Connor Lightbody
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calbody.bsky.social
Connor Lightbody
@calbody.bsky.social
🏴󠁧󠁢󠁳󠁣󠁴󠁿film critic, usually spotted at Film Festivals | ✍️for TakeONE, LWL, Pop Heist, Indy Voices, Awards Watch, The Skinny, FilmStories +more| 🏳️‍🌈Bi | 🍅-approved | Standing for 🏳️‍⚧️🇵🇸 | He/Him | GALECA member
Reposted by Connor Lightbody
'Bird,' 'Anora,' and 'September 5' are among the most lauded films of the awards season — but do they do their subjects a disservice? (by @calbody.bsky.social)

popheist.com/burden-of-re...
The Burden of Representation in 'Bird,' 'Anora' and 'September 5'
'Bird,' 'Anora,' and 'September 5' are among the most lauded films of the awards season — but do they do their subjects a disservice?
popheist.com
September 19, 2025 at 2:44 PM
Curses in Volpi and Casino-sized screenings
August 21, 2025 at 12:54 PM
Think that’s about where I am too. It promises something better than it delivers
August 12, 2025 at 2:33 PM
Gladys is the only scary part but also optically speaking: old women/unattractive women are yet again vilified? I

My argument is that the allegory is the central structure of the entire picture and without it being sturdy, everything all just becomes flimsy around it
August 12, 2025 at 2:15 PM
I disagree tbh! It’s there in the subtext (bullied, abused kid is surrogate for school shooter) and the literal text in that scene with Brolin’s character (dream sequence, 2:17 above the house) but it is really only a surface allegory once you consider Gladys
August 12, 2025 at 1:32 PM