When you alter the timing of recorded speech in an experiment you inevitably disrupt the prosodic structure. We present 3 retiming methods for imposing a predetermined rhythm on speech, and introduce the concept of a Rhythmic Chimera.
When you alter the timing of recorded speech in an experiment you inevitably disrupt the prosodic structure. We present 3 retiming methods for imposing a predetermined rhythm on speech, and introduce the concept of a Rhythmic Chimera.