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abbsound.bsky.social
Andrew B. Barkhatov
@abbsound.bsky.social
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abbsound.bsky.social
“The earth knows names not carved in stone” (Ilford PAN 400)
2018.10.15

#ilfordpan400 #FilmPhotography #ilfordphoto #believeinfilm #blackandwhite #noieretblanc #classicmono #monochrome #bnw #documentary #phojournalism #cemetery #gravecross #cross #bnwzone #35mm #film @ilfordphoto.com
“Silence watches over her shoulder” (Ilford PAN 400) She Draws But Doesn’t See—Trees Turn to Crosses, Wind Becomes Voices of the Gone. The third frame is an epilogue with no ending. She draws not what she sees, but what the earth remembers. Her pencil glides like a shadow that can’t find its place. Lines torn from the air become crosses, the notebook a bridge between what war and revolutions took and what trees gave back. She doesn’t know whose names these lines write—but feels the ground tremble beneath her, ready to yield what it’s held for centuries. Air here is thick with silent words, and every stroke is a cry that never flew away. Pencil slides softly, memory steps out of shadow — she is not alone. ___ 📷 Technical Credits: Series: Andronikov Necropolis: Memory on Film Locations: Necropolis of the Andronikov Monastery Camera: Nikon Lite Touch Zoom 120 ED (AF) (№3431629) Film: Ilford PAN 400 (expired, storage unknown, exposed at nominal ISO) Development: Kodak D-76 Scanner: Pakon F235+ (no corrections applied — raw scan) Date: October 11, 2018 (exposure) / August 13, 2022 (scan) “Crosses stand like voices, forgotten and returned” (Ilford PAN 400) Wood keeps the names, earth keeps the breath. Air Here’s Thick with Words Never Said—Heavier Than Shadows. The first frame of the triptych is like the first line of a prayer. The crosses, set where forgotten graves once were, stand as guards between past and present. Their shadows, longer than time, stretch toward the earth where heroes once rested—now only wind remembers their names. Leaves falling on stone carry voices of those who never lived to see restoration. Here, memory isn’t a recollection—it’s a shadow that never fades. It rustles in the cracks of crosses: “We didn’t leave. We just became trees to keep breathing. Crosses in day’s shade, names breathing without a sound — the earth remembers. ___ 📷 Technical Credits: Series: Andronikov Necropolis: Memory on Film Locations: Necropolis of the Andronikov Monastery Camera: Nikon Lite Touch Zoom 120 ED (AF) (№3431629) Film: Ilford PAN 400 (expired, storage unknown, exposed at nominal ISO) Development: Kodak D-76 Scanner: Pakon F235+ (no corrections applied — raw scan) Date: October 11, 2018 (exposure) / August 13, 2022 (scan) “The earth knows names not carved in stone” (Ilford PAN 400) Air’s Thick with Words That Fell into Grass—But Couldn’t Become Voices The second frame answers the first. A white cross stands in shadow, yet becomes a source of light. It doesn’t mark a grave — it marks return. The space around it is not just forest, but a temple of memory, where every shadow is a name, and every beam a voice. White cross in shadow, a prayer without sound — light remembers the names. ___ 📷 Technical Credits: Series: Andronikov Necropolis: Memory on Film Locations: Necropolis of the Andronikov Monastery Camera: Nikon Lite Touch Zoom 120 ED (AF) (№3431629) Film: Ilford PAN 400 (expired, storage unknown, exposed at nominal ISO) Development: Kodak D-76 Scanner: Pakon F235+ (no corrections applied — raw scan) Date: October 11, 2018 (exposure) / August 13, 2022 (scan)
November 20, 2025 at 8:18 PM
abbsound.bsky.social
“The prayer echoes, even if forgotten” (Ilford PAN 400)
Church in the name of the Holy Grand Duke Dimitri Donskoy
2018.10.11

@ilfordphoto.bsky.social @ilfordphoto.com
#ilfordpan400 #FilmPhotography #ilfordphoto #church #bw #believeinfilm #blackandwhite #noieretblanc #classicmono #monochrome #bnw
Dome Reflects the Sky—But the Mirror Shows Only the Shadow of What’s Lost The chapel, built from memories, stands as a question with no answer. Its new dome, old in spirit, catches clouds—but they carry only the shadow of what once was. Trees circling it rustles the story archives never wrote: they remember how stones screamed when torn down, how ash prayed in the rain. Time here doesn’t flow—it lies in wall cracks like a broken arrow, whispering: “I won’t leave. I’ll become a root to keep remembering.” The chapel stands still, but its roots lie in the shadows — a prayer without words. ___ 📷 Technical Credits: Series: Andronikov Necropolis: Memory on Film Locations: Necropolis of the Andronikov Monastery Camera: Nikon Lite Touch Zoom 120 ED (AF) (№3431629) Film: Ilford PAN 400 (expired, storage unknown, exposed at nominal ISO) Development: Kodak D-76 Scanner: Pakon F235+ (no corrections applied — raw scan) Date: October 11–17, 2018 (exposure) / August 13, 2022 (scan) _____ Chapel of Dmitry Donskoy at the Andronikov Monastery Built between 2005–2015 on the site of the original 1380 chapel, erected to honor the victory at Kulikovo Field. Located on the grounds of the former monastic necropolis, where warriors of the Battle of Kulikovo and other conflicts were buried. Consecrated on January 20, 2016. Architect: Anatoly Vasilievich Klimochkin. A modern religious structure, not a historical reconstruction, but a memorial to the fallen.
November 19, 2025 at 1:27 PM
abbsound.bsky.social
Autumn lies at the base, silence rises up” (Ilford PAN 400)
...Gothic is light hidden in shadow...

@ilfordphoto.com #ilfordpan400 #FilmPhotography #ilfordphoto #believeinfilm #VvedenskoyeCemetery #blackandwhite #documentary #phojournalism #cemetery #bnw #noieretblanc #classicmono #gothic
“Wings as Shadow, Flower as Question, Pillar as Silence” (Ilford PAN 400) (“Angel Stands. Time Lies at His Feet—Like Shoes Without an Owner”) The angel leans on the column, looking for support in stone but finding it in silence. In the hand, a flower that can’t fade—it’s already part of forever. Fallen leaves at the base are a calendar nobody flips. In black-and-white, grief turns into music that only the photograph can hear. Angel on the stone, flower trembling in the hush, autumn leaves below. __ Location: Vvedenskoye Cemetery (Foreign Confessions Cemetery), Lefortovo, Moscow Camera: Nikon Lite Touch Zoom 120 ED (AF) (№3431629) Film: Ilford PAN 400 (expired, storage unknown, exposed at nominal ISO) Development: Kodak D-76 Scanner: Pakon F235+ (no corrections applied — raw scan) Date: October 15, 2018 (exposure) / August 13, 2022 (scan) Notes: The film rested in unknown conditions, like a letter without an address. Silver and chemistry entered into dialogue with autumn: grain softened, contrast grew hesitant, tonal shifts carried the flavor of both decay and light. Each frame is less a document than a conversation between time and stone, with chance conducting the score. This roll is not a record but a ritual: emulsion whispering with fallen leaves, shadows rehearsing eternity. Grain softened, contrast bent, tones shifted like voices in a choir of silence. Each frame carries its own autumn, its own stillness, its own stubborn memory. “The necropolis breathes, its breath smells of time” (Ilford PAN 400) (“Angel Holds Cross—But Heaven’s Door Has No Knob”) Trees ain’t growin’ here—they’re guardin’ forgotten promises. Angel’s holdin’ a cross, but in his hand’s a clock spring that’ll never stop tickin’. Grave shadows creep like cats, hissin’: “We were alive once—till we became shadows.” And the wind, slitherin’ through the branches, repeats: “Time ain’t a river. It’s a nail hammered into your heart every damn day. Fences and gravestones, worn and new, join in a chorus where every voice is stone. This isn’t just a monument; it’s a stage where eternity takes the lead role. Angel with the cross, forest whispers gothic hymns, echoes of autumn. __ Location: Vvedenskoye Cemetery (Foreign Confessions Cemetery), Lefortovo, Moscow Camera: Nikon Lite Touch Zoom 120 ED (AF) (№3431629) Film: Ilford PAN 400 (expired, storage unknown, exposed at nominal ISO) Development: Kodak D-76 Scanner: Pakon F235+ (no corrections applied — raw scan) Date: October 15, 2018 (exposure) / August 13, 2022 (scan) Notes: The film rested in unknown conditions, like a letter without an address. Silver and chemistry entered into dialogue with autumn: grain softened, contrast grew hesitant, tonal shifts carried the flavor of both decay and light. Each frame is less a document than a conversation between time and stone, with chance conducting the score. This roll is not a record but a ritual: emulsion whispering with fallen leaves, shadows rehearsing eternity. Grain softened, contrast bent, tones shifted like voices in a choir of silence. Each frame carries its own autumn, its own stillness, its own stubborn memory.
November 12, 2025 at 8:39 PM
abbsound.bsky.social
“Silence in conversation”(Ilford PAN 400)
Stone mother waiting, angel leaning into sleep — breath caught in silence
@ilfordphoto.com

#FilmPhotography #ilfordphoto #believeinfilm #ilfordpan400 #noieretblanc #classicmono #VvedenskoyeCemetery #bnw #blackandwhite #documentary #phojournalism #cemetery
“Trees whisper, crosses hush, statue listens” («Leaves Whisper: “Rest, Dead Ones—We’re Just Ghosts in Light”») The stone remembers what the trees forgot. The angel, slipped off her shoulder, whispers: “Bored of being forever.” Flowers are fake eyes staring into the void where time trips over its own shadow. Here, where the wind’s last name is “Eternity”, every brick of the grave groans: “Why’d you mold me from ash?” And the stone mother, hugging the angel like a loaf of bread, murmurs: “I ain’t crying. I’m just holding the door open.” __ Location: Vvedenskoye Cemetery (Foreign Confessions Cemetery), Lefortovo, Moscow Camera: Nikon Lite Touch Zoom 120 ED (AF) (№3431629) Film: Ilford PAN 400 (expired, storage unknown, exposed at nominal ISO) Development: Kodak D-76 Scanner: Pakon F235+ (no corrections applied — raw scan) Date: October 15, 2018 (exposure) / August 13, 2022 (scan) Notes: The film rested in unknown conditions, like a letter without an address. Silver and chemistry entered into dialogue with autumn: grain softened, contrast grew hesitant, tonal shifts carried the flavor of both decay and light. Each frame is less a document than a conversation between time and stone, with chance conducting the score. This roll is not a record but a ritual: emulsion whispering with fallen leaves, shadows rehearsing eternity. Grain softened, contrast bent, tones shifted like voices in a choir of silence. Each frame carries its own autumn, its own stillness, its own stubborn memory. "Statue’s Eyes See What Her Hand Holds: Time" (“Stone whispers, nobody’s tuned in”) Close-up = time forgets to breathe. The statue’s face, carved from ash, stares not at the grave but at a branch where a bird sits, undecided if it’s alive or stone. The angel sleeps, cheek pressed to shoulder—its wings just a crack in the rock. Here, death murmurs: “I ain’t the end. Just a shadow that forgot how to be light.” __ Location: Vvedenskoye Cemetery (Foreign Confessions Cemetery), Lefortovo, Moscow Camera: Nikon Lite Touch Zoom 120 ED (AF) (№3431629) Film: Ilford PAN 400 (expired, storage unknown, exposed at nominal ISO) Development: Kodak D-76 Scanner: Pakon F235+ (no corrections applied — raw scan) Date: October 15, 2018 (exposure) / August 13, 2022 (scan) Notes: The film rested in unknown conditions, like a letter without an address. Silver and chemistry entered into dialogue with autumn: grain softened, contrast grew hesitant, tonal shifts carried the flavor of both decay and light. Each frame is less a document than a conversation between time and stone, with chance conducting the score. This roll is not a record but a ritual: emulsion whispering with fallen leaves, shadows rehearsing eternity. Grain softened, contrast bent, tones shifted like voices in a choir of silence. Each frame carries its own autumn, its own stillness, its own stubborn memory.
November 11, 2025 at 12:02 AM
abbsound.bsky.social
“He built a house, and the trees became its walls” (Kodak Professional Plus-X 125)
2022.08.11

#FilmPhotography #KodakPlusX #ClassicMono #bwfilm #believeinfilm #blackandwhite #VvedenskoyeCemetery #RussianHistory #architecture #necropolis #cemetery #bnw #graveyard #filmphoto #monochrome #documentary
"Love Laid in Stone" (Kodak Professional Plus-X 125) Oval crypt. The words have faded — but the stone remembers. 2022.08.11 This is the crypt of Emilia Bykovskaya (1801–1841) — an oval chapel built by her husband, architect Mikhail Bykovsky, after her sudden death in childbirth. Here, stone is not just material — it’s the shape of grief. The French and Latin inscriptions are nearly erased, but the structure still speaks. Even in decay — it remembers. P.S. The architect also dedicated to her an annex to a Catholic church — but it didn’t survive. Technical Credits: Location: Vvedenskoye Cemetery Necropolis, Moscow, Russia Camera: Samsung Vega 77i QD Film: Kodak Professional Plus-X 125 (expired December 2012) Development: Kodak D-76 Scanner: Fujifilm Frontier SP-3000 (no corrections applied — raw scan) Date: August 11, 2022 Notes: Film stored under unknown conditions for ~10 years past expiry. Captured during twilight, as the sun set, weaving shadows and silence into the frames. Results are experimental — a dialogue between time, chemistry, and the quiet melancholy of dusk. Grain softened, contrast reduced, tonal range subtly shifted. Each frame carries the memory of its own decay. "A House Where Shadows Live" (Kodak Professional Plus-X 125) Dome and cross. The trees’ shadows know — this is memory’s home. 2022.08.11 The Amlong family chapel — a domed shrine among trees. Built by architect Fyodor Amlong as a house for memory. His mother, son, wife, and descendants rest here. The inscription “Familia Amlong” feels like a password to silence. Even the forest seems to guard the family’s shadow. Technical Credits: Location: Vvedenskoye Cemetery Necropolis, Moscow, Russia Camera: Samsung Vega 77i QD Film: Kodak Professional Plus-X 125 (expired December 2012) Development: Kodak D-76 Scanner: Fujifilm Frontier SP-3000 (no corrections applied — raw scan) Date: August 11, 2022 Notes: Film stored under unknown conditions for ~10 years past expiry. Captured during twilight, as the sun set, weaving shadows and silence into the frames. Results are experimental — a dialogue between time, chemistry, and the quiet melancholy of dusk. Grain softened, contrast reduced, tonal range subtly shifted. Each frame carries the memory of its own decay.
November 6, 2025 at 9:14 PM
abbsound.bsky.social
"Statues Don’t Know They’re Memorials" (Kodak Professional Plus-X 125)
The angel leans. The girl walks through the dusk — stone holds no power.
2022.08.11

#VvedenskoyeCemetery #RussianHistory #FilmPhotography #KodakPlusX #ClassicMono #bwfilm #believeinfilm #blackandwhite #documentary #film #angel
"The Angel Doesn’t Ask. She Simply Remembers" (Kodak Professional Plus-X 125) 2022.08.11 At Vvedenskoye Necropolis — an angel with flowers leans toward a tomb. We don’t know who lies here. Maybe the name faded. Maybe it never reached us. But someone knows. Perhaps soon, we will too. For now, the gesture remains. Memory doesn’t need a biography. It simply arrives — with flowers, with wings, with shadow. Technical Credits: Vvedenskoye Cemetery Necropolis, Moscow. August 11, 2022, at sunset hour. Camera: Samsung Vega 77i QD Film: Kodak Professional Plus-X 125 (expired December 2012) Development: Kodak D-76 Scanner: Fujifilm Frontier SP-3000 (no corrections applied — raw scan) "Twilight Couldn’t Swallow Her" (Kodak Professional Plus-X 125) Twilight at Vvedenskoye. A white figure bursts from the tombstone. She didn’t vanish. 2022.08.11 The sun nearly gone. Twilight at Vvedenskoye. And suddenly — a white figure of a woman bursts from the tombstone. As if walking through the dark. We don’t know who she is. But she remained. The stone couldn’t hold her. The light couldn’t swallow her. Technical Credits: Vvedenskoye Cemetery Necropolis, Moscow. August 11, 2022, at sunset hour. Camera: Samsung Vega 77i QD Film: Kodak Professional Plus-X 125 (expired December 2012) Development: Kodak D-76 Scanner: Fujifilm Frontier SP-3000 (no corrections applied — raw scan)
November 5, 2025 at 2:27 AM
abbsound.bsky.social
"Shadows That Remember, Light That Forgets" (Kodak Professional Plus-X 125)
Crosses embrace. A name lost in leafy shade — memory stays quiet
2022.08.11

#VvedenskoyeCemetery #RussianHistory #Minimalism #FilmPhotography #KodakPlusX #ClassicMono #bwfilm #believeinfilm #blackandwhite #documentary #film
"The Stone Between Them Knows More Than We Do" (Kodak Professional Plus-X 125) Two crosses lean toward each other. Light and shadow form a third figure. Memory doesn’t need a biography. 2022.08.11 At Vvedenskoye — two crosses leaning toward each other, as if continuing a conversation. Between them, a stone with names, but the gesture matters more than the text. Light filters through the leaves, shadow settles between them like a third memory. This isn’t a grave — it’s a dialogue. Technical Credits: Vvedenskoye Cemetery Necropolis, Moscow. August 11, 2022, at sunset hour. Camera: Samsung Vega 77i QD Film: Kodak Professional Plus-X 125 (expired December 2012) Development: Kodak D-76 Scanner: Fujifilm Frontier SP-3000 (no corrections applied — raw scan) ________________ Svetlana Vladimirovna (1925–2000) Konstantin Nikolaevich (1921–2016) This is the tomb of the Baransky family — two crosses leaning toward each other, as if in an embrace. Between them — a stone with names: Svetlana Vladimirovna (1925–2000) and Konstantin Nikolaevich (1921–2016). The monument has no complex decorative elements — only simplicity and emotion. Shot on expired Kodak Plus-X 125. Moscow, 2022. #VvedenskoyeCemetery #RussianHistory #Minimalism #FilmPhotography "Fame Doesn’t Shine Through Leaves" (Kodak Professional Plus-X 125) Lucien Olivier’s grave lies in shadow. His salad lives in every kitchen. Today, the light didn’t choose him. 2022.08.11 At Vvedenskoye Cemetery lies Lucien Olivier, the chef whose name became a salad. But at this hour, the light didn’t choose him. His grave is nearly swallowed by shadow, while a nearby unknown cross glows in sunlight. Fame doesn’t shine through leaves. Memory chooses chance. Technical Credits: Vvedenskoye Cemetery Necropolis, Moscow. August 11, 2022, at sunset hour. Camera: Samsung Vega 77i QD Film: Kodak Professional Plus-X 125 (expired December 2012) Development: Kodak D-76 Scanner: Fujifilm Frontier SP-3000 (no corrections applied — raw scan)
November 3, 2025 at 4:56 PM
abbsound.bsky.social
"Voice and Face" (Kodak Professional Plus-X 125)
One speaks for those who are gone. The other stays silent for herself. Both remain.
2022.08.11

#FilmPhotography #KodakPlusX #VvedenskoyeCemetery #ClassicMono #bwfilm #believeinfilm #blackandwhite #sculpture #documentary #phojournalism #cemetery #film
"Poet. Character. Memory". (Kodak Professional Plus-X 125) He’s not the hero, but gave her voice — and now she stands. 2022.08.11 Vvedenskoye Cemetery. On poet Isaac Borisov’s tomb, it’s not his likeness but the heroine of his poems. A girl in Red Army uniform stands as the voice of memory. The inscription — “Don’t say he died. No, he fell in battle” — turns the monument into a poetic manifesto. She’s not the poet. She’s the character he wrote. A face carved in stone, a name borrowed from verse. Now she stands alone — silent, remembered, as if the poem outlived the poet. Technical Credits: Location: Vvedenskoye Cemetery. Moscow, Russia Camera: Samsung Vega 77i QD Film: Kodak Professional Plus-X 125 (expired December 2012) Development: Kodak D-76 Scanner: Fujifilm Frontier SP-3000 (no corrections applied — raw scan) Date: August 11, 2022 Notes: Film stored under unknown conditions for ~10 years past expiry. Results are experimental — a dialogue between time, chemistry, and chance. Grain softened, contrast reduced, tonal range subtly shifted. Each frame carries the memory of its own decay. "The Bird That Didn’t Get to Fly" (Kodak Professional Plus-X 125) Her name remains. Her face — in stone. All else is guesswork. 2022.08.11 Katyusha Pavlova. 1967–198?. All we know is a name, some years, and a face carved in stone. She left life young, and no one told her story. Maybe she simply lived. Maybe she loved. Maybe she dreamed. But someone placed this stone. Which means — she mattered. At least to one person. Which means — she matters. Technical Credits: Location: Vvedenskoye Cemetery. Moscow, Russia Camera: Samsung Vega 77i QD Film: Kodak Professional Plus-X 125 (expired December 2012) Development: Kodak D-76 Scanner: Fujifilm Frontier SP-3000 (no corrections applied — raw scan) Date: August 11, 2022 Notes: Film stored under unknown conditions for ~10 years past expiry. Results are experimental — a dialogue between time, chemistry, and chance. Grain softened, contrast reduced, tonal range subtly shifted. Each frame carries the memory of its own decay.
October 31, 2025 at 10:12 PM
abbsound.bsky.social
"Threshold and Silence" (Kodak Professional Plus-X 125)
📝 One in the shade, the other at the doorway. Memory does not sleep.
2022.08.11

#FilmPhotography #KodakPlusX #VvedenskoyeCemetery #HistoricMonument #RussianHistory #ClassicMono #bwfilm #believeinfilm #documentary #phojournalism #blackandwhite
“She weeps, the crypt listens, the lamp stays silent.” (Kodak Professional Plus-X 125) 2022.08.11 Grief Frozen on the Step. Vvedenskoye Cemetery. Tomb of the Fuld family. A marble mourner sits by the crypt, as if waiting for time to start moving again. __ Among Lutheran graves, a marble mourner sits — the tomb of merchant Robert Fuld’s family. Her posture embodies grief, her veil breathes through stone. Created in the 1920s, the monument became a symbol of memory that outlasted eras and decay. __ The mourner sleeps, the lamp never burns out — time does not move. Technical Credits: Location: Vvedenskoye Cemetery, Moscow, Russia Camera: Samsung Vega 77i QD Film: Kodak Professional Plus-X 125 (expired December 2012) Development: Kodak D-76 Scanner: Fujifilm Frontier SP-3000 (no corrections applied — raw scan) Date: August 13, 2022 Notes: Film stored under unknown conditions for ~10 years past expiry. Results are experimental — a dialogue between time, chemistry, and chance. Grain softened, contrast reduced, tonal range subtly shifted. Each frame carries the memory of its own decay. “She stands at the door, and memory holds the key.” (Kodak Professional Plus-X 125) 2022.08.11 The flower is gone, the legend remains. At Vvedenskoye Cemetery, the bronze figure by the Plo family crypt is no portrait — it’s allegory. Leon and Sophie died two days apart, and their children commissioned a monument where grief stands at the door. The flower is gone, but the living bring new ones — a gesture of memory, not myth. __ She is not Sophie, but stands at her doorway — the flower awaits a hand. Technical Credits: Location: Vvedenskoye Cemetery, Moscow, Russia Camera: Samsung Vega 77i QD Film: Kodak Professional Plus-X 125 (expired December 2012) Development: Kodak D-76 Scanner: Fujifilm Frontier SP-3000 (no corrections applied — raw scan) Date: August 13, 2022 Notes: Film stored under unknown conditions for ~10 years past expiry. Results are experimental — a dialogue between time, chemistry, and chance. Grain softened, contrast reduced, tonal range subtly shifted. Each frame carries the memory of its own decay. “She stands at the door, and memory holds the key.” (Kodak Professional Plus-X 125) 2022.08.11 The flower is gone, the legend remains. At Vvedenskoye Cemetery, the bronze figure by the Plo family crypt is no portrait — it’s allegory. Leon and Sophie died two days apart, and their children commissioned a monument where grief stands at the door. The flower is gone, but the living bring new ones — a gesture of memory, not myth. __ She is not Sophie, but stands at her doorway — the flower awaits a hand. Technical Credits: Location: Vvedenskoye Cemetery, Moscow, Russia Camera: Samsung Vega 77i QD Film: Kodak Professional Plus-X 125 (expired December 2012) Development: Kodak D-76 Scanner: Fujifilm Frontier SP-3000 (no corrections applied — raw scan) Date: August 13, 2022 Notes: Film stored under unknown conditions for ~10 years past expiry. Results are experimental — a dialogue between time, chemistry, and chance. Grain softened, contrast reduced, tonal range subtly shifted. Each frame carries the memory of its own decay.
October 30, 2025 at 1:26 AM
abbsound.bsky.social
“The cat just lies there, and time takes the scenic route.”
The cat stretched a paw. The paw stretched time. Time stretched us.
(Kodak Professional Plus-X 125)
2022.08.13

#filmphotography #blackandwhite #donskoymonastery #cat #believeinfilm #documentary #phojournalism #KodakPlusX #bnw #animal #mood
“The cat rests, the bench thinks, the bushes whisper of eternity.” In the Donskoy Monastery necropolis, a new character appears — a black cat. Resting on a bench, he seems the master of shadows and sunlight. His pose carries irony, his eyes fire, and the frame breathes with the spirit of Bulgakov’s Moscow. Technical Credits: Location: Donskoy Monastery Necropolis, Moscow, Russia Camera: Samsung Vega 77i QD Film: Kodak Professional Plus-X 125 (expired December 2012) Development: Kodak D-76 Scanner: Fujifilm Frontier SP-3000 (no corrections applied — raw scan) Date: August 13, 2022 Notes: Film stored under unknown conditions for ~10 years past expiry. Results are experimental — a dialogue between time, chemistry, and chance. Grain softened, contrast reduced, tonal range subtly shifted. Each frame carries the memory of its own decay. “The cat sleeps on the wooden bench, and the bench sleeps on the earth.” Donskoy Monastery. The same cat, closer now. He sleeps as if he knows all the necropolis’ secrets. Technical Credits: Location: Donskoy Monastery Necropolis, Moscow, Russia Camera: Samsung Vega 77i QD Film: Kodak Professional Plus-X 125 (expired December 2012) Development: Kodak D-76 Scanner: Fujifilm Frontier SP-3000 (no corrections applied — raw scan) Date: August 13, 2022 Notes: Film stored under unknown conditions for ~10 years past expiry. Results are experimental — a dialogue between time, chemistry, and chance. Grain softened, contrast reduced, tonal range subtly shifted. Each frame carries the memory of its own decay.
October 28, 2025 at 10:59 PM
abbsound.bsky.social
"One cross in the sun, the other replies in shade — silence starts to sing" (Kodak Professional Plus-X 125)
2022.08.13

#filmphotography #blackandwhite #donskoymonastery #cross #believeinfilm #documentary #phojournalism #KodakPlusX #bnw #filmphoto #monochrome #bwfilm #bnwzone #necropolis #cemetery
“The cross rises from shadow, the sun bows to stone.” In the Donskoy Monastery necropolis, crosses turn into a theater of light and shadow. One stands like an actor, lit by the sun and framed by darkness. Stone and light argue about eternity, while the viewer remains silent. Technical Credits: Location: Donskoy Monastery Necropolis, Moscow, Russia Camera: Samsung Vega 77i QD Film: Kodak Professional Plus-X 125 (expired December 2012) Development: Kodak D-76 Scanner: Fujifilm Frontier SP-3000 (no corrections applied — raw scan) Date: August 13, 2022 Notes: Film stored under unknown conditions for ~10 years past expiry. Results are experimental — a dialogue between time, chemistry, and chance. Grain softened, contrast reduced, tonal range subtly shifted. Each frame carries the memory of its own decay. “Three bars! Three strikes! Three times eternity!” In the Donskoy Monastery necropolis, crosses speak to each other. One in sunlight, the other in shadow. This Orthodox cross, with its slanted bar, seems to guard the balance between earth and sky, light and darkness. Technical Credits: Location: Donskoy Monastery Necropolis, Moscow, Russia Camera: Samsung Vega 77i QD Film: Kodak Professional Plus-X 125 (expired December 2012) Development: Kodak D-76 Scanner: Fujifilm Frontier SP-3000 (no corrections applied — raw scan) Date: August 13, 2022 Notes: Film stored under unknown conditions for ~10 years past expiry. Results are experimental — a dialogue between time, chemistry, and chance. Grain softened, contrast reduced, tonal range subtly shifted. Each frame carries the memory of its own decay.
October 27, 2025 at 7:54 PM
abbsound.bsky.social
"The Urn's All Ears, The Tree's Got Secrets, The Film Remembers" (Kodak Professional Plus-X 125)
2022.08.13

#filmphotography #blackandwhite #donskoymonastery #documentary #phojournalism #KodakPlusX #RussianHistory #believeinfilm #bnw #filmphoto #documentary #phojournalism #monochrome #bwfilm #bnw
“The woman weeps, the urn listens, the bricks think of something else.” (Kodak Professional Plus-X 125) She leans on the urn, and time leans on her. This is the tomb of Vasily Dunin (1793–1812), a 19‑year‑old ensign who fell at Borodino. In the Donskoy Monastery, bronze and stone turn a personal tragedy into an eternal symbol of remembrance. __ The “Mourner” by the urn was a popular 19th‑century motif, embodying grief and loss. Bronze and stone turn a personal tragedy into an eternal symbol of remembrance. Technical Credits: Location: Donskoy Monastery Necropolis, Moscow, Russia Camera: Samsung Vega 77i QD Film: Kodak Professional Plus-X 125 (expired December 2012) Development: Kodak D-76 Scanner: Fujifilm Frontier SP-3000 (no corrections applied — raw scan) Date: August 13, 2022 Notes: Film stored under unknown conditions for ~10 years past expiry. Results are experimental — a dialogue between time, chemistry, and chance. Grain softened, contrast reduced, tonal range subtly shifted. Each frame carries the memory of its own decay. “A tree with no branches but with secrets; marble grows while time dries out.” (Kodak Professional Plus-X 125) Donskoy Monastery. Tomb of Vasily Karachinsky. A marble tree with severed branches — symbol of a broken line, a life cut short. Masonic undertone? Perhaps. Either way, a rare cemetery metaphor. (In the Donskoy Monastery Necropolis stands a rare monument — a marble tree with severed branches. It marks the grave of Vasily Karachinsky (1751–1793), a Freemason and veteran of the Russo-Turkish war. A symbol of a broken line and a life cut short, it blends 19th‑century funerary fashion with the hidden codes of its age) Technical Credits: Location: Donskoy Monastery Necropolis, Moscow, Russia Camera: Samsung Vega 77i QD Film: Kodak Professional Plus-X 125 (expired December 2012) Development: Kodak D-76 Scanner: Fujifilm Frontier SP-3000 (no corrections applied — raw scan) Date: August 13, 2022 Notes: Film stored under unknown conditions for ~10 years past expiry. Results are experimental — a dialogue between time, chemistry, and chance. Grain softened, contrast reduced, tonal range subtly shifted. Each frame carries the memory of its own decay.
October 25, 2025 at 11:54 PM
abbsound.bsky.social
"Woman Wrapped in the Circle of Forever" (Kodak Professional Plus-X 125)
Tomb of I. A. Alekseev (1816) #donskoymonastery
2022.08.13

#filmphotography #blackandwhite #monochrome #bwfilm #KodakPlusX #RussianHistory #believeinfilm #bnw #filmphoto #ClassicMono #noiretblanc #documentary #phojournalism
“She holds the cross, and we hold our breath.” (Kodak Professional Plus-X 125) Donskoy Monastery Necropolis, 1816. Ivan Martos casts grief in bronze: a woman with a cross, a medallion with Alekseev’s face. Eternity is posing, and we’re just peeking in. _____ This tomb, created by I.P. Martos in 1816, honors Ivan Alekseev (1750–1816), a State Council member. The central figure is “Faith,” holding a cross and supporting a portrait medallion — one of Martos’s first “dogmatic” memorials. The cross was stolen in the 1950s… but restorers brought it back — and even gave the statue a little “makeover.” Shot on expired Kodak Plus-X 125. Moscow, 2022. #DonskoyCemetery #RussianHistory #Classicism #FilmPhotography “Cross! Face! Forever!” (Kodak Professional Plus-X 125) Beneath the arches of an old Moscow monastery, a bronze woman leans on a cross—Martos’s 1816 monument to Ivan Alekseev. Pure neoclassical poetry: a grieving figure and a portrait medallion. The sorrow feels direct and distinct, like summer thunder—silent now, but alive. __ At Moscow’s Donskoy Cemetery: the tomb of Ivan Alekseev: Figure of “Faith” with a cross — symbol of belonging to the Church. Portrait medallion. The cross was stolen in the 1950s… but restorers brought it back — and even gave the statue a little “makeover.” Shot on expired Kodak Plus-X. Technical Credits: Location: Donskoy Monastery Necropolis, Moscow, Russia Camera: Samsung Vega 77i QD Film: Kodak Professional Plus-X 125 (expired December 2012) Development: Kodak D-76 Scanner: Fujifilm Frontier SP-3000 (no corrections applied — raw scan) Date: August 13, 2022 Notes: Film stored under unknown conditions for ~10 years past expiry. Results are experimental — a dialogue between time, chemistry, and chance. Grain softened, contrast reduced, tonal range subtly shifted. Each frame carries the memory of its own decay.
October 22, 2025 at 11:17 PM
abbsound.bsky.social
"The Angels They Brought Back" (Kodak Professional Plus-X 125)
2022.08.13

