https://www.wfhi.org/
A helpful potential host info sheet & the application form can be found here: www.wfhi.org/about-wss.
If you are interested in hosting WSS 2027, please submit a proposal by 𝐍𝐨𝐯𝐞𝐦𝐛𝐞𝐫 𝟏𝟕, 𝟐𝟎𝟐𝟓.
Our #DAVIF project partners discuss how data practices and institutional and theoretical frameworks shape film-historical #metadata.
#digitalfilmhistory #culturalheritage
Our #DAVIF project partners discuss how data practices and institutional and theoretical frameworks shape film-historical #metadata.
#digitalfilmhistory #culturalheritage
online.ucpress.edu/fmh/issue/11/4
online.ucpress.edu/fmh/issue/11/4
Open access for a limited time:
doi.org/10.1525/fmh....
Open access for a limited time:
doi.org/10.1525/fmh....
vimeo.com/1125241996
vimeo.com/1125241996
A helpful potential host info sheet & the application form can be found here: www.wfhi.org/about-wss.
If you are interested in hosting WSS 2027, please submit a proposal by 𝐍𝐨𝐯𝐞𝐦𝐛𝐞𝐫 𝟏𝟕, 𝟐𝟎𝟐𝟓.
A helpful potential host info sheet & the application form can be found here: www.wfhi.org/about-wss.
If you are interested in hosting WSS 2027, please submit a proposal by 𝐍𝐨𝐯𝐞𝐦𝐛𝐞𝐫 𝟏𝟕, 𝟐𝟎𝟐𝟓.
lumiere-brugge.be/stom2025/
lumiere-brugge.be/stom2025/
Save the dates.
April 8-11, 2026, Wexner Center for the Arts, The Ohio State University, in Columbus, Ohio. wp.nyu.edu/orphanfilm/2...
Save the dates.
📍 Thursday 9th October, Teatro Verdi in Pordenone
Save the date!
📍 Thursday 9th October, Teatro Verdi in Pordenone
Save the date!
You can join here:
lists.simplelists.com/WFHINetwork/...
We look forward to exchanging feminist film historiographical research (and research questions), relevant scholarly and archival news and events, resources, and more with you all!
You can join here:
lists.simplelists.com/WFHINetwork/...
We look forward to exchanging feminist film historiographical research (and research questions), relevant scholarly and archival news and events, resources, and more with you all!
She won Best Director at Cannes for CHRONICLE OF FLAMING YEARS (1961), the first (and, for decades, only) woman to do so.
She won Best Director at Cannes for CHRONICLE OF FLAMING YEARS (1961), the first (and, for decades, only) woman to do so.
Register here: filmpreserve.org/event/online...
Register here: filmpreserve.org/event/online...
Thanks to Silk Factory for this amazing new trailer showcasing some of our 80+ screenings and events lineup.
Passes & tickets are available with a 20% discount when you book 4+ screenings - link in bio 🎟️
festival.ilcinemaritrovato.it/en/proiezion...
festival.ilcinemaritrovato.it/en/proiezion...
silentlondon.co.uk/2025/06/15/c...
silentlondon.co.uk/2025/06/15/c...
nitrateville.com/viewtopic.ph...
BREAKING PLATES & SMASHING THE PATRIARCHY is coming to a rep cinema near you, watch out!!! 🍽️🧨
nitrateville.com/viewtopic.ph...
BREAKING PLATES & SMASHING THE PATRIARCHY is coming to a rep cinema near you, watch out!!! 🍽️🧨
https://buff.ly/4jGUKyu
#BOTD
https://buff.ly/4jGUKyu
#BOTD
www.hippodromecinema.co.uk/hippfest/
*The full schedule is now live*--including many online screenings & talks! 🎞️🎶😍 #SilentFilm
www.hippodromecinema.co.uk/hippfest/
*The full schedule is now live*--including many online screenings & talks! 🎞️🎶😍 #SilentFilm
adrianmartinfilmcritic.com/reviews/b/br...
Thank you @adrianpmartin.bsky.social for this beautiful review of @karenpearlman.bsky.social's brilliant new film, BREAKING PLATES (2023)!! 🎞️🍽️🌪️
adrianmartinfilmcritic.com/reviews/b/br...
Thank you @adrianpmartin.bsky.social for this beautiful review of @karenpearlman.bsky.social's brilliant new film, BREAKING PLATES (2023)!! 🎞️🍽️🌪️