Costume design by Rita Ryack and John A. Dunn.
Costume design by Rita Ryack and John A. Dunn.
Exemplified by this poolside multi-check sports coat and yellow silk shirt, his vibrant wardrobe as “Ace” Rothstein in Casino (1995) by costume designers Rita Ryack & John A. Dunn was a major influence on my interest in the intersection of cinema and clothing.
Exemplified by this poolside multi-check sports coat and yellow silk shirt, his vibrant wardrobe as “Ace” Rothstein in Casino (1995) by costume designers Rita Ryack & John A. Dunn was a major influence on my interest in the intersection of cinema and clothing.
Fifty years ago in Jaws, Shaw immortalized the sharkhunter Quint—clad in a greasy cap, blue chambray shirt, and olive M-51 field jacket while aboard the Orca in search of the killer shark terrorizing Amity Island.
Fifty years ago in Jaws, Shaw immortalized the sharkhunter Quint—clad in a greasy cap, blue chambray shirt, and olive M-51 field jacket while aboard the Orca in search of the killer shark terrorizing Amity Island.
Assuming this annual observance calls on the nation to watch Ronald Neame’s 1979 sci-fi flop Meteor, post your favorite of Sean Connery’s costumes. Obviously I choose the shearling coat, tweed leisure suit, and turtleneck.
Assuming this annual observance calls on the nation to watch Ronald Neame’s 1979 sci-fi flop Meteor, post your favorite of Sean Connery’s costumes. Obviously I choose the shearling coat, tweed leisure suit, and turtleneck.
Tom returns home in a dark prison-issue suit that he swaps for denim bib-overalls made by The Stronghold for his family’s journey west.
Tom returns home in a dark prison-issue suit that he swaps for denim bib-overalls made by The Stronghold for his family’s journey west.
An enduring style icon, the “King of Cool” dressed for Carmel in a navy shawl-collar cardigan, cream Bedford cords, and the brown suede playboy boots he also often wore on screen.
📸: William Claxton, 1964
An enduring style icon, the “King of Cool” dressed for Carmel in a navy shawl-collar cardigan, cream Bedford cords, and the brown suede playboy boots he also often wore on screen.
📸: William Claxton, 1964
The director appeared in a cameo for the final scene of his latest film, Killers of the Flower Moon (2023), dressed in a navy pinstripe three-piece suit to match the circa 1940s timeframe of the “Lucky Strike Presents” radio show.
The director appeared in a cameo for the final scene of his latest film, Killers of the Flower Moon (2023), dressed in a navy pinstripe three-piece suit to match the circa 1940s timeframe of the “Lucky Strike Presents” radio show.