(The strongest shitposter is an unintentional shitposter.)
(The strongest shitposter is an unintentional shitposter.)
I MIGHT have lied a little.
#Silksong
I MIGHT have lied a little.
My full review below [𝗨𝗡𝗠𝗔𝗥𝗞𝗘𝗗 𝗦𝗣𝗢𝗜𝗟𝗘𝗥𝗦]:
My full review below [𝗨𝗡𝗠𝗔𝗥𝗞𝗘𝗗 𝗦𝗣𝗢𝗜𝗟𝗘𝗥𝗦]:
"Some might be thinking, Isn't the fiddle related to Celtic music? It turns out that Celtic music is among the roots of country music. This is a nice example of how musical cultures have changed and evolved across different countries and regions"
-Yasunori Nishiki
"Some might be thinking, Isn't the fiddle related to Celtic music? It turns out that Celtic music is among the roots of country music. This is a nice example of how musical cultures have changed and evolved across different countries and regions"
-Yasunori Nishiki
"The melody is provided by analog synth leads and solo vocals. The fusion of metallic and acoustic sounds is the theme of this song in general, but the electric sitar is the best part! It also adds an exotic sound"
-Kenji Hiramatsu
"The melody is provided by analog synth leads and solo vocals. The fusion of metallic and acoustic sounds is the theme of this song in general, but the electric sitar is the best part! It also adds an exotic sound"
-Kenji Hiramatsu
"In the first half of the piece, Mio's "Off-Seer" phrase is used, and Miyabi's "Life" is used in the middle part as a contrast. The difference in emotion between the two performances is expressed as the importance of conveying one's thoughts"
-Yasunori Mitsuda
"In the first half of the piece, Mio's "Off-Seer" phrase is used, and Miyabi's "Life" is used in the middle part as a contrast. The difference in emotion between the two performances is expressed as the importance of conveying one's thoughts"
-Yasunori Mitsuda
"This piece starts with quiet guitar arpeggios that seem to speak haltingly to the listener but builds to a piece awash with emotion. As I composed it, I was imagining a character privately giving voice to their innermost feelings"
-Yasunori Nishiki
"This piece starts with quiet guitar arpeggios that seem to speak haltingly to the listener but builds to a piece awash with emotion. As I composed it, I was imagining a character privately giving voice to their innermost feelings"
-Yasunori Nishiki
"For the scene where Noah and Mio's memories of the past flow into each other, I wanted to use a mysterious voice to create an impressive scene, so I asked Aisling McGlynn (ANÚNA) to do this. I think we were able to express the first experience of interlinking"
-Yasunori Mitsuda
"For the scene where Noah and Mio's memories of the past flow into each other, I wanted to use a mysterious voice to create an impressive scene, so I asked Aisling McGlynn (ANÚNA) to do this. I think we were able to express the first experience of interlinking"
-Yasunori Mitsuda
"When thinking about the method I used to express conflict through music, I decided to repeat the same phrase.
By repeating the same phrase, it gives the feeling of being unable to move forward, of hitting a wall."
-Yasunori Nishiki
"When thinking about the method I used to express conflict through music, I decided to repeat the same phrase.
By repeating the same phrase, it gives the feeling of being unable to move forward, of hitting a wall."
-Yasunori Nishiki
"Yumika Miyazaki's flute played the leading role, with my piano, TABOKUN’s double bass, and Yu Yamauchi on drums, who switched from sticks to brushes for this piece. His playing was inspired by the sound of insects under the starry skies of Mor Ardain"
-Kenji Hiramatsu
"Yumika Miyazaki's flute played the leading role, with my piano, TABOKUN’s double bass, and Yu Yamauchi on drums, who switched from sticks to brushes for this piece. His playing was inspired by the sound of insects under the starry skies of Mor Ardain"
-Kenji Hiramatsu
"The guitar tones are programmed guitar sounds from an ethnic library, and the live string and flute sounds make the programmed parts sound strangely live, which is a common feature of live recordings"
- Yasunori Nishiki
"The guitar tones are programmed guitar sounds from an ethnic library, and the live string and flute sounds make the programmed parts sound strangely live, which is a common feature of live recordings"
- Yasunori Nishiki
- Kenji Hiramatsu
- Kenji Hiramatsu
- Yasunori Nishiki
www.youtube.com/watch?v=Sdvd...
- Yasunori Nishiki
www.youtube.com/watch?v=Sdvd...
I can't believe we're in an age where Trails can match and maybe even surpass its contemporaries in terms of presentation.
I can't believe we're in an age where Trails can match and maybe even surpass its contemporaries in terms of presentation.
Top 4 Trails characters:
Top 4 Trails characters: