Measure for Measure starts Dec. 26, 2025 (421 years after the first performance!) -
The play's original audience [would recognize the title] as an allusion to the opening verses of [Matthew ch.7]:
Judge not, that ye be not judged.... (RSC intro)
(1/2)
Measure for Measure starts Dec. 26, 2025 (421 years after the first performance!) -
The play's original audience [would recognize the title] as an allusion to the opening verses of [Matthew ch.7]:
Judge not, that ye be not judged.... (RSC intro)
(1/2)
One of Shakespeare's favorite techniques was the dramatically ironic counterpointing of scenes…to such complex layered effects of illusion & reality, in accordance with his core belief that we are all players in the great theatre of the world. RSC intro.
One of Shakespeare's favorite techniques was the dramatically ironic counterpointing of scenes…to such complex layered effects of illusion & reality, in accordance with his core belief that we are all players in the great theatre of the world. RSC intro.
Much as the play celebrates the transforming energies of young love—& indeed engages with its destructive potential—it also mocks the courtly idiom of love-language, not least thru the contrast btw the artificial poeticisms of (1/2)
Much as the play celebrates the transforming energies of young love—& indeed engages with its destructive potential—it also mocks the courtly idiom of love-language, not least thru the contrast btw the artificial poeticisms of (1/2)
…one of S’s earliest plays, perhaps even his first. …a prototype for future plays.
…has the virtues of that time of life: freshness, energy, pace, wholeheartedness, a desire to get other point and to speak its mind.
- RSC intro to The Two Gentlemen of Verona (1598)
…one of S’s earliest plays, perhaps even his first. …a prototype for future plays.
…has the virtues of that time of life: freshness, energy, pace, wholeheartedness, a desire to get other point and to speak its mind.
- RSC intro to The Two Gentlemen of Verona (1598)
Shall so wear out to nought. Dost thou know me?
. . .
LEAR. O, ho, are you there with me?
Act IV s5 #KingLear_2025 Clear inspiration for House (Lear) and faithful Wilson (Gloucester) on #HouseMD (recent binge during illness), yes?
Shall so wear out to nought. Dost thou know me?
. . .
LEAR. O, ho, are you there with me?
Act IV s5 #KingLear_2025 Clear inspiration for House (Lear) and faithful Wilson (Gloucester) on #HouseMD (recent binge during illness), yes?
The play’s pattern…is of Stoic comfort not working.
Stoic comfort will not do...it is better to ‘speak what we feel’ than ‘what we ought to say.’ 16th c. philosopher Erasmus- there is inhumanity in the notion that to be wise you must suppress the emotions. RSC.
The play’s pattern…is of Stoic comfort not working.
Stoic comfort will not do...it is better to ‘speak what we feel’ than ‘what we ought to say.’ 16th c. philosopher Erasmus- there is inhumanity in the notion that to be wise you must suppress the emotions. RSC.
"Where Macbeth and Othello are focused tightly upon a single plot line, the action of Lear greatly extends the technique of parallel plotting with which Shakespeare had experimented in Hamlet." RSC intro.
"Where Macbeth and Othello are focused tightly upon a single plot line, the action of Lear greatly extends the technique of parallel plotting with which Shakespeare had experimented in Hamlet." RSC intro.
Act II s2 #KingLear_2025 Misguided kindness
Act II s2 #KingLear_2025 Misguided kindness
“King Lear is a play full of questions. The big ones go unanswered. … In this world, there is no rhyme or reason, no pattern of divine justice. …Shakespeare reimagines his material in a bleak pagan world. In this, he not only looks back to the past, but -
1/2
“King Lear is a play full of questions. The big ones go unanswered. … In this world, there is no rhyme or reason, no pattern of divine justice. …Shakespeare reimagines his material in a bleak pagan world. In this, he not only looks back to the past, but -
1/2
“In uncertain times, we need images, games & experiments as ways of trying to make sense of our world. We need plays. That is why, four centuries on, we keep going back to Shakespeare and his dazzling mirror-world in which everyone is a player.” RSC intro.
“In uncertain times, we need images, games & experiments as ways of trying to make sense of our world. We need plays. That is why, four centuries on, we keep going back to Shakespeare and his dazzling mirror-world in which everyone is a player.” RSC intro.
#LosAngeles #DeterminedWomen #Life #WatchedWithMyMom
#LosAngeles #DeterminedWomen #Life #WatchedWithMyMom
. . .
The room itself was quite small & dark. Yet there was nothing you really needed that wasn't there."
Ch.3 #RachelCuskTogether #Outline Exactly.
. . .
The room itself was quite small & dark. Yet there was nothing you really needed that wasn't there."
Ch.3 #RachelCuskTogether #Outline Exactly.
"...commoners such as Cromwell & above all Wolsey...become 'great' men, provoking the enmity of the dukes.... At some level, Shakespeare--son of a provincial glover who had close links with butcher's business--is reflecting upon his own extraordinary rise." RSC
"...commoners such as Cromwell & above all Wolsey...become 'great' men, provoking the enmity of the dukes.... At some level, Shakespeare--son of a provincial glover who had close links with butcher's business--is reflecting upon his own extraordinary rise." RSC
#TheWeddingGroup by Elizabeth Taylor née Coles. #BookDesign #Virago
What year is your edition?
Some other good covers:
#TheWeddingGroup by Elizabeth Taylor née Coles. #BookDesign #Virago
What year is your edition?
Some other good covers:
Matt. 6:28-33 K. James ver.
Consider the lilies of the field, how they grow; they toil not....That even Solomon in all his glory was not arrayed like one of these. Wherefore, if God so clothe the grass of the field, which to day is, and to morrow is cast into the oven... [so] clothe you...
Matt. 6:28-33 K. James ver.
Consider the lilies of the field, how they grow; they toil not....That even Solomon in all his glory was not arrayed like one of these. Wherefore, if God so clothe the grass of the field, which to day is, and to morrow is cast into the oven... [so] clothe you...
"King James VI and I, his family & courtiers participated actively in masques...Shakespeare & his fellows were frequently called upon to play at court. All these concerns are woven into the fabric of this play, making it a distinctively Jacobean drama." RSC intro
"King James VI and I, his family & courtiers participated actively in masques...Shakespeare & his fellows were frequently called upon to play at court. All these concerns are woven into the fabric of this play, making it a distinctively Jacobean drama." RSC intro
Location: the royal court, London.
QN KATHERINE.
Take thy lute, wench: my soul grows sad with troubles:
Sing, an disperse 'em, if thou canst: leave working.
Location: the royal court, London.
QN KATHERINE.
Take thy lute, wench: my soul grows sad with troubles:
Sing, an disperse 'em, if thou canst: leave working.
"Shakespeare's late plays share a fascination with the very different directions in which poetic language may lead. Elaborate rhetoric & honeyed words reveal how the verbal arts are tools for preferment & power." RSC Intro.
"Shakespeare's late plays share a fascination with the very different directions in which poetic language may lead. Elaborate rhetoric & honeyed words reveal how the verbal arts are tools for preferment & power." RSC Intro.