In this conversation, Golden and Choi explain what Lloyd means to the Studio Museum, his unique position within art history, and how we might make sense of the relationships between abstraction, technology, and politics in his work. www.artforum.com/features/int...

In 1968, the Studio Museum opened in Harlem with a solo show of works by Lloyd, a kinetic light sculptor and a vocal advocate for Black artists. Tomorrow, after a seven-year expansion project, the museum reopens with Lloyd’s long-overdue retrospective. www.artforum.com/features/int...

On Artforum’s November 2025 cover: Ayoung Kim, Ghost Dancers B (detail), 2022, mannequins, clothes, helmets, gloves, tap case, reinforced case, tempered glass, dimensions variable.

Also: Laurie Anderson remembers Robert Wilson; Ketuta Alexi-Meskhishvili, Thomas Demand, Florian Ebner, Roxana Marcoci, Christian Scheidemann, and Jeff Wall discuss the future of photography; and Caroline A. Jones tackles the history of immersive media art. www.artforum.com/issue/2025/n...

Mahama’s Beasts of no nation, 2013–22, appears on the cover of Artforum’s October 2025 issue, accompanied by a feature essay on the artist’s practice by writer Edna Bonhomme. www.artforum.com/features/ibr...