So hold on.
Hold true.
Stay grateful.

What’s coming may not be fast—but it will be worth the wait.

And through it all, gratitude changes everything. It reminds us that even in the in-between, we are not empty-handed. Gratitude keeps the heart open, soft, and ready—so when the door finally opens, we recognize it not as entitlement, but as a gift.

Chance and luck often get the credit, but they usually meet us working, waiting, preparing. What looks like luck is often patience wearing a smile. What feels like chance is sometimes grace arriving right on time.

Let’s keep creating, collaborating, and pushing the boundaries of storytelling! 🌟

#IMDbPro #Filmmaking #Storytelling #MediaProfessional #FilmAndTV

If you’re a Nigerian screenwriter, filmmaker, producer, or film lover, take a look.
Share it.
And if someone is missing, let’s keep building it.

Nigerian stories deserve proper archives.

#nigerianwriters #nollywood #film #television

Too often, writers are invisible in the conversation. This list is my way of putting names, faces, and credits in one place — for history, for industry recognition, and for the next generation coming up.

From record-breaking cinema to long-running TV series and bold new voices, these writers are behind the characters, dialogue, and worlds that define Nollywood and Nigerian television.

If you want to direct, go and direct. If you want to produce, go and produce. But if you came here to ACT, abeg… ACT.

Omo, just stay in your lane. Do your job. Respect the craft. Bring the character, not confusion. The set is not your personal workshop for forcing half-baked ideas on people. We are here to make a film, not babysit ego.

If everyone starts doing everybody’s job, tell me, who will actually ACT? Because last time I checked, the award is for “Best Actor,” not “Best Director-by-Force While Still Forgetting Lines.”

The ones who can’t keep continuity to save their life that suddenly want to “oversee the creative direction.” Oversight ko, overconfidence ni.
There is a reason a director exists. There is a reason a script exists. There is a reason a set has hierarchy.

Ah-ah! Uncle, Aunty, can you first give us the performance you’ve been rehearsing… or not rehearsing?
It’s always the ones struggling with basic lines that want to restructure the entire script.