#filmphotography #blackandwhite #monochrome #bwfilm #KodakPlusX #HistoricMonument #MourningArt #DonskoyCemetery #RussianHistory #Classicism #believeinfilm #bnw #filmphoto #ClassicMono #noiretblanc #documentary #phojournalism
"The Angel Who Prayed for Everyone But Himself" This angel isn’t just decoration. He’s praying. For Sofya Tutolmina (1772–1833), the senator’s wife who raised a foundling boy and left him her fortune. For her husband Ivan Vasilyevich (1760–1839). For their childless life, full of love. Tomb, 1839, sculptor I.P. Vitali. Lost in the 1920s, restored in 2019. Here he is again, in summer sun, shot on expired Kodak Plus-X 125. Moscow, 2022. Technical Credits: Location: Donskoy Monastery Necropolis, Moscow, Russia Camera: Samsung Vega 77i QD Film: Kodak Professional Plus-X 125 (expired December 2012) Development: Kodak D-76 Scanner: Fujifilm Frontier SP-3000 (no corrections applied — raw scan) Date: August 13, 2022 Notes: Film stored under unknown conditions for ~10 years past expiry. Results are experimental — a dialogue between time, chemistry, and chance. Grain softened, contrast reduced, tonal range subtly shifted. Each frame carries the memory of its own decay. "The Weeping Cupids of the Baryshnikova Tomb" This tomb in Moscow’s Donskoy Cemetery belongs to Elizaveta Ivanovna Baryshnikova (1772–1806) — a noblewoman, mother of 13 children (6 died in infancy), who passed away at 34, half a year after giving birth to her last child. Designed by architect N.A. Lvov: red quartzite, bronze relief with Chronos, and a marble group of two mourning cupids holding a funeral urn. The epitaph reads: “To my gentle wife and truest friend, a mother who gave her life for her children…” — a personal letter across centuries. Shot on expired Kodak Plus-X 125. Moscow, 2022. Technical Credits: Location: Donskoy Monastery Necropolis, Moscow, Russia Camera: Samsung Vega 77i QD Film: Kodak Professional Plus-X 125 (expired December 2012) Development: Kodak D-76 Scanner: Fujifilm Frontier SP-3000 (no corrections applied — raw scan) Date: August 13, 2022 Notes: Film stored under unknown conditions for ~10 years past expiry. Results are experimental — a dialogue between time, chemistry, and chance. Grain softened, contrast reduced, tonal range subtly shifted. Each frame carries the memory of its own decay.
October 21, 2025 at 12:59 AM
abbsound.bsky.social
"Patriarch Park Playoffs" (Astrum 135 Film + BNW)
Autumn vibes, two girls, one tote bag, 372 leaves, and one superhero parent multitasking like a boss.

#filmphotography #blackandwhite #monochrome #streetbw #documentary #phojournalism #bnw #autumnvibes #35mm #girls #girlsbeinggirls #bwfilm #autumn
In the Patriarch’s backyard? Forget quiet prayer. It’s game time. Girl 1: “I got this!” (hands up like she’s catching a Hail Mary). Girl 2: “Catch me if you can!” (mid-sprint, grinning like she just stole the last cookie). Leaves? Not falling. They’re defensive linemen on the ground. God’s probably watching from the bleachers. He’s not mad. He’s just… impressed by the footwork. And that mom in the back? She’s got one kid jumping like a kangaroo, and another one chilling in the stroller like a tiny CEO. She’s calling it “No penalty.” (Because moms always do.) — Gear: Camera: Canon EOS 5 — the one that still works if you yell at it nicely. Lens: EF 28-105mm f/3.5–4.5 USM — the “I’m not fancy but I get the job done” lens. Film: Astrum 135 Color Negative (ISO 125) — Russian film, American dreams. Scan Magic: Converted to B&W in post — because sometimes color is just too much drama. Date Captured: October 11, 2018 — peak leaf-crunch season. Scanner: Noritsu LS-1100 — the machine that whispers “I see your soul… and your dust particles. Location: Backyard of the Patriarch’s Place — Church of the Intercession, Pokrovsky-Streshnevo, Moscow. (Yes, that’s a real place. No, we didn’t make it up.) Filmic Vibe: Variations on a Theme: “...with a film across Moscow” (Because why walk when you can roll?) Gear: Camera: Canon EOS 5 — the one that still works if you yell at it nicely. Lens: EF 28-105mm f/3.5–4.5 USM — the “I’m not fancy but I get the job done” lens. Film: Astrum 135 Color Negative (ISO 125) — Russian film, American dreams. Scan Magic: Converted to B&W in post — because sometimes color is just too much drama. Date Captured: October 11, 2018 — peak leaf-crunch season. Scanner: Noritsu LS-1100 — the machine that whispers “I see your soul… and your dust particles.
October 20, 2025 at 3:31 PM
abbsound.bsky.social
"A Photo with the Monkey" (Fujifilm Fuji Eterna + D76)
...but the cameras still see. And so does she.

#filmphotography #blackandwhite #believeinfilm #bwfilm #sovietcamera #monochrome #noiretblanc #FujiEterna #Fujifilm #oldschool #vintage #ClassicMono #35mm #filmcamera #film #vintagecamera #toy #bw
🐵 "A Photo with the Monkey" (Fujifilm Fuji Eterna + D76) The Smena family, assembled. And suddenly — a monkey. Like in old photo attractions: a touch of circus, a hint of magic, a wink of irony. But the cameras still see. And so does she. A group portrait of four generations of Soviet scale-focus cameras “Smena”: the first, the third, the sixth, and the especially rare ninth. These models are more than devices — they are legends of mass photography, which made image-making accessible to everyone. Focusing was always “by eye” — using the distance scale on the lens, where the photographer chose: one meter, three, five, or infinity. This was the philosophy of the Smena: trust your own vision. And though their bodies belong to the last century, they are still alive. They still shoot. And the images they’ve captured will be shown soon. Technical Credits: Location: Moscow, somewhere between nostalgia and bark chips Camera: Canon EOS 5 Lens: Canon Zoom Lens EF 70–210 mm Film: Fujifilm Fuji Eterna (exact type unknown, heavily expired Exposure: Rated at ISO 100 Development: Kodak D-76, 7 minutes Scanner: Fujifilm Frontier SP-3000 (no corrections applied) Date: 15 September 2018 Notes: Storage conditions of the film unknown. The results are experimental, balancing chance and chemistry.
October 19, 2025 at 12:44 AM
abbsound.bsky.social
"They Still See (The Smena Lineage)"
(Fujifilm Fuji Eterna + D76)
15/09/2018

