1.777 Studio
@1777.studio
1.777 Studio is both an AI filmmaking studio & software house.
The texture evokes the tactile creepiness of animatronics, with slime glistening on the jaws caught in a lens flare.
January 20, 2026 at 8:26 PM
The texture evokes the tactile creepiness of animatronics, with slime glistening on the jaws caught in a lens flare.
A strong, cold rim light separates the shaggy silhouette from the dark background, while a dim, warm fill light reveals the yellow, glass eyes. The aesthetic is Dazed: retro, cinematic, and suspenseful.
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January 20, 2026 at 8:26 PM
A strong, cold rim light separates the shaggy silhouette from the dark background, while a dim, warm fill light reveals the yellow, glass eyes. The aesthetic is Dazed: retro, cinematic, and suspenseful.
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The aesthetic is cold, industrial, and sexualized. The image is processed with a cool blue tint in the shadows. There is a layer of "halftone dot" pattern overlaid, giving it the feel of a printed underground zine. Digital noise is added to the sleek surfaces to break up the perfection.
January 18, 2026 at 6:27 PM
The aesthetic is cold, industrial, and sexualized. The image is processed with a cool blue tint in the shadows. There is a layer of "halftone dot" pattern overlaid, giving it the feel of a printed underground zine. Digital noise is added to the sleek surfaces to break up the perfection.
The lighting is aggressive studio strobe lighting, creating sharp, white specular highlights that define the muscular curves of the inflation. The camera angle is low and wide (24mm), emphasizing the power and oddity of the shape.
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January 18, 2026 at 6:27 PM
The lighting is aggressive studio strobe lighting, creating sharp, white specular highlights that define the muscular curves of the inflation. The camera angle is low and wide (24mm), emphasizing the power and oddity of the shape.
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It has no eyes, only a snout shape, creating a faceless, sculptural menace. The background is a solid, matte Fetish Black, creating a texture contrast between the shiny subject and the dull void.
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January 18, 2026 at 6:26 PM
It has no eyes, only a snout shape, creating a faceless, sculptural menace. The background is a solid, matte Fetish Black, creating a texture contrast between the shiny subject and the dull void.
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The image should be rendered in high-contrast monochrome using Ilford HP5 Plus film stock simulation, pushing the grain structure to be coarse and gritty like the pavement itself, with a heavy vignette at the corners to enhance the feeling of weight and permanence.
January 17, 2026 at 9:11 PM
The image should be rendered in high-contrast monochrome using Ilford HP5 Plus film stock simulation, pushing the grain structure to be coarse and gritty like the pavement itself, with a heavy vignette at the corners to enhance the feeling of weight and permanence.
The lighting is flat and oppressive, typical of a gloomy London afternoon, casting soft, shadowless definition across the pockmarked concrete texture, while a single, tiny red LED light embedded in the stone provides a jarring point of futuristic contrast.
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January 17, 2026 at 9:11 PM
The lighting is flat and oppressive, typical of a gloomy London afternoon, casting soft, shadowless definition across the pockmarked concrete texture, while a single, tiny red LED light embedded in the stone provides a jarring point of futuristic contrast.
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The angle is a severe worm’s-eye view from the very base of the sole, which looks like the foundation of a dystopian fortress, with the "swoosh" carved deeply into the stone like an ancient, erosion-worn petroglyph.
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January 17, 2026 at 9:11 PM
The angle is a severe worm’s-eye view from the very base of the sole, which looks like the foundation of a dystopian fortress, with the "swoosh" carved deeply into the stone like an ancient, erosion-worn petroglyph.
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Stylization: The skin texture of the characters should look like expensive vinyl. The scene is a chaotic, surreal tableau of excess.
January 16, 2026 at 6:18 PM
Stylization: The skin texture of the characters should look like expensive vinyl. The scene is a chaotic, surreal tableau of excess.
The colors are screamingly bright: hot pink, electric blue, and toxic yellow. Technical DNA: Medium Format digital look. Extremely sharp, infinite depth of field.
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January 16, 2026 at 6:17 PM
The colors are screamingly bright: hot pink, electric blue, and toxic yellow. Technical DNA: Medium Format digital look. Extremely sharp, infinite depth of field.
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… crushed soda cans, neon crucifixes, and inflatable pool toys. The background is a painted tropical sunset backdrop that looks intentionally fake. Lighting & Atmosphere: High-key, glossy commercial lighting. Every surface is wet or oiled to maximize specular highlights.
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January 16, 2026 at 6:17 PM
… crushed soda cans, neon crucifixes, and inflatable pool toys. The background is a painted tropical sunset backdrop that looks intentionally fake. Lighting & Atmosphere: High-key, glossy commercial lighting. Every surface is wet or oiled to maximize specular highlights.
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The lighting is hard, Hollywood studio lighting that makes the plastic texture shine aggressively. It feels like a beautiful, poisonous candy.
January 15, 2026 at 4:46 PM
The lighting is hard, Hollywood studio lighting that makes the plastic texture shine aggressively. It feels like a beautiful, poisonous candy.
The colors are unnaturally vibrant—the sky is a painted cyanide blue, the crow is glossy black with green and purple sheens. The focus is deep, keeping everything sharp. The aesthetic is Purple Fashion: pop-art, artificial, and tense.
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January 15, 2026 at 4:46 PM
The colors are unnaturally vibrant—the sky is a painted cyanide blue, the crow is glossy black with green and purple sheens. The focus is deep, keeping everything sharp. The aesthetic is Purple Fashion: pop-art, artificial, and tense.
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