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Welcome to the world’s largest site for classical music, opera and dance: events, articles & reviews. Subscribe to our weekly newsletter. https://bachtrack.com/
Beth Taylor’s commanding Sea Pictures the highlight of the LPO’s all-Elgar evening @lporchestra.bsky.social
✍️ Nick Boston
bachtrack.com/review-gardn...
November 27, 2025 at 5:13 PM
The ambiguity of salvation Benjamin Zander’s Verdi Requiem with the @bostonphilharmonic.bsky.social
✍️ Kevin Wells
bachtrack.com/review-verdi...
November 27, 2025 at 10:18 AM
Piotr Beczała, Sonya Yoncheva and Igor Golovatenko bring passion and excitement to Met’s Andrea Chénier
✍️ Susan Stempleski
bachtrack.com/review-andre...
November 26, 2025 at 5:09 PM
Beanz meanz Jonez? Richard Jones directs a successful new Wozzeck in Tokyo
✍️ Nahoko Gotoh
bachtrack.com/review-wozze...
November 26, 2025 at 6:45 AM
Masks and obsessions: Evgeny Titov’s incisive Salome at Komische Oper Berlin
✍️ Zenaida des Aubris
bachtrack.com/review-salom...
November 25, 2025 at 10:53 AM
Splendid score, sterile stage: a new Clemenza di Tito at La Fenice
✍️ Laura Servidei
bachtrack.com/review-cleme...
November 25, 2025 at 7:34 AM
On Sir Peter Wright’s 99th birthday, Sofia Liñares on dancing his Birmingham Royal Ballet Nutcracker
bachtrack.com/interview-so...
November 25, 2025 at 7:09 AM
Czech comedy, Irish twist: Irish National Opera’s Bartered Bride shines @irishnationalopera.bsky.social
✍️ Andrew Larkin
bachtrack.com/review-barte...
November 24, 2025 at 1:46 PM
Manfred Honeck brings his über-dramatic Mozart Requiem to Chicago @chicagosymphony.bsky.social
✍️ Graham Meyer
bachtrack.com/review-honec...
November 24, 2025 at 1:25 PM
Glacial depths, Nordic clarity: Saraste and the Helsinki Philharmonic in Hamburg @elbphilharmonie.de
✍️ Mengguang Huang
bachtrack.com/review-saras...
November 24, 2025 at 11:53 AM
Celebrating 90 years of the BBC Scottish Symphony Orchestra
✍️ David Smythe
bachtrack.com/review-brabb...
November 24, 2025 at 11:16 AM
Sorrow and consolation: an evening in the arms of Death with the Dudok Quartet Amsterdam @musicintheround.bsky.social
✍️ Phil Parker
bachtrack.com/review-dudok...
November 24, 2025 at 10:43 AM
Aiming high: Hugh Cutting on Handel, good storytelling and countertenor appeal
✍️ @eleanorknight.bsky.social
bachtrack.com/interview-hu...
November 24, 2025 at 10:30 AM
Sir Bryn Terfel charms Glasshouse audience in reimagined Schubert @rnsinfonia.bsky.social
✍️ Nick Butters
bachtrack.com/review-sousa...
November 24, 2025 at 10:22 AM
Precision as grandeur: Christian Thielemann and the Vienna Philharmonic’s Bruckner 5 in Seoul
✍️ SangKwon Lee
bachtrack.com/review-thiel...
November 24, 2025 at 8:55 AM
Elegant Tchaikovsky Rococo Variations from Li-Wei Qin with the West Australian Symphony in Perth
✍️ Sandra Bowdler
bachtrack.com/review-fisch...
November 24, 2025 at 8:48 AM
“It is cruel, you know, that music should be so beautiful.” Benjamin Britten, born on this day in 1913:
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November 22, 2025 at 8:31 AM
Cocteau-esque camp: Alden’s Partenope returns to English National Opera
✍️ Mark Valencia
bachtrack.com/review-parte...
November 21, 2025 at 6:23 PM
Harmony in motion: Maxime Pascal shows his mettle in Boulez and three world premieres with the @londonsymphony.bsky.social
✍️ Peter Quantrill
bachtrack.com/review-pasca...
November 21, 2025 at 5:44 PM
Laura Karpman’s opera Balls tells a great story, but overshoots the line
✍️ David Karlin
bachtrack.com/review-karpm...
November 21, 2025 at 12:36 PM
London City Ballet at the Linbury: joy and sorrow at its best
✍️ Deborah Weiss
bachtrack.com/review-londo...
November 21, 2025 at 9:04 AM
Sliding doors moments: the Royal Academy's Carmen has too many what-ifs
✍️ Dominic Lowe
bachtrack.com/review-carme...
November 20, 2025 at 5:13 PM
Indifference and impatience: Osmo Vänskä ruins Sibelius and Shostakovich in Birmingham
✍️ Simon Cummings
bachtrack.com/review-vansk...
November 20, 2025 at 3:38 PM
Contour and colour in New York: Jean-Efflam Bavouzet plays Ravel’s complete piano works
✍️ Edward Sava-Segal
bachtrack.com/review-jean-...
November 20, 2025 at 3:07 PM
A spirited revival of the Velvet Revolution from Oramo and the Czech Philharmonic
✍️ Frank Kuznik
bachtrack.com/review-oramo...
November 20, 2025 at 8:50 AM