In “The Muestra de Cine Afrodescendencias in Costa Chica: Intersections of Afrodescendance and Decoloniality in Curatorial Practice” Claudia Lora et al analyse “the curatorial work and collective exhibition of the Muestra de Cinea Afrodescendencias
doi.org/10.33178/alp...

In “Stories Are in Our Bones!” From mispon to Ācimowin: A Conversation with Janine Windolph, in Memory of Trudy Stewart” Janine Windolph and Sheila Petty @PettySheila join together to map out, probe, two Indigenous focused film festivals in Saskatchewan – mispon (2006-2018) and Ācimowin (2024-)”

In “Tigritudes: A Subjective Anthology of Pan-African Cinema to Decolonise the Gaze” Estrella Sendra interviews Dyana Gaye about her project Tigritudes @kingscollegelondon.bsky.social
doi.org/10.33178/alp...

In “Documenting the Territory in Saint-Louis (Senegal)”, Laura Feal Sánchez interviews Mamadou Sellou Diallo, exploring his work in the creation of “audiovisual projects” that “document a space in all its complexity”
doi.org/10.33178/alp...

In “Decolonising Through Co-Curation” Rachel Johnson @universityofleeds.bsky.social traces “the complex relationships between curation, funding, placemaking and labour” in reference to the “Women Creators of the Future” programme doi.org/10.33178/alp...

Issue 28 is launched! “Moving Beyond the (De)Colonial Container: The Work of Film Festivals” edited by Sheila Petty and Estrella Sendra @ucclibrary.bsky.social @uccresearch.bsky.social @kingscollegelondon.bsky.social @uregina.bsky.social @filmstudiesff.bsky.social doi.org/10.33178/alp...