pedro a. ramirez
@airpopcrack.bsky.social
airpopcrack.com
ig: burningflags
ig: burningflags
maybe that relationship with the multiple and un-countable is a possibility that computers allow in a very beautiful manner. idk...
cheers :)
cheers :)
June 2, 2025 at 7:18 AM
maybe that relationship with the multiple and un-countable is a possibility that computers allow in a very beautiful manner. idk...
cheers :)
cheers :)
like idk, think of Florian Hecker's Sun Pandämonium or Rashad Becker's usage of the multiple voicing polyphony in the micromodular. and yea, even one of the trendiest tools right now, that of additive synthesis, is nothing but fancy swarms of sine wave oscillators moving in or outta tune.
June 2, 2025 at 7:18 AM
like idk, think of Florian Hecker's Sun Pandämonium or Rashad Becker's usage of the multiple voicing polyphony in the micromodular. and yea, even one of the trendiest tools right now, that of additive synthesis, is nothing but fancy swarms of sine wave oscillators moving in or outta tune.
culturemachine.net/recordings/p...
I love this essay by E. Thacker. Even though he uses the tropes of Black Metal and Ligeti, I think one more powerful example of the swarms, and its tension with infinity, multiplicity and human comprehension can be appreciated clearly in the extreme forms of CM
I love this essay by E. Thacker. Even though he uses the tropes of Black Metal and Ligeti, I think one more powerful example of the swarms, and its tension with infinity, multiplicity and human comprehension can be appreciated clearly in the extreme forms of CM
Pulse Demons – Eugene Thacker
Vol 9 (2007) Recordings Pulse Demons Eugene Thacker Contemporary popular culture often privileges the visual representations of swarms. In film, the development of complex algorithms for simula…
culturemachine.net
June 2, 2025 at 7:18 AM
culturemachine.net/recordings/p...
I love this essay by E. Thacker. Even though he uses the tropes of Black Metal and Ligeti, I think one more powerful example of the swarms, and its tension with infinity, multiplicity and human comprehension can be appreciated clearly in the extreme forms of CM
I love this essay by E. Thacker. Even though he uses the tropes of Black Metal and Ligeti, I think one more powerful example of the swarms, and its tension with infinity, multiplicity and human comprehension can be appreciated clearly in the extreme forms of CM
ohh fantastic essay, I remembered about it a couple days ago.
There's something I really enjoy about computer music in general, and it's something that is very easily done in SC, max's mc or in Kyma's replicator and is to explore the concept of "swarms". The sonic quality of variable multiplicity.
There's something I really enjoy about computer music in general, and it's something that is very easily done in SC, max's mc or in Kyma's replicator and is to explore the concept of "swarms". The sonic quality of variable multiplicity.
June 2, 2025 at 7:18 AM
ohh fantastic essay, I remembered about it a couple days ago.
There's something I really enjoy about computer music in general, and it's something that is very easily done in SC, max's mc or in Kyma's replicator and is to explore the concept of "swarms". The sonic quality of variable multiplicity.
There's something I really enjoy about computer music in general, and it's something that is very easily done in SC, max's mc or in Kyma's replicator and is to explore the concept of "swarms". The sonic quality of variable multiplicity.
Yo sólo sé que la primera vez que la escuché, hace por lo menos diez años, repetí la segunda mitad de la canción una y otra y otra vez por estudiando la belleza de los arreglos de guitarra.
January 4, 2025 at 7:09 PM
Yo sólo sé que la primera vez que la escuché, hace por lo menos diez años, repetí la segunda mitad de la canción una y otra y otra vez por estudiando la belleza de los arreglos de guitarra.
En los comentarios dicen que viene del Kezmer judio, del norte del Brasil, de la música tradicional vietnamita y , una vez en el carro de mi papá, un amigo me dijo que le resonaba al porro sabanero (quizás).
January 4, 2025 at 7:09 PM
En los comentarios dicen que viene del Kezmer judio, del norte del Brasil, de la música tradicional vietnamita y , una vez en el carro de mi papá, un amigo me dijo que le resonaba al porro sabanero (quizás).