https://www.goodreads.com/author/show/58554152.Anders_Vane
There's a whole little cult that uses the nicknames throughout.
There's a whole little cult that uses the nicknames throughout.
Outside of writing books, essays are my jam.
Outside of writing books, essays are my jam.
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It is not a "safe space".
But we are speaking of a hall where the mountain itself sorts bodies, tests nerves, uses some, discards others, and yet ends up as one of the most mercilessly liberating places a queer reader can escape to.
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It's a hall described in the up-coming books "The Jotun Bride" and the up-coming anthology tentatively named "The Golden Spasm".
It's not for the faint of heart, but for those who belong, it is a revelationary text.
It's a hall described in the up-coming books "The Jotun Bride" and the up-coming anthology tentatively named "The Golden Spasm".
It's not for the faint of heart, but for those who belong, it is a revelationary text.
For a queer reader used to forms, diagnoses, categories, laws, family gazes, and HR meetings, this is a perverse relief: Here, you are represented. Here, you are reshaped.
For a queer reader used to forms, diagnoses, categories, laws, family gazes, and HR meetings, this is a perverse relief: Here, you are represented. Here, you are reshaped.
Would you read such a story?
Would you read such a story?
Act 3: “I’m not sure what is real anymore.”
Ending: There is no path. Only residue.
Done right, the reader comes away exalted. Done wrong, they think you just dropped your manuscript into a blender.
Act 3: “I’m not sure what is real anymore.”
Ending: There is no path. Only residue.
Done right, the reader comes away exalted. Done wrong, they think you just dropped your manuscript into a blender.
Example: A robot wakes up alone on a ship.
Reader. Okay, I know what game we’re playing.
Now perform narrative apotheosis via noise.
You get:
Act 1: “I get it.”
Example: A robot wakes up alone on a ship.
Reader. Okay, I know what game we’re playing.
Now perform narrative apotheosis via noise.
You get:
Act 1: “I get it.”