Brian Dear
@brianstorms.mastodon.social.ap.brid.gy
Author of "The Friendly Orange Glow" tech history book (Pantheon, 2017) https://amzn.to/2ol9Lu6
In #NewMexico. Producer-arranger-musician, Confusion Boats […]
🌉 bridged from ⁂ https://mastodon.social/@brianstorms, follow @ap.brid.gy to interact
In #NewMexico. Producer-arranger-musician, Confusion Boats […]
🌉 bridged from ⁂ https://mastodon.social/@brianstorms, follow @ap.brid.gy to interact
@grammargirl
The entire healthcare industry are UI design idiots when it comes to anything online like patient portals.
They do not get it and they do not care.
The entire healthcare industry are UI design idiots when it comes to anything online like patient portals.
They do not get it and they do not care.
January 15, 2026 at 12:33 AM
@grammargirl
The entire healthcare industry are UI design idiots when it comes to anything online like patient portals.
They do not get it and they do not care.
The entire healthcare industry are UI design idiots when it comes to anything online like patient portals.
They do not get it and they do not care.
@migratory
This sidebar on Wikipedia helps explain Jarmusch's motivations. I was fully ready for this in the theatre; I can imagine most people were expecting a predictable, formulaic Hollywood hit-man plot.
Also, Jarmusch was following Eno's Oblique Strategies, in the making of the screenplay […]
This sidebar on Wikipedia helps explain Jarmusch's motivations. I was fully ready for this in the theatre; I can imagine most people were expecting a predictable, formulaic Hollywood hit-man plot.
Also, Jarmusch was following Eno's Oblique Strategies, in the making of the screenplay […]
Original post on mastodon.social
mastodon.social
January 14, 2026 at 6:18 AM
@migratory
This sidebar on Wikipedia helps explain Jarmusch's motivations. I was fully ready for this in the theatre; I can imagine most people were expecting a predictable, formulaic Hollywood hit-man plot.
Also, Jarmusch was following Eno's Oblique Strategies, in the making of the screenplay […]
This sidebar on Wikipedia helps explain Jarmusch's motivations. I was fully ready for this in the theatre; I can imagine most people were expecting a predictable, formulaic Hollywood hit-man plot.
Also, Jarmusch was following Eno's Oblique Strategies, in the making of the screenplay […]
January 14, 2026 at 4:04 AM
@Herndonite
AMC has been horrible for decades. Same with Regal, Century, pretty much any major corporate cinema chain in the US.
AMC has been horrible for decades. Same with Regal, Century, pretty much any major corporate cinema chain in the US.
December 14, 2025 at 10:36 PM
@Herndonite
AMC has been horrible for decades. Same with Regal, Century, pretty much any major corporate cinema chain in the US.
AMC has been horrible for decades. Same with Regal, Century, pretty much any major corporate cinema chain in the US.
Also, we have no idea what "The Right Direction" is. Cut-and-paste? AI slop? Both? Who knows, it's Facebook-town. 🤷♂️
December 6, 2025 at 12:40 AM
Also, we have no idea what "The Right Direction" is. Cut-and-paste? AI slop? Both? Who knows, it's Facebook-town. 🤷♂️
[Avatar and Manta's Gift]
@kelson
I argued back in 2010 about the dimilarities between Avatar and Werner Herzog’s film Where The Green Ants Dream:
http://brianstorms.com/2010/01/where-the-green-directors-dream.html
@kelson
I argued back in 2010 about the dimilarities between Avatar and Werner Herzog’s film Where The Green Ants Dream:
http://brianstorms.com/2010/01/where-the-green-directors-dream.html
Where the Green Directors Dream - brianstorms
brianstorms.com
November 6, 2025 at 12:34 AM
[Avatar and Manta's Gift]
@kelson
I argued back in 2010 about the dimilarities between Avatar and Werner Herzog’s film Where The Green Ants Dream:
http://brianstorms.com/2010/01/where-the-green-directors-dream.html
@kelson
I argued back in 2010 about the dimilarities between Avatar and Werner Herzog’s film Where The Green Ants Dream:
http://brianstorms.com/2010/01/where-the-green-directors-dream.html
November 2, 2025 at 2:55 PM