It was a great privilege to guest-edit this themed double-issue of French Screen Studies, which reassesses misunderstood directors behind the “Tradition of Quality” (1945–60). Massive thanks to all the contributors and the Chief General Editors:
www.tandfonline.com/toc/rsfc21/c...
www.tandfonline.com/toc/rsfc21/c...
February 19, 2025 at 11:03 AM
It was a great privilege to guest-edit this themed double-issue of French Screen Studies, which reassesses misunderstood directors behind the “Tradition of Quality” (1945–60). Massive thanks to all the contributors and the Chief General Editors:
www.tandfonline.com/toc/rsfc21/c...
www.tandfonline.com/toc/rsfc21/c...
If you're looking for an overview of developments in notions of film authorship and French "quality" cinema, my latest (open-access) piece may be of use: doi.org/10.1080/2643...
February 18, 2025 at 9:16 AM
If you're looking for an overview of developments in notions of film authorship and French "quality" cinema, my latest (open-access) piece may be of use: doi.org/10.1080/2643...
For this new article in "French Screen Studies", it was a pleasure to take a closer look at one of my favourite directors, the underrated Christian-Jaque, whose films are steeped in European border politics and reflect on wars past and yet to come. doi.org/10.1080/2643...
February 6, 2025 at 6:06 PM
For this new article in "French Screen Studies", it was a pleasure to take a closer look at one of my favourite directors, the underrated Christian-Jaque, whose films are steeped in European border politics and reflect on wars past and yet to come. doi.org/10.1080/2643...