‘Art Treatment’ – Tom Denman assesses what it takes to make art in and for hospitals, concluding that the best approach encourages an ‘interdependent therapeutic gaze’

November Art Monthly

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[image: Abbas and Yasiin Zahedi, ‘Magnetic Sun’, 2022]

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‘Curating Difference’ – Lisa Slominski asks whether it is possible to contextualise difference with care and without instrumentalising it

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[image: Nnena Kalu, installation view, Arcadia Missa, London, 2024]

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‘Time Travel’ – Suzanne Treister interviewed by Jamie Sutcliffe

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[image: Suzanne Treister, ‘Q. Would You Recognise a Virtual Paradise?’, from the series ‘Fictional Video Game Stills’, 1991–92]

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TAKING ART APART SINCE 1976

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Karimah Ashadu – Profile by Kathryn Lloyd

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[image: Karimah Ashadu, ‘Machine Boys’, 2024]

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‘On Magazines’ – Chris Townsend both celebrates and laments magazines, past and present, that made a difference, even if only temporarily

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[image: ZG and Semiotext(e) magazine covers]

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From the Back Catalogue: ‘We Are the Robots’ – Aoife Rosenmeyer asks how should we coexist with robots and intelligent machines

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[image: Laurie Simmons, ‘The Love Doll / Day 32 (Blue Geisha Close-up)’, 2011]

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‘Art and Obsolescence’ – Bob Dickinson points out that artists’ long-term fascination with obsolescence has turned darker with the development of new technologies

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[image: Aisling Phelan, ‘Goodbye Body’, 2025]

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‘Uneasy About ESEA’ – Morgan Quaintance argues that the homogenising effect of the ESEA label risks blocking a transformative and reciprocal exchange between global regions

October Art Monthly
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[image: Momoe i manu ae ala atae’e Tasker, ‘Protest banner for West Papua’, 2024]

‘Looking Back in Anger’ – Naeem Mohaiemen interviewed by Amna Malik

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[image: Naeem Mohaiemen, ‘Through a Mirror, Darkly’, 2025]

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