a grand promise: closure. Show with little details. Tell with the big themes.
October 21, 2025 at 4:54 PM
Blurbs in the wild: Classic 3-line pitch blurb for Annie Jacobsen & @transworldbooks.bsky.social NW:
Nuclear war begins with a blip on a radar screen.
This is a minute-by-minute account of what comes next.
It has to be read to be believed.

Or:
What is it?
How does it work?
Why should you read it?
October 17, 2025 at 8:21 AM
'A twisty mystery, unusual science . . . Will find fans among both sf and mystery readers.'
Thank you, @ala-booklist.bsky.social & John Faria for the Exo review. Thanks as ever to:
@diversionbooks.bsky.social
@awfulagent.bsky.social
@zenoagency.bsky.social
www.booklistonline.com/products/981...
October 15, 2025 at 6:17 AM
Blurbs in the office (1/3): Penguin @michaeljbooks.bsky.social Mermaid Collection brings unjustly neglected 20th-century works back into print. Pitching Margaret Kennedy's Lucy Carmichael – the story of a jilted but sensible, happy-go-lucky woman’s attempts to remake her life – it felt right to . .
October 14, 2025 at 1:00 PM
(1/2) Back in the day they didn't butter you up. Both the line on the front and the blurb on the back of this old @penguinukbooks.bsky.social film tie-in of Isabel Colegate's The Shooting Party are straightforward to the point of bluntness.
October 10, 2025 at 8:35 AM
Blurbs in the wild (1/2): The didn't-know-you-were-interested-in-this blurb. Sometimes you have start from scratch. Before you can pitch the book to your reader you've got to pitch the subject. For @wildfirebooks.bsky.social and @jonnelledge.bsky.social A History of the World in 47 Borders . . .
October 8, 2025 at 7:06 AM
Blurbs in the wild: When you've got it, flaunt it. @oneworldbooks.bsky.social & Sam Leith's The Haunted Wood pitches its accolades: 1st: its 12 Book of the Year mentions. 2nd: 12 short quotes saying why it is good. 3rd: a long quote makes the reader a promise: if you like stories, you'll like this.
October 7, 2025 at 5:36 AM
Blurbs in the wild (1/5): It is a publishing cliche that 'this book is for everyone.' When an editor makes such a claim the comms team groans: they hear 'a book for no one.' But @4thestatebooks.bsky.social & Craig Brown's A Voyage Round the Queen is determined to fly the 'for everyone' flag . . .
October 3, 2025 at 8:37 AM
Blurbs in the wild (1/2):
'Which they were. But now they are not.'

These two short, plain sentences early in the blurb for @headofzeus.bsky.social and @kellylink.bsky.social The Book of Love provide the hinge for this pitch. Three dead teenagers are no longer dead – why? A subtle, surprising . . .
October 1, 2025 at 7:55 AM
Lovely piece by Nina Allan on what the Booker judges this year don't know. Also, a great argument for persistence as a reader. You might fall out of love with a writer's work but perhaps you, they or both of you will find your way back to one another. www.ninaallan.co.uk?p=7171
September 29, 2025 at 9:16 AM
Blurbs in the wild 1/2: A goatherd sets out to become a magician, but true magic is on the wane. That's the pitch for @ursulakleguin.com Earthsea quartet. Four books. Four stories. One @penguinrandomhouse.bsky.social omnibus. The trick here, because you don't want to spoil any of the stories . . .
September 29, 2025 at 8:04 AM
Blurbs in the wild: Sell one, sell the them all. The blurb for @orbitbooksuk.bsky.social and @annleckie.com @clarkeaward.bsky.social winner Ancillary Justice is a two-parter. First, it tells you why should read this landmark trilogy (many prizes, a masterpiece, contemporary societal concerns).
September 26, 2025 at 8:42 AM
Blurbs in the wild: SF often takes an idea/metaphor & makes it real, concretising the abstract. In this @gollancz.bsky.social blurb for The Dispossessed, the SF is stripped out to pitch the big ideas: a story of walls & being between 2 worlds, 2 ideologies. A story of the personal & the political.
September 24, 2025 at 6:01 AM
Blurbs in the wild: Pitches are the words we put in & words we leave out. Ursula Le Guin's The Left Hand of Darkness is a foundational text of sci-fi but to read the blurb on
@gollancz.bsky.social new edition you wouldn't know it is SF, you'd never know it was set on a distant alien planet.
September 22, 2025 at 4:46 PM
3-part pitch: in 3 paras the blurb for Izumi Suzuki's Terminal Boredom makes a trad publicity pitch: what is it? how does it work? why do it? Para 1 tells you what you're holding. Para 2 pitches the 7 stories within. Para 3 argues for its continued relevance 50 yrs after her passing. What. How. Why.
September 19, 2025 at 10:20 AM