jinxthemonkey.com | https://linktr.ee/bobflynn
via @ani-obsessive.bsky.social
Aladdin on 35 mm film (top) versus Blu-ray (bottom).
via @ani-obsessive.bsky.social
Aladdin on 35 mm film (top) versus Blu-ray (bottom).
You can still build blocky with studs showing, but the current trend is to hide any hint of Lego.
(src: www.reddit.com/r/lego/comme... )
You can still build blocky with studs showing, but the current trend is to hide any hint of Lego.
(src: www.reddit.com/r/lego/comme... )
Really fun costume to make! Paper mache and paint.
Really fun costume to make! Paper mache and paint.
Not just lines, shapes as well.
Left: Ed Emberley's Drawing Book of Faces
Right: art by undrey from Creative Market Place.
Not just lines, shapes as well.
Left: Ed Emberley's Drawing Book of Faces
Right: art by undrey from Creative Market Place.
(Out on a Limb, 1950; Crazy Over Daisy, 1950)
Both directed by Jack Hanna.
Yale Gracey (Layout) & Thelma Witmer (Backgrounds) on both as well.
(Out on a Limb, 1950; Crazy Over Daisy, 1950)
Both directed by Jack Hanna.
Yale Gracey (Layout) & Thelma Witmer (Backgrounds) on both as well.
This is why silhouette is overrated. Of course our eyes see internal shapes, especially high contrast shapes like this, but the clawed grip doesn't even show up in silhouette.
This is why silhouette is overrated. Of course our eyes see internal shapes, especially high contrast shapes like this, but the clawed grip doesn't even show up in silhouette.
('Transylvania 6-5000', Chuck Jones, 1963)
('Transylvania 6-5000', Chuck Jones, 1963)
It's how I watch animation even more-so as I get older. I'm infatuated with the drawings—especially the good ones.
It's how I watch animation even more-so as I get older. I'm infatuated with the drawings—especially the good ones.
Why decide against the established cartoon-gag norm to keep the haircuts? Because they weren't really hurt?
Not sure, but it's odd when a throwaway gag has lasting effect.
Why decide against the established cartoon-gag norm to keep the haircuts? Because they weren't really hurt?
Not sure, but it's odd when a throwaway gag has lasting effect.
But they don't shake off the new haircut for the remainder of the cartoon.
But they don't shake off the new haircut for the remainder of the cartoon.
Here, Donald uses a manual lawn mower to zip over a tree branch (trimming the tree), and gives Chip and Dale a close cut.
Here, Donald uses a manual lawn mower to zip over a tree branch (trimming the tree), and gives Chip and Dale a close cut.
maximumfun.org/episodes/e-p...
maximumfun.org/episodes/e-p...
Makes me miss what I thought was a previously easy and fast solution: chalk-marker on a black board.
(Note: no roast pig was served at said luau, unless you count the ham and cheese)
Makes me miss what I thought was a previously easy and fast solution: chalk-marker on a black board.
(Note: no roast pig was served at said luau, unless you count the ham and cheese)
The green strip contains a rivet, bottom centered.
The red strip contained 6 of them.
The two frame a single rivet in the white negative space, like an eyeball.
The blue avoids any rivets.
The green strip contains a rivet, bottom centered.
The red strip contained 6 of them.
The two frame a single rivet in the white negative space, like an eyeball.
The blue avoids any rivets.
It's super satisfying. I'm sure sign painters in the field conversed about the pros and cons of going one way or another. Avoiding rivets or painting over them. The craft, the choices.
It shows care.
It's super satisfying. I'm sure sign painters in the field conversed about the pros and cons of going one way or another. Avoiding rivets or painting over them. The craft, the choices.
It shows care.
Left: If a rivet is in the way, you paint over it.
Right: Where here, the 3 manages to avoid the rivets, but the metal ridge can't be avoided.
Left: If a rivet is in the way, you paint over it.
Right: Where here, the 3 manages to avoid the rivets, but the metal ridge can't be avoided.