André M.
@andrem.bsky.social
@ the movies | Vienna | the concept of social media is dead | Btw. Elon Musk is a troll.
Dir. BRIAN DE PALMA likes to watch and he shows more than we might want to see.
One of his trademarks became the use of split-screens (in the post) and split-diopters (on camera).
More than a side–by–side it is relying on foreground and background tension to create separation, sometimes intimacy.
One of his trademarks became the use of split-screens (in the post) and split-diopters (on camera).
More than a side–by–side it is relying on foreground and background tension to create separation, sometimes intimacy.
December 20, 2024 at 5:46 PM
Dir. BRIAN DE PALMA likes to watch and he shows more than we might want to see.
One of his trademarks became the use of split-screens (in the post) and split-diopters (on camera).
More than a side–by–side it is relying on foreground and background tension to create separation, sometimes intimacy.
One of his trademarks became the use of split-screens (in the post) and split-diopters (on camera).
More than a side–by–side it is relying on foreground and background tension to create separation, sometimes intimacy.
SUGAR - one of the mostly overlooked TV Shows of 2024.
Besides the performance of Colin Farrell, it containes an outstanding work in editing. Ignoring the 180-degree-rule, assembling different angles and sizes in a scene - intercut with old Hollywood classics. You truly can call this Montage.
Besides the performance of Colin Farrell, it containes an outstanding work in editing. Ignoring the 180-degree-rule, assembling different angles and sizes in a scene - intercut with old Hollywood classics. You truly can call this Montage.
December 5, 2024 at 10:55 AM
SUGAR - one of the mostly overlooked TV Shows of 2024.
Besides the performance of Colin Farrell, it containes an outstanding work in editing. Ignoring the 180-degree-rule, assembling different angles and sizes in a scene - intercut with old Hollywood classics. You truly can call this Montage.
Besides the performance of Colin Farrell, it containes an outstanding work in editing. Ignoring the 180-degree-rule, assembling different angles and sizes in a scene - intercut with old Hollywood classics. You truly can call this Montage.
“When the horizon is at the top, it's interesting. When it's on the bottom, it's interesting. When it's in the middle, it's boring as shit! Got it?” - David Lynch embodies John Ford in ‘The Fabelmans’ (Steven Spielberg, 2022)
#filmsky
#filmsky
November 21, 2024 at 9:52 AM
“When the horizon is at the top, it's interesting. When it's on the bottom, it's interesting. When it's in the middle, it's boring as shit! Got it?” - David Lynch embodies John Ford in ‘The Fabelmans’ (Steven Spielberg, 2022)
#filmsky
#filmsky