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bunnieula.bsky.social
bunnie🌷
@bunnieula.bsky.social
20 followers 49 following 72 posts
🧚🏻‍♀️genderfluid 90s hot girl+ rabbit, storyteller, blood sucker🧜🏻‍♀️
💗pronouns: depends on your ID
💌dni: minors🚫, ai/nft users🚫
🍷pgm4pgm, decolonialism, abolition
🩷still masking - you should, too
🎀martian leo princess, sidereal only
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bunnieula.bsky.social
i don't have many ships that are canon, but hmm.
how it started vs how it's going, in terms of tastes.
Miyu and Kanata of Daa! Daa! Daa! Sir Integra Hellsing and Alucard from Hellsing.
February 15, 2025 at 6:58 AM
bunnieula.bsky.social
i use the em-dash all the damn time....
Tweet by user FullAsMuchHeart that says, "Just saw someone saying using the em-dash is a sign of something being written by AI, because real people rarely use it. This is terrible news for everyone like me who has an unhealthy emotional attachment to the em-dash."
February 13, 2025 at 8:35 AM
bunnieula.bsky.social
didn't want to qt but saw this in one of the feeds i follow. and um, this is a conventionally attractive character and not a real hear me out.
Screenshot of a cropped tweet with an image of Pyramid Head from the Silent Hill franchise and the following text: Men will say "hear me out" and show you the most conventionally attractive woman you've ever seen. Meanwhile, women will say "hear me out" and show you this thing.
February 3, 2025 at 12:43 PM
bunnieula.bsky.social
bunnie-coded characters
honorable mention: bg3 gale dekarios lmao
Full color headshot of Bakugo Katsuki of My Hero Academia drawn by the author, Horikoshi Kohei. Katsuki wears his hero costume here, and the background is transparent. A shot of Mima from the Kon Satoshi film, Perfect Blue. She is wearing an idol costume with a red headband and long white opera gloves. She is bleeding and smiling. A photo of Ko Mun-yeong, or Go Moonyoung, the leading woman of the Korean drama show It's Okay to Not Be Okay depicted by Korean actor Seo Yeaji. She is looking up from a seated position, wearing long dangling earrings and a black blouse or dress with short sleeves. The dress is textured with spirals that look like abstractions of roses. A man stands in the background. You see Mun-yeong from her right side. The show's original Korean title is written at the top in white font. A colored manga image of Kikyou from InuYasha by Takahashi Rumiko. She is surrounded by shinidamachu, also known as dead soul insects or soul collectors.
February 1, 2025 at 2:53 AM
bunnieula.bsky.social
my #ComicsDNA 😌
Poster of Korean webtoon Call Me Romantic by Choi Yong-Sung. The background is red, specifically blood red at the top in a subtle vertical gradient, fading out to a very slightly paler red toward the bottom. Black and white art of a slightly tattered book titled 사랑은 테이크아웃, or Love is Takeout, overtakes most of the frame. You see some pages have come apart from the binding, and the book is wrinkly with a giant nail piercing it through the middle. The nail's blunt end is shaped like a heart, and the nail pierces the part of the cover just beside the woman depicted in the middle of the cover. Beside her are two men, one with black hair and the other with a lighter hair color you can't discern due to it being black and white art. The book casts a grainy, gritty shadow on a presumed ground or floor, and the heart shape of the nail casts a shadow on the cover, too. The bottom edge of the book and the sharp end of the nail keep the book propped up. Under the book is the webtoon title, stylized by hand in white with black outlines and a black shadow just beneath. Cover of Ito Junji's acclaimed graphic novel, Tomie. Tomie stands with a mysterious smile, gazing slightly up and beyond us, or the camera, and has straight blue-black hair reaching her chest, covering her shoulders. She is pale and has, at least in the cover, pale blue-black eyes. A small beauty mark is by the bottom of her left eye. She is double-lidded with thin, neat eyebrows, pink lips, and a straight nose bridge. She wears a white long-sleeved top. The background looks like a depiction of water or a cloudy sky or even layers and layers of fog. It is burgundy-red and purplish. It is dark. Close to her, the background takes on a clearer quality, appearing like water that she is immersed in and distorting her arms a little. At the bottom left is the number 1 for the volume number, and underneath, it features the ecc logo. Under that is "JUNJI ITO" in grainy, etch-marked white sans-serif font. Directly under his name, in the same font, is the title, "TOMIE" also in all caps. It is red-orange and has a grungy look to it with straight etch marks in various directions, black stains that evoke blood imagery, and scrape marks. The cover of the first volume of InuYasha by Takahashi Rumiko. The cover has a warm red-pink and yellow frame with an inner outline or border in black separating it from the panel of art featuring a centipede demon in the background. At the bottom of the cover is a large drawing of InuYasha, a half-dog demon with white hair, triangular dog ears, yellow