#filmphotography #blackandwhite #monochrome #bnw #believeinfilm #sovietcamera #cameragear #oldschool #vintage #vintagecamera #35mm #filmcamera #film #ClassicMono #bwfilm #noiretblanc #FujiEterna #Fujifilm
📸 "Family Portrait. From the Past into the Frame" A group portrait of four generations of Soviet scale-focus cameras “Smena”: the first, the third, the sixth, and the especially rare ninth. These models are more than devices — they are legends of mass photography, which made image-making accessible to everyone. Focusing was always “by eye” — using the distance scale on the lens, where the photographer chose: one meter, three, five, or infinity. This was the philosophy of the Smena: trust your own vision. And though their bodies belong to the last century, they are still alive. They still shoot. And the images they’ve captured will be shown soon. Technical Credits: Location: Moscow, somewhere between nostalgia and bark chips Camera: Canon EOS 5 Lens: Canon Zoom Lens EF 70–210 mm Film: Fujifilm Fuji Eterna (exact type unknown, heavily expired Exposure: Rated at ISO 100 Development: Kodak D-76, 7 minutes Scanner: Fujifilm Frontier SP-3000 (no corrections applied) Date: 15 September 2018 Notes: Storage conditions of the film unknown. The results are experimental, balancing chance and chemistry. 📷 «Семейный портрет. Они всё ещё видят» Групповой портрет четырёх поколений советских шкальных камер «Смена»: первой, третьей, шестой и особенно редкой девятой. Эти камеры — легенда массовой фотографии, сделавшая снимок доступным каждому. Их философия — фокусировка «на глазок», доверие к собственному взгляду. И хотя их корпуса принадлежат прошлому веку, они всё ещё живы. Всё ещё снимают. Кадры, сделанные ими, мы покажем позже. 📋 Технические титры Camera: Canon EOS 5 Lens: Canon Zoom Lens EF 70–210 mm Film: Fujifilm Fuji Eterna ??? expired Scanner: Fujifilm Frontier SP-3000 Exposure: 100 ISO Development: Kodak D-76, 7 minutes Date: 15/09/2018 Location: Moscow, Москва, где-то между ностальгией и древесной щепой
October 17, 2025 at 3:20 PM
abbsound.bsky.social
Raw Moments of City Life (Fujifilm Fuji Eterna + D76)
15/09/2018

#filmphotography #blackandwhite #monochrome #streetbw #blackandwhitephoto #documentary #phojournalism #bnw #face #girls #female #autumn #bwfilm #believeinfilm #bw #noiretblanc #ClassicMono #streetphoto #FujiEterna #everybodystreet
🍦 For Three Sun — for three. Ice cream — for three. Selfie — for three. In Russia, many things are done “for three” — not about numbers, but about closeness. Technical Credits: Location: Moscow, Muzeon Arts Park, Krymskaya Embankment Camera: Canon EOS 5 Lens: Canon Zoom Lens EF 70–210 mm Film: Fujifilm Fuji Eterna (exact type unknown, heavily expired Exposure: Rated at ISO 100 Development: Kodak D-76, 7 minutes Scanner: Fujifilm Frontier SP-3000 (no corrections applied) Date: 15 September 2018 Notes: Storage conditions of the film unknown. The results are experimental, balancing chance and chemistry. ☀️Too Much Sun for One Frame The final frame, the final flare. Sun floods half the film, as if refusing to leave. The girl behind the stand — not just a vendor, but part of the day’s rhythm. Ice cream, soda, September. Technical Credits: Location: Moscow, Muzeon Arts Park, Krymskaya Embankment Camera: Canon EOS 5 Lens: Canon Zoom Lens EF 70–210 mm Film: Fujifilm Fuji Eterna (exact type unknown, heavily expired Exposure: Rated at ISO 100 Development: Kodak D-76, 7 minutes Scanner: Fujifilm Frontier SP-3000 (no corrections applied) Date: 15 September 2018 Notes: Storage conditions of the film unknown. The results are experimental, balancing chance and chemistry.
October 14, 2025 at 10:20 PM
abbsound.bsky.social
"September Inside the City's Flesh" (Fujifilm Fuji Eterna + D76)
15/09/2018

#filmphotography #blackandwhite #monochrome #streetbw #blackandwhitephoto #documentary #phojournalism #bnw #ClassicMono #streetphoto #everybodystreet #filmisnotdead #believeinfilm #noiretblanc #bwfilm #FujiEterna #Fujifilm
💦 Summer Within September may be called autumn, but warmth still pulses through it. Especially when you’re young, especially when you’re inside the fountain. Water rises, the body responds — and the city becomes play. Technical Credits: Location: Moscow, Muzeon Arts Park, Krymskaya Embankment Camera: Canon EOS 5 Lens: Canon Zoom Lens EF 70–210 mm Film: Fujifilm Fuji Eterna (exact type unknown, heavily expired Exposure: Rated at ISO 100 Development: Kodak D-76, 7 minutes Scanner: Fujifilm Frontier SP-3000 (no corrections applied) Date: 15 September 2018 Notes: Storage conditions of the film unknown. The results are experimental, balancing chance and chemistry. 📷 Kindred Eye He’s searching too. Capturing too. He couldn’t walk past either. We don’t know what he’s shooting — but we know why. In this moment, he’s a reflection. Technical Credits: Location: Moscow, Muzeon Arts Park, Krymskaya Embankment Camera: Canon EOS 5 Lens: Canon Zoom Lens EF 70–210 mm Film: Fujifilm Fuji Eterna (exact type unknown, heavily expired Exposure: Rated at ISO 100 Development: Kodak D-76, 7 minutes Scanner: Fujifilm Frontier SP-3000 (no corrections applied) Date: 15 September 2018 Notes: Storage conditions of the film unknown. The results are experimental, balancing chance and chemistry.
October 13, 2025 at 6:52 PM
abbsound.bsky.social
Urban Pauses (Fujifilm Fuji Eterna + D76)
15/09/2018

#filmphotography #blackandwhite #monochrome #bwfilm #autumn #woman #face #portrait #streetportrait #female #streetphotography #FujiEterna #noiretblanc #documentary #believeinfilm #bnw #filmphoto
🥋 Form in the Flow He’s not posing — he’s moving. Tai Chi? Wushu? Or simply a way to be oneself in a city that never stops rushing. Each gesture — a line written by the body. Technical Credits: Location: Moscow, Muzeon Arts Park, Krymskaya Embankment Camera: Canon EOS 5 Lens: Canon Zoom Lens EF 70–210 mm Film: Fujifilm Fuji Eterna (exact type unknown, heavily expired Exposure: Rated at ISO 100 Development: Kodak D-76, 7 minutes Scanner: Fujifilm Frontier SP-3000 (no corrections applied) Date: 15 September 2018 Notes: Storage conditions of the film unknown. The results are experimental, balancing chance and chemistry. 🌞 Light Within She’s not looking — she’s feeling. September sun touches her face, and everything else fades. Just being, just breathing, just absorbing the light. Technical Credits: Location: Moscow, Muzeon Arts Park, Krymskaya Embankment Camera: Canon EOS 5 Lens: Canon Zoom Lens EF 70–210 mm Film: Fujifilm Fuji Eterna (exact type unknown, heavily expired Exposure: Rated at ISO 100 Development: Kodak D-76, 7 minutes Scanner: Fujifilm Frontier SP-3000 (no corrections applied) Date: 15 September 2018 Notes: Storage conditions of the film unknown. The results are experimental, balancing chance and chemistry.
October 10, 2025 at 11:13 PM
abbsound.bsky.social
🛶 The Sentinel and the Flow
For a moment — no faces, no motion. Just the river, the monument, the factory. The confluence where the Moskva River meets the canal, and the city becomes a panorama. Peter gazes outward, and we gaze at him.

