The year’s most undistilled punk album, an unapologetic throw-back to riot grrrl. Phoebe Lunny shouts about misogyny, workplace harassment, and gentrification over pummelling drums, snarling guitars, and thickest bassline you’ll hear all year.
The year’s most undistilled punk album, an unapologetic throw-back to riot grrrl. Phoebe Lunny shouts about misogyny, workplace harassment, and gentrification over pummelling drums, snarling guitars, and thickest bassline you’ll hear all year.
I loved their 2023 debut, and this is a great follow up in the same vein. They’re still pulling heavily from decades of goth influences, from Siouxsie to Xiu Xiu, but have distilled all that and forged it into a fierce and taut force of nature.
I loved their 2023 debut, and this is a great follow up in the same vein. They’re still pulling heavily from decades of goth influences, from Siouxsie to Xiu Xiu, but have distilled all that and forged it into a fierce and taut force of nature.
I struggle to describe The Beths beyond "they're just really good!" They continue their unstoppable streak on their fourth album. Heartbreaking lyrics, tight hooks, soaring melodies, it’s all here, and it all remains amazing.
I struggle to describe The Beths beyond "they're just really good!" They continue their unstoppable streak on their fourth album. Heartbreaking lyrics, tight hooks, soaring melodies, it’s all here, and it all remains amazing.
Chicago hip-hop vets who have nothing to prove drop an impeccable album of low-key great rap. No ID’s production laces in smooth and perfect R&B samples that perfectly support Saba’s endless flow.
Chicago hip-hop vets who have nothing to prove drop an impeccable album of low-key great rap. No ID’s production laces in smooth and perfect R&B samples that perfectly support Saba’s endless flow.
Interlacing audio from home movies throughout this, his best album yet, Trevor Powers has crafted an achingly beautiful and haunting soundtrack to an idealized past that may never have existed.
Interlacing audio from home movies throughout this, his best album yet, Trevor Powers has crafted an achingly beautiful and haunting soundtrack to an idealized past that may never have existed.
The best band of the shoegaze revival improves on their debut with an album that very well may be remembered alongside seminal records by their influences. All of you on Spotify are seriously missing out on this one.
The best band of the shoegaze revival improves on their debut with an album that very well may be remembered alongside seminal records by their influences. All of you on Spotify are seriously missing out on this one.
This duo returns with an album that perfectly balances loud blasts, taut beats, and cool-to-the-point-of-indifference vocals. You'd think they didn't give a shit if the music didn’t show how much care obviously went into it. Only wish it were longer!
This duo returns with an album that perfectly balances loud blasts, taut beats, and cool-to-the-point-of-indifference vocals. You'd think they didn't give a shit if the music didn’t show how much care obviously went into it. Only wish it were longer!
DiRusso has put out singles (and one EP) since 2017, and she delivers the goods on this remarkably assured debut album. Big guitar riffs from the 90s combine with an 00s sheen. Even at its most lightweight (“Good Ass Movie”), it’s still catchy as hell.
DiRusso has put out singles (and one EP) since 2017, and she delivers the goods on this remarkably assured debut album. Big guitar riffs from the 90s combine with an 00s sheen. Even at its most lightweight (“Good Ass Movie”), it’s still catchy as hell.
Pretty exactly what you want from a solo record. Adebimpe takes everything you love from TV on the Radio, his indelible voice, the pounding synths, and takes them in new directions. You’d never expect the slide guitar on “God Knows” to work. It does.
Pretty exactly what you want from a solo record. Adebimpe takes everything you love from TV on the Radio, his indelible voice, the pounding synths, and takes them in new directions. You’d never expect the slide guitar on “God Knows” to work. It does.
What if you made an album where it was all perfect lines? “Too high at the fair field, going fast as fuck on the ferris wheel.” And she’s got the hooks to back it up. This is the first time I’ve really noticed Sprague, but I’ll be listening closely from now on.
What if you made an album where it was all perfect lines? “Too high at the fair field, going fast as fuck on the ferris wheel.” And she’s got the hooks to back it up. This is the first time I’ve really noticed Sprague, but I’ll be listening closely from now on.
This first album from the Brooklyn rockers elbows its way into your brain and refuses to let go, infusing a heavy Pavement influence with the energy and snark of a Blink-182. That and “Barry Bonds” has the funniest line of 2025.
This first album from the Brooklyn rockers elbows its way into your brain and refuses to let go, infusing a heavy Pavement influence with the energy and snark of a Blink-182. That and “Barry Bonds” has the funniest line of 2025.
I always forget about Cusp and am utterly enchanted by their albums when I do listen. This sophomore effort doesn’t miss a step from their great debut. Good melodies, chill vibes, and catchy tunes.
I always forget about Cusp and am utterly enchanted by their albums when I do listen. This sophomore effort doesn’t miss a step from their great debut. Good melodies, chill vibes, and catchy tunes.
Sometimes you just want a really good punk record, and this Australian group, led by Rebecca Allan and James Lynch, gives just that. They play with ripping energy, delivering shout-along choruses (as in the standout "What For?") without pretension or unnecessary frills.
Sometimes you just want a really good punk record, and this Australian group, led by Rebecca Allan and James Lynch, gives just that. They play with ripping energy, delivering shout-along choruses (as in the standout "What For?") without pretension or unnecessary frills.
After the gut punch of their debut album last year, this follow-up dials the temperature back, lowering the intensity to a slow burn but broadening their emotional palette. The eventual bursts of fury are that much more powerful from the restraint that surrounds them.
After the gut punch of their debut album last year, this follow-up dials the temperature back, lowering the intensity to a slow burn but broadening their emotional palette. The eventual bursts of fury are that much more powerful from the restraint that surrounds them.
Lucy Dacus - Historian
Jeff Rosenstock - Worry
Frank Ocean - Channel Orange
Sufjan Stevens - Illinois
The Fiery Furnaces - Blueberry Boat
Car Seat Headrest - Teens of Denial
The New Pornographers - Twin Cinema
The Dodos - Visiter
Superchunk - Majesty Shredding
Lucy Dacus - Historian
Jeff Rosenstock - Worry
Frank Ocean - Channel Orange
Sufjan Stevens - Illinois
The Fiery Furnaces - Blueberry Boat
Car Seat Headrest - Teens of Denial
The New Pornographers - Twin Cinema
The Dodos - Visiter
Superchunk - Majesty Shredding
Afrique Victime was a top 10 record for me in 2021. This is somehow even better. The grooves are at once smooth and relentless, and Mdou’s guitar rips and soars over everything. The most original, invigorating rock being done today. Game changing.
Afrique Victime was a top 10 record for me in 2021. This is somehow even better. The grooