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Animus Magazine
@animusmagazine.bsky.social
☁️ Film criticism for the future ☁️
online film magazine • screenings • events • cinephile advice column • cine club
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Anand Sudha (@anandsudha.bsky.social) considers his own experience – as film fan and Indian viewer – with Blake Edwards’ controversial, revered comedy THE PARTY (1968), engaging with his own hopes and expectations for the film's acerbic critique of Hollywood: animus-magazine.ghost.io/whos-invited...
Who's invited to The Party?
On The Party and the politics of who’s looking at problematic art
animus-magazine.ghost.io
September 15, 2025 at 7:50 PM
Elena and Manuela leave no stones unturned as they discuss these three films by way of Severance, the manosphere, and the corporate girlies.
And for the first time, the episode can be watched as a video, for free on Spotify: open.spotify.com/episode/0jmE...
Jukebox; or, You’re Not the Only One With Problems
Spotify video
open.spotify.com
September 8, 2025 at 9:45 PM
Finally in Darren Aronofsky’s CAUGHT STEALING (2025), Austin Butler’s aimless bartender confronts past trauma via a whole new bunch of trauma.

Artwork by Ise Ananphada.
September 8, 2025 at 9:39 PM
Milton Moses Ginsberg’s underseen, Rip Torn-starring indie gem COMING APART (1969) charts the psychological unravelling of a New York psychiatrist who takes to recording his clients’ appointments without their knowledge.
September 8, 2025 at 9:38 PM
Among the films discussed is Sidney Lumet’s THE OFFENCE (1973), in which Sean Connery plays a detective-sergeant who has seen too much.
September 8, 2025 at 9:35 PM
Thank you for sharing!
August 27, 2025 at 12:48 PM
Thank you Robert for sharing!
August 26, 2025 at 9:32 PM
@manilazic.bsky.social on Bob Rafelson’s FIVE EASY PIECES (1970) animus-magazine.ghost.io/brave-acting...
August 13, 2025 at 10:39 PM