Chris Clark
@chrisleeclark.bsky.social
Musically inquisitive, sings & plays tenor: Portsmouth Baroque Choir chair, NLCC veteran; retired British Library AV & digital curator. Volunteer Farlington Marshes.
I see there was also an earlier 1st private performance at 1910 Gloucester 3 Choirs, Elgar piano Reed violin though some say Kreisler. seenandheard-international.com/2023/07/elec...
Electrifying Elgar sets the seal on a memorable evening at the Three Choirs Festival – Seen and Heard International
seenandheard-international.com
November 10, 2025 at 9:11 AM
I see there was also an earlier 1st private performance at 1910 Gloucester 3 Choirs, Elgar piano Reed violin though some say Kreisler. seenandheard-international.com/2023/07/elec...
Described by critic Andrew Clements as “a bit like The Sound of Music reworked by Kagel”.
October 16, 2025 at 6:22 AM
Described by critic Andrew Clements as “a bit like The Sound of Music reworked by Kagel”.
Birthday of Dyson and same work featured on 28-05
September 28, 2025 at 8:54 AM
Birthday of Dyson and same work featured on 28-05
Mirliton, c’est moi!
September 25, 2025 at 7:12 AM
Mirliton, c’est moi!
That rising 4-note phrase for solo clarinet that answers the solo trumpet just before the end is high on my list of the most hauntingly beautiful music I’ve ever played or heard.
September 21, 2025 at 9:24 AM
That rising 4-note phrase for solo clarinet that answers the solo trumpet just before the end is high on my list of the most hauntingly beautiful music I’ve ever played or heard.
It’s American in Paris that I’m hearing repeatedly on R3
September 17, 2025 at 8:06 AM
It’s American in Paris that I’m hearing repeatedly on R3
Everything from David Sawer is astonishing and this score, like its Shakespearean source, is full of beguiling equivocation.
September 14, 2025 at 10:12 AM
Everything from David Sawer is astonishing and this score, like its Shakespearean source, is full of beguiling equivocation.