Brogan Morris
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broganjmorris.bsky.social
Brogan Morris
@broganjmorris.bsky.social
Writing about film at BFI, Guardian, BBC Culture, The AV Club, Paste. London programmer @distortedframe.bsky.social.
My primer on the films of Lynne Ramsay and all their sensational loneliness. www.bfi.org.uk/features/whe...
Where to begin with Lynne Ramsay
With her fifth feature, Die My Love, now in cinemas, we track back through the uncompromising career of Scottish filmmaker Lynne Ramsay and her jagged tales of human complexity.
www.bfi.org.uk
November 10, 2025 at 1:08 PM
For my latest I sing the praises of Burn After Reading, one of the stupidest, most pointless films I've ever seen (in a good way). www.theguardian.com/film/2025/no...
‘Such a tonic’: why Burn After Reading is my feelgood movie
The latest in our series of writers remembering their most rewatched comfort film is a tribute to the Coens’ playful star-packed comedy
www.theguardian.com
November 10, 2025 at 12:52 PM
Merry Christmas Eve, bitch: in our first ever festive slot, we're showing Sean Baker's anarchic breakout film Tangerine at The Castle in Hackney, 6:45pm Tue 16 Dec. What could be more appropriate to the season than 90 minutes of iPhone-shot chaos? 🎄 thecastlecinema.com/programme/10...
We're pleased to announce our festive screening at The Castle Cinema next month as Tangerine, Anora director Sean Baker's kinetic LA odyssey shot entirely on smartphones.

Join us 16th Dec to celebrate ten years of this darkly comic Tinseltown fairytale.

🔗 Link in bio for tickets and more info
November 9, 2025 at 11:59 AM
Reposted by Brogan Morris
"World's first potential trillionaire has killed 600,000 people, including 400,000 children" is the only headline that anyone should ever read about Elon Musk
One analytical model shows that, as of November 5th, the dismantling of U.S.A.I.D. has already caused the deaths of 600,000 people, two-thirds of them children. https://newyorkermag.visitlink.me/jUzNSc
The Shutdown of U.S.A.I.D. Has Already Killed Hundreds of Thousands
The short documentary “Rovina’s Choice” tells the story of what goes when aid goes.
newyorkermag.visitlink.me
November 7, 2025 at 1:33 AM
Thank you to @liamdunn82.bsky.social and @lindsayhallam.bsky.social for having me on the latest episode of @scifrightspod.bsky.social to discuss Colossus: The Forbin Project and Pulse, as well as AI, nuclear panic in the movies and the horror of early digital: open.spotify.com/episode/3vwp...
Dirty Computers - Colossus: The Forbin Project (1970) and Pulse (2001)
open.spotify.com
October 30, 2025 at 8:53 AM
If you're free tomorrow evening and fancy a spooooky screening of J-horror classic Pulse at The Castle Cinema in Hackney, us good folks at @distortedframe.bsky.social have two tickets that we're giving away for free. First come first served, DM me if you're interested. 👻 😱
October 28, 2025 at 12:46 PM
I can be sentimental, and moved by stories about good men in trouble. The Smashing Machine didn't floor me - it's too gentle for that - but its message of seeing value in learning to fail did get me pretty good. DJ's (very tender) performance will surprise only those who haven't seen Pain & Gain.
October 23, 2025 at 9:33 AM
The chemistry between these two in Something's Gotta Give is unreal. Keanu's hunky doctor stood no chance.
October 17, 2025 at 10:50 PM
Happy heavenly 105 to this man: two quite different performers, the intensely insular (and astonishingly beautiful) pre-1956 movie star and the agonisingly vulnerable post-1956 character actor, both great.
October 17, 2025 at 9:51 PM
The kitchen sink drama continues to be Britain's most reliable contribution to cinema, as Harris Dickinson's directorial debut, Urchin, follows confidently, modestly in the footsteps of Loach and Leigh. My review: www.pastemagazine.com/movies/urchi...
Harris Dickinson’s Homelessness Drama Urchin Is Powerfully Honest British Social Realism
Frank Dillane's nuanced portrayal of a backsliding addict captures a true slice of modern London in Harris Dickinson's debut Urchin.
www.pastemagazine.com
October 11, 2025 at 9:57 AM
Reposted by Brogan Morris
Join us at Castle Cinema on 29th Oct for a Halloween screening of Kyoshi Kurosawa's terrifying J-horror classic PULSE on the big screen.

TIX LINK IN BIO!
October 10, 2025 at 12:27 PM
Reposted by Brogan Morris
Following our sellout screening of REC last year, on Wed 29 Oct we're back in the big screen at Hackney's Castle Cinema with another modern classic of international horror for Halloween. Come and see Kiyoshi Kurosawa's gloomy techno-horror with an intro by @jaspersharp.bsky.social - if you daaarre!
Would you like to meet a ghost?

On 29th Oct join Distorted Frame and @scifrightspod.bsky.social for a Halloween screening of PULSE, a film now routinely ranked amongst the scariest horror movies ever made.

The film will be introduced by the brilliant @jaspersharp.bsky.social.

