Anand Sudha (@anandsudha.bsky.social) considers his own experience – as film fan and Indian viewer – with Blake Edwards’ controversial, revered comedy THE PARTY (1968), engaging with his own hopes and expectations for the film's acerbic critique of Hollywood: animus-magazine.ghost.io/whos-invited...

Elena and Manuela leave no stones unturned as they discuss these three films by way of Severance, the manosphere, and the corporate girlies.
And for the first time, the episode can be watched as a video, for free on Spotify: open.spotify.com/episode/0jmE...

Finally in Darren Aronofsky’s CAUGHT STEALING (2025), Austin Butler’s aimless bartender confronts past trauma via a whole new bunch of trauma.

Artwork by Ise Ananphada.

Milton Moses Ginsberg’s underseen, Rip Torn-starring indie gem COMING APART (1969) charts the psychological unravelling of a New York psychiatrist who takes to recording his clients’ appointments without their knowledge.

Among the films discussed is Sidney Lumet’s THE OFFENCE (1973), in which Sean Connery plays a detective-sergeant who has seen too much.

Thank you for sharing!

Thank you Robert for sharing!

@manilazic.bsky.social on Bob Rafelson’s FIVE EASY PIECES (1970) animus-magazine.ghost.io/brave-acting...