eyes, and thick black eyebrows. He wears red robes and has his hand drawn and poised for attack. He has sharp claws. He is overlaid and covers some part of the border and the panel. Overlaid on him to his left shoulder is a drawing of Higurashi Kagome, another main character, wearing an expression of surprise. She is in a sailor uniform for school with white, green, and red accents. She has long white socks and wears light golden brown loafers. She has full bangs and wavy black hair, long eyelashes, and red lips. The InuYasha logo is near the top left and is vertical. The letters are red and placed on top of yellow and green circles outlined multiple times in black and white rings. The volume 1 cover of Hellsing by Hirano Kohta. The title is at the top in white font with horizontal etches going through it. It's laid over a red background with some kind of drawing in deeper red. The background also moves down at the left of the frame as a thick border, and on it, the title in Japanese is in black font vertically, followed by a black cross, and then the author's name in kanji. At the very bottom of the cover is the author's name in English and white font, all caps. It's laid over a panel containing an illustration of the vampire Alucard who wears a red wide-brimmed hat and coat with big lapels. He's biting on a silver cross pendant with his teeth, specifically his left fangs, and wears red sunglasses. His hair appears long, straight, and black. The scene is in the darkness with a white and red moon hanging in the pitch black sky in the background, partially obscured by Alucard's gun. He wears white gloves with a sigil on the back of the hands.
January 27, 2025 at 2:05 AM
bunnieula.bsky.social
introduce yourself with four movies
Poster of the Korean film Sympathy for Lady Vengeance, directed by Park Chan-Wook. The leading woman actor, Lee Young-Ae poses with her left hand on her cheek, her right hand resting on her left wrist. She looks somewhere beyond the camera, slightly above, with a dreamy expression on her face. She is clothed in a white blouse with lace accents and buttoned sleeves. She has a yellow green halo behind her head. She is a pale woman with black hair parted in the middle, styled modestly. Her brown eyes shine with light. Three red specks of blood rest on her upper cheeks, brushing her cheekbones. Her lips are in coral red lipstick. The title is at the bottom of the poster in all caps serif font, bright red. A poster of the Kon Satoshi film, Millennium Actress. The poster is filled entirely with images of the main character, Chiyoko, dressed in various styles of clothing appropriate for various ages, various life circumstances, and various historical eras of Japan. It shows her throughout her acting career, in each of her roles. Near the bottom of the poster is the title in sans-serif font in white. The words "Millennium" and "Actress" are in different fonts with the former being heavier weight. The overall color palette of the poster is warm, wistful, and nostalgic. There are warm reds, oranges, golden yellow, cream white, and olive green. Each Chiyoko stares directly into your eyes. A poster of the Korean director Park Chan-Wook's film, The Handmaiden. The poster has a warm off-white border, and inside it is a textured golden-brown background. Beautiful pine trees are overlaid all over the poster, artistically arranged and moving in a slight rightward arch from the top left corner to the bottom left corner. The pine needles are a dusty warm green and sage green. The trunks are warm chestnut brown growing darker toward the base of the trunk. The branches and trunks curve in all directions. At the top left tree, a cis man character stands looking at the ground, dressed in an all-white suit. On the one to its right, Lady Hideko, one of the main characters, hangs from the branch. There is a noose around her neck, and she is dressed in white. Somewhere above the bottom left tree, Lady Hideko and her maid Sookhee sit nude, embracing each other. They are enjoying physical intimacy. To the right of the same tree, slightly obscured, Sookhee stands in her blue and white maid uniform, holding up a white paper parasol for Lady Hideko in her white and gray clothes. The trees are not cropped off by the off-white border and instead grow directly over them. A Kon Satoshi film poster of Perfect Blue, color graded in cool tones and dark overall. Mima, a pale Japanese woman and popular idol made new actor, lies on a bed of various objects including plants, stuffed animals, and clothes. She wears a slightly loose negligee that appears either black or dark blue. It is lacy with a thin spaghetti strap. Her collarbones are pronounced, and her gaze looks to be staring possibly directly at you, the camera, or somewhere slightly off. Her expression is blank but gloomy, lips slightly parted. The title is at the bottom of the poster in a stylish sans-serif font and all caps. The lettering is transparent save for the white parts that color in the sides of the letters, which are raised. Similarly, Mima herself is slightly transparent, particularly from her left shoulder and down.
January 27, 2025 at 12:55 AM