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It was a compelling backdrop for capturing the personal stories of our housing affordability crisis in Virginia.

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👉 Bass instruments can be captured individually for a cleaner low end.

👉 Directional spot microphones can bring more clarity and mix flexibility to the piano, the singers, or quieter instruments.

And, and, and, and…..

(We’ll leave it there for now)
(Be well!)

Of course the work doesn’t stop there!

👉 A main NOS pair can be enhanced with a spaced pair of omnidirectional microphones to capture more “space.”

👉 Orchestras shine with additional microphones placed further out on the “flanks” of the ensemble.

👉 Mid-Side allows the stereo width to be modified in post, but the image & localization don’t feel spacious & realistic.

👉 Near-coincident techniques like (like NOS) offer a fantastic balance of spacious stereo, precise localization, & an engaging sonic impression. They’re usually our go to!

👉 A/B (spaced pair) creates a very spacious sound but produces relatively indistinct stereo imaging and may have significant phasing issues.

👉 X-Y (coincident pair) has no phasing issues and great mono compatibility, but generally produces a narrow stereo image.