Ben Fletcher-Watson
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bfletcherwatson.bsky.social
Ben Fletcher-Watson
@bfletcherwatson.bsky.social
Drama researcher in theatre for babies & relaxed performance. Deputy Director of IASH, University of Edinburgh. Trustee of Newcastle Theatre Royal. He/him
Reposted by Ben Fletcher-Watson
Tue 4 Nov, 17:30 - "Women Who Dared: From the Infamous to the Forgotten" from @edinburghup.bsky.social. Edited by @bfletcherwatson.bsky.social & @joshaw.bsky.social with a foreword by @sarasheridan.bsky.social

Free tickets: womenwhodared.eventbrite.co.uk (in person and online)
Book Launch: "Women Who Dared: from the infamous to the forgotten"
Join us to mark the publication of our latest essay collection, exploring women's stories throughout history.
womenwhodared.eventbrite.co.uk
October 3, 2025 at 9:24 AM
The US thing of the cast meeting people in the lobby to shake hands and chat can work as a mid-ground.
June 3, 2025 at 7:51 AM
Completely - but on occasion I selfishly want to cling on to the emotion.
June 3, 2025 at 7:47 AM
I also think that quite a few plays would benefit from cutting the curtain call, to really revel in the ending’s impact.
June 3, 2025 at 7:43 AM
Derevo’s “Ketzal” when the sun rises out of a huge pool of water
Ontroerend Goed’s “Once and For All…” when they do everything ‘multiplied, inflated, magnified and tenfold’
Prior’s final speech in “Angels in America”
de Sade on his chair in “Marat/Sade”
June 3, 2025 at 7:42 AM
Thanks v much - can you follow me so I can DM?
June 1, 2025 at 7:23 PM