For the lead melody I took a “mallet forward” approach as heard on tracks like Miyazaki’s Route 29 arrangement (sans the iconic Miyazaki clarinet/flute combo)
For the lead melody I took a “mallet forward” approach as heard on tracks like Miyazaki’s Route 29 arrangement (sans the iconic Miyazaki clarinet/flute combo)
I’m a low-tier composer at best (especially with Jazz) but it was fun riding the inspiration on this.
I’m a low-tier composer at best (especially with Jazz) but it was fun riding the inspiration on this.
I specifically (obviously) tried to emulate the shuffles heard in Vince Guaraldi’s ‘Peanuts’ compositions.
I specifically (obviously) tried to emulate the shuffles heard in Vince Guaraldi’s ‘Peanuts’ compositions.
This is the biggest, most detailed commercial I’ve ever worked on; with over 150 different figures shown.
This is the biggest, most detailed commercial I’ve ever worked on; with over 150 different figures shown.
Definitely one of the best projects I’ve lead.
Definitely one of the best projects I’ve lead.