Amy Skjerseth
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askjerseth.bsky.social
Amy Skjerseth
@askjerseth.bsky.social
Assistant Professor of Popular Music at University of California, Riverside. Formerly Lecturer in Audiovisual Media at Uni of Liverpool. Social histories of music, sound, technology, and media; popular music; music videos; sound and music in film and media
[...] algorithmic technologies; and cultural trope remixing in performance and media art. Particularly welcome are investigations of how marginalized artists rework technological presets to circulate new meaning and expose latent power structures.
July 29, 2025 at 6:47 PM
We invite papers that address presets in any medium. Topics could include: the politics of AI-generated imagery; race, gender and accessibility in default design; musical or sonic sampling; exploitation of aesthetic defaults in photography and screen-based art; [...]
July 29, 2025 at 6:47 PM
We are asking: what kinds of agency exist within pre-coded environments? Can presets be thought beyond a poverty of expression to become sites of aesthetic and political experimentation?
July 29, 2025 at 6:47 PM
Beyond technological settings, presets encompass cultural defaults including gender normativity and Western privilege. These often invisible norms shape artistic production within today's technological networks, establishing constraints that artists variously adopt, modify, or subvert.
July 29, 2025 at 6:47 PM
Originally technical features "set or adjusted beforehand to facilitate use" (OED), presets have evolved from photography & music production shortcuts into pervasive aesthetic & ideological defaults across media: from synthesizer patches and Instagram filters to narrative tropes and user interfaces.
July 29, 2025 at 6:46 PM
Session Description: This panel explores presets—default configurations embedded in tools, platforms, and cultural forms—that shape contemporary art while raising critical questions about labor, originality, and automation.
July 29, 2025 at 6:46 PM
What a brilliant idea! I would love that (what a flavor combo too)
June 28, 2025 at 3:03 AM
Alyx! This is the first time my name has been made into a pun, surprisingly. I love it, and thank you so much for your support and encouragement, as always!
June 20, 2025 at 5:53 PM
Thank you so much, SIG community, Arzu and Seth, and of course Landon, for serving the SIG so brilliantly! As a side note too, @landonpalmer.bsky.social was my assigned mentor while on the job market a few years ago and was absolutely incredible. I learned so much from his mentorship and leadership!
June 20, 2025 at 5:52 PM
Thinking of you and sending all of the speedy healing and good food and safety and care. Let me know if there’s anything I can do.
June 12, 2025 at 12:21 AM
Thank you so much--yes, will do! Great to be in touch and all the best for this amazing project!
June 3, 2025 at 7:28 PM
You're so welcome, Sherri! I love the idea--I'm a popular music + audiovisual media scholar (Yoko Ono got me into it all)--and will be following news of this project!
May 29, 2025 at 6:24 AM
A former student, Lola de la Mata, is a composer/installation artist probing sonic and visual representations of tinnitus; brief gloss of work here: www.loladelamata.com/pcst-tinnitu.... The super smart multimedia operas of www.loladelamata.com/pcst-tinnitu.... The animator Jodie Mack's soundtracks.
PCST Tinnitus Choir WIP — LOLA DE LA MATA
www.loladelamata.com
May 29, 2025 at 12:08 AM
Thanks so much, Andy! That's so kind--I really appreciate you taking the time to listen. And yes, hooray for keeping media interfaces as weird as possible!
May 6, 2025 at 5:52 PM