#filmphotography #blackandwhite #landscape #cityscape #35mm #bw
🛶 The Sentinel and the Flow (Fujifilm Fuji Eterna + D76) For a moment — no faces, no motion. Just the river, the monument, the factory. The confluence where the Moskva River meets the canal, and the city becomes a panorama. Peter gazes outward, and we gaze at him. 📋 Technical Credits Location: Moscow, Confluence of Moskva River and Vodootvodny Canal, Peter the Great Monument Camera: Canon EOS 5 Lens: Canon Zoom Lens EF 70–210 mm Film: Fujifilm Fuji Eterna (exact type unknown, heavily expired Scanner: Fujifilm Frontier SP-3000 (no corrections applied) Exposure: 100 ISO Development: Kodak D-76, 7 minutes Date: 15/09/2018
October 9, 2025 at 9:51 PM
abbsound.bsky.social
🌞 Shared Stillness (Fujifilm Fuji Eterna + D76)
One lies down, eyes closed. The other leans in, hair brushing the face. September sun warms the bench, and everything slows. A stillness that can be shared.

#filmphotography #blackandwhite #documentary #streetphoto #believeinfilm #people #film #35mm
🌞 Shared Stillness 15/09/2018 One lies down, eyes closed. The other leans in, hair brushing the face. September sun warms the bench, and everything slows. A stillness that can be shared. 📋 Technical Credits Location: Moscow, Pushkinskaya Embankment, Pier Camera: Canon EOS 5 Lens: Canon Zoom Lens EF 70–210 mm Film: Fujifilm Fuji Eterna (exact type unknown, heavily expired Scanner: Fujifilm Frontier SP-3000 (no corrections applied) Exposure: 100 ISO Development: Kodak D-76, 7 minutes Date: 15/09/2018
October 8, 2025 at 7:34 PM
abbsound.bsky.social
🌍 The Thread (Fujifilm Fuji Eterna + D76)
He leans on concrete, but wears a cloth woven with rhythms from other shores. The pier becomes a point of intersection — city, body, texture.
#filmphotography #blackandwhite #documentary #streetphoto #believeinfilm #bnw #FujiEterna #people #film #35mm #bw
🌍 The Thread He leans on concrete, but wears a cloth woven with rhythms from other shores. The pier becomes a point of intersection — city, body, texture. 📋 Technical Credits Location: Moscow, Pushkinskaya Embankment, Pier Camera: Canon EOS 5 Lens: Canon Zoom Lens EF 70–210 mm Film: Fujifilm Fuji Eterna (exact type unknown, heavily expired Scanner: Fujifilm Frontier SP-3000 (no corrections applied) Exposure: 100 ISO Development: Kodak D-76, 7 minutes Date: 15/09/2018
October 6, 2025 at 9:59 PM
abbsound.bsky.social
🎓 The Threshold Moment (Fujifilm Fuji Eterna + D76)
15/09/2018

#filmphotography #blackandwhite #monochrome #streetbw #blackandwhitephoto #documentary #phojournalism #bnw #ClassicMono #streetphoto #everybodystreet #filmisnotdead #believeinfilm #noiretblanc #bwfilm #FujiEterna #Fujifilm #D76 #girls
🎓 The Threshold Moment Frame I — The Aside On a day meant for shared celebration — gowns, photos, congratulations — she steps aside. Something on the screen matters more, and the world pauses around her. 📋 Technical Credits Location: Moscow, Pushkinskaya Embankment, Pier Camera: Canon EOS 5 Lens: Canon Zoom Lens EF 70–210 mm Film: Fujifilm Fuji Eterna (exact type unknown, heavily expired Scanner: Fujifilm Frontier SP-3000 (no corrections applied) Exposure: 100 ISO Development: Kodak D-76, 7 minutes Date: 15/09/2018 🎓 The Threshold Moment Frame II — The Capture On a day meant for shared celebration — gowns, photos, congratulations — she steps aside. Something on the screen matters more, and the world pauses around her. 📋 Technical Credits Location: Moscow, Pushkinskaya Embankment, Pier Camera: Canon EOS 5 Lens: Canon Zoom Lens EF 70–210 mm Film: Fujifilm Fuji Eterna (exact type unknown, heavily expired Scanner: Fujifilm Frontier SP-3000 (no corrections applied) Exposure: 100 ISO Development: Kodak D-76, 7 minutes Date: 15/09/2018
October 5, 2025 at 8:03 PM
abbsound.bsky.social
🎞️ The Touch Republic (Fujifilm Fuji Eterna + D76)
15/09/2018

#filmphotography #blackandwhite #monochrome #35mmFilm #monochrome #blackandwhite #FujiEterna #Fujifilm #D76 #bwfilm #noiretblanc #documentary #phojournalism #bnw #ClassicMono #streetphoto #blackandwhitephoto #street #everybodystreet
🎞️ The Touch Frame I — Shared Sunlight On the steps by the river, they sit together, the scooter waiting nearby. The city stretches wide, but their laughter narrows it to a single point. Technical Credits: Location: Moscow, Pushkinskaya Embankment, Pier Camera: Canon EOS 5 Lens: Canon Zoom Lens EF 70–210 mm Film: Fujifilm Fuji Eterna (exact type unknown, heavily expired Exposure: Rated at ISO 100 Development: Kodak D-76, 7 minutes Scanner: Fujifilm Frontier SP-3000 (no corrections applied) Date: 15 September 2018 Notes: Storage conditions of the film unknown. The results are experimental, balancing chance and chemistry. 🎞️ The Touch Frame I — Closer Sunglasses hide the eyes, but not the tenderness. A head on the lap, a hand on the face — the city vanishes, leaving only them. The frame narrows, the bond grows deeper. Technical Credits: Location: Moscow, Pushkinskaya Embankment, Pier Camera: Canon EOS 5 Lens: Canon Zoom Lens EF 70–210 mm Film: Fujifilm Fuji Eterna (exact type unknown, heavily expired Exposure: Rated at ISO 100 Development: Kodak D-76, 7 minutes Scanner: Fujifilm Frontier SP-3000 (no corrections applied) Date: 15 September 2018 Notes: Storage conditions of the film unknown. The results are experimental, balancing chance and chemistry.
October 4, 2025 at 3:43 AM