The full article is open access here:
📄 doi.org/10.1080/2040...
For folks working on satire, emotion, or media trust — let’s talk!
#ComedyStudies #PoliticalCommunication #LateNight #Colbert #AffectiveShifts
The full article is open access here:
📄 doi.org/10.1080/2040...
For folks working on satire, emotion, or media trust — let’s talk!
#ComedyStudies #PoliticalCommunication #LateNight #Colbert #AffectiveShifts
These moments aren't just cathartic — they’re persuasive.
They redefine what comedy can do in times of crisis and the future role of political comedy.
These moments aren't just cathartic — they’re persuasive.
They redefine what comedy can do in times of crisis and the future role of political comedy.
He moves from jokes to visible anger and moral outrage.
He names names. He critiques institutions.
Then he returns to levity — giving the audience space to feel and process.
He moves from jokes to visible anger and moral outrage.
He names names. He critiques institutions.
Then he returns to levity — giving the audience space to feel and process.
1. Voice critique without trivializing
2. Build trust via expressing emotion (pathos + ethos)
3. Frame events like journalists (attribute agenda setting)
Comedy, in short, becomes a form of opinionated journalism.
1. Voice critique without trivializing
2. Build trust via expressing emotion (pathos + ethos)
3. Frame events like journalists (attribute agenda setting)
Comedy, in short, becomes a form of opinionated journalism.
📺 Shows: Colbert, Meyers, Noah
📊 Methods: Sentiment analysis (N=14,451 sentences) + case study of Colbert’s Jan 7 monologue.
📺 Shows: Colbert, Meyers, Noah
📊 Methods: Sentiment analysis (N=14,451 sentences) + case study of Colbert’s Jan 7 monologue.
Those moments are not failures of comedy.
We call them Affective Shifts (AFS) — deliberate rhetorical moves from mirth to seriousness.
Those moments are not failures of comedy.
We call them Affective Shifts (AFS) — deliberate rhetorical moves from mirth to seriousness.