TIX IN BIO!
September 23, 2025 at 3:11 PM
For the BFI, I revisited some adolescent me favourites for this review of the dud-less career of Paul Thomas Anderson. An interesting moment for me: realising just how many Daniel Plainviewisms have made it into my everyday speech. www.bfi.org.uk/features/whe...
Where to begin with Paul Thomas Anderson
One modern classic after another... but as his new film arrives in cinemas, where to dive in?
www.bfi.org.uk
September 23, 2025 at 4:56 PM
Following our sellout screening of REC last year, on Wed 29 Oct we're back in the big screen at Hackney's Castle Cinema with another modern classic of international horror for Halloween. Come and see Kiyoshi Kurosawa's gloomy techno-horror with an intro by @jaspersharp.bsky.social - if you daaarre!
Would you like to meet a ghost?

On 29th Oct join Distorted Frame and @scifrightspod.bsky.social for a Halloween screening of PULSE, a film now routinely ranked amongst the scariest horror movies ever made.

The film will be introduced by the brilliant @jaspersharp.bsky.social.

TIX IN BIO!
September 23, 2025 at 3:11 PM
Reposted by Brogan Morris
Delighted to be introducing probably the greatest J-horror of them all in Hackney for Halloween. See you there!
Would you like to meet a ghost?

On 29th Oct join Distorted Frame and @scifrightspod.bsky.social for a Halloween screening of PULSE, a film now routinely ranked amongst the scariest horror movies ever made.

The film will be introduced by the brilliant @jaspersharp.bsky.social.

TIX IN BIO!
September 22, 2025 at 11:51 AM
Reposted by Brogan Morris
BOTD Tony Curtis! MCCT5 5)Last Tycoon (Kazan) 4)Boston Strangler (Fleischer) 3)Spartacus (Kubrick) 2)Some Like it Hot (Wilder) 1)Sweet Smell of Success (Mackendrick)
More
S D Bose/ @faroutmagazine.co.uk: faroutmagazine.co.uk/tony-curtis-...
@broganjmorris.bsky.social: www.bfi.org.uk/features/fin...
Finest hours: Tony Curtis in The Boston Strangler
On the centenary of his birth, we take a closer look at a fork-in-the-road moment in Tony Curtis’s career: the time he played the nauseating serial killer at the centre of Richard Fleischer’s The Bost...
www.bfi.org.uk
June 3, 2025 at 7:43 PM
Big fan of Richard Fleischer's The Boston Strangler. I wrote about Tony Curtis' (great) performance in it for his centenary. www.bfi.org.uk/features/fin...
Finest hours: Tony Curtis in The Boston Strangler
On the centenary of his birth, we take a closer look at a fork-in-the-road moment in Tony Curtis’s career: the time he played the nauseating serial killer at the centre of Richard Fleischer’s The Bost...
www.bfi.org.uk
June 3, 2025 at 7:30 PM
Reposted by Brogan Morris
Stay tuned!
May 21, 2025 at 1:47 PM
Reposted by Brogan Morris
HBD Harvey Keitel!!! MCCT5 5)Who's/Knocking (Scorsese) 4)Death Watch (Tavernier) 3)Ulysses Gaze (Angelopoulos) 2)Bad Timing (Roeg) 1)Mean St (Scorsese)
More
Langmann: www.esquire.com/entertainmen...
Weintraub: collider.com/harvey-keite...
@broganjmorris.bsky.social: thequietus.com/culture/film...
Who Paints These Houses? On Harvey Keitel And Martin Scorsese | The Quietus
The Irishman feels like a send-off. Directed by 76-year-old Martin Scorsese and starring Robert De Niro (76), Al Pacino (79) and Joe Pesci (76), three men circling a shared drain of American mob and p...
thequietus.com
May 13, 2025 at 2:16 PM
Gone With the Wind: so wilfully dishonest, disdainful and supremacist, and so full of caricatures and self-centred bastards it could have been written by Ayn Rand. Some neat expressionistic sequences, and Olivia de Havilland gives some life to her two-dimensional goodwife, but good God what a slog.
April 22, 2025 at 5:47 PM
Stagecoaches burn, as the Fordian hero ceases to believe in the American West altogether. A beautifully imperfect, halfway revisionist Western featuring some regrettably dated casting, Cheyenne Autumn is John Ford challenging racist myths that his own earlier films helped to perpetuate. Epic elegy.
April 20, 2025 at 9:40 PM
Today at BFI Southbank, Vincente Minnelli's The Four Horsemen of the Apocalypse was a revelation. A queasily lush study on what gives rise to fascism - some seduced by it, others remaining 'neutral' while it creeps closer to their door - to be mentioned in the same breath as Visconti's The Damned.
April 18, 2025 at 9:49 PM
Reposted by Brogan Morris
If there’s one film you must see in the @karinalongworth.bsky.social season at BFI it’s this late Minnelli movie today. Includes Karina introduction …
April 18, 2025 at 8:20 AM
Nicky Katt was a Timothy Carey for the 90s/00s: we only ever got him in small doses, but the live wire energy often made him the most riveting, dangerous performer in a scene.
April 14, 2025 at 11:27 PM