Plus Malick's output since makes it feel a little less special and unique. I haven't seen A HIDDEN LIFE yet, but TO THE WONDER, KNIGHT OF CUPS and SONG TO SONG are improv/jazz filmmaking with diminishing returns.
Plus Malick's output since makes it feel a little less special and unique. I haven't seen A HIDDEN LIFE yet, but TO THE WONDER, KNIGHT OF CUPS and SONG TO SONG are improv/jazz filmmaking with diminishing returns.
It's a reality check that has completely changed the way I see this country, regardless of whether we ever get out of this or not.
It's a reality check that has completely changed the way I see this country, regardless of whether we ever get out of this or not.
Who care what's happening onscreen or frankly behind the scenes?
I'm not talking about you necessarily, but I don't get it. Why is anyone still watching?
Who care what's happening onscreen or frankly behind the scenes?
I'm not talking about you necessarily, but I don't get it. Why is anyone still watching?
Don't understand why it's still watched and covered like it's separate from what happens behind the scenes.
Don't understand why it's still watched and covered like it's separate from what happens behind the scenes.
Don't want to paint everyone with the same brush but there's a cognitive dissonance in still watching but being against what's going on in this country
Don't want to paint everyone with the same brush but there's a cognitive dissonance in still watching but being against what's going on in this country