Wallace Polsom
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wallacepolsom.bsky.social
Wallace Polsom
@wallacepolsom.bsky.social
Collage maker. Art lover.

“Any sufficiently advanced art form is indistinguishable from child’s play.”
— 03 Jul 2021

https://wallacepolsom.com/
Pinned
Note to potential new followers: I block what I view as “X-rated” accounts, because I don’t want my name on re-posts appearing in such contexts, but I do post art that others, perhaps, might view as “R-rated.” Which is to say, please do your research, i.e., browse the archive, before you sign up.
Just cut and pasted the medium info from the gallery listing, but there appears to be some brushwork and dry media in there, too.
February 3, 2026 at 2:34 AM
John Watkiss, “Relax, It’s Only Death” (2008), pen and ink, 41.9 x 59.7 cm.
February 3, 2026 at 2:29 AM
Shell game.
February 3, 2026 at 1:00 AM
On the other hand, maybe the clever one was actually the designer of the poster, if there was someone who held that position apart from the illustrator. Or maybe it was a group decision. Whatever! It was the right thing to do.
February 2, 2026 at 11:25 PM
E. McCarthy, “… and we don’t have to tell you what happened next!,” CARTOONS #89 (April 1976), p. 15.
February 2, 2026 at 10:40 PM
John Larter, “Vettes,” CARTOONS #84 (August 1975), pp. 30-32. Title from ToC.
February 2, 2026 at 9:57 PM
Titles: 1) “Sinbad the Sailor: On the Island that was a Living Monster,” 2) “Sinbad the Sailor: The Roc and its Egg,” 3) “Sinbad in Danger in the Valley of Jewels: A Serpent Seeks his Life,” and 4) “In the Valley of Jewels: A Serpent as Worm for an Early Bird.”
February 2, 2026 at 9:19 PM
Four “Sinbad the Sailor” illustrations, “from the picture[s] by Arnold Mello,” published in THE ILLUSTRATED LONDON NEWS: CHRISTMAS 1922, vol. 161, no. 4361a (Christmas 1922). A bit dark, but legible — and lovely!
February 2, 2026 at 9:15 PM
February 2, 2026 at 7:13 PM
Brocal Remohi, “The Horror of G’Zalth,” HEAVY METAL, vol. 2, no. 5 (September 1978). Story pages 9-12 (of 12). Post 3 (of 3).
February 2, 2026 at 7:11 PM
Brocal Remohi, “The Horror of G’Zalth,” HEAVY METAL, vol. 2, no. 5 (September 1978). Story pages 5-8 (of 12). Post 2 (of 3).
February 2, 2026 at 7:10 PM
Brocal Remohi, “The Horror of G’Zalth,” HEAVY METAL, vol. 2, no. 5 (September 1978). Story pages 1-4 (of 12). Post 1 (of 3).
February 2, 2026 at 7:09 PM
Karen Dalton, “Ribbon Bow”

youtu.be/mC9JE9EfHu8?...
Ribbon Bow
YouTube video by Karen Dalton - Topic
youtu.be
February 2, 2026 at 6:46 PM
Reposted by Wallace Polsom
Illustrations by Mike McMahon published in Clive Barker’s Hellraiser #12 (1992).
January 23, 2025 at 2:19 PM
Reposted by Wallace Polsom
The Last American #3-4 (of 4) (Epic Comics, 1990-1991), written by John Wagner and Alan Grant with art by Mick/Mike McMahon.
January 22, 2025 at 9:33 PM
Reposted by Wallace Polsom
The Last American #1-2 (of 4) (Epic Comics, 1990-1991), written by John Wagner and Alan Grant with art by Mick/Mike McMahon.
January 22, 2025 at 9:32 PM
Reposted by Wallace Polsom
Judge Anderson, Judge Dredd and Judge Death commission (2013) by Mick/Mike McMahon.
January 22, 2025 at 10:26 PM
Reposted by Wallace Polsom
Pages 15 to 17 (of 17) of “This, I Saw” by Malcolm Smith (writer) and Mike McMahon (artist), published in Clive Barker’s Hellraiser #16 (1992).
January 23, 2025 at 4:13 PM
Reposted by Wallace Polsom
Pages 12 to 14 (of 17) of “This, I Saw” by Malcolm Smith (writer) and Mike McMahon (artist), published in Clive Barker’s Hellraiser #16 (1992).
January 23, 2025 at 4:13 PM
Reposted by Wallace Polsom
Pages 9 to 11 (of 17) of “This, I Saw” by Malcolm Smith (writer) and Mike McMahon (artist), published in Clive Barker’s Hellraiser #16 (1992).
January 23, 2025 at 4:12 PM
Reposted by Wallace Polsom
Pages 5 to 8 (of 17) of “This, I Saw” by Malcolm Smith (writer) and Mike McMahon (artist), published in Clive Barker’s Hellraiser #16 (1992).
January 23, 2025 at 4:12 PM
Reposted by Wallace Polsom
Pages 1 to 4 (of 17) of “This, I Saw” by Malcolm Smith (writer) and Mike McMahon (artist), published in Clive Barker’s Hellraiser #16 (1992).
January 23, 2025 at 4:06 PM
The status quo ain’t what it used to be.
February 2, 2026 at 5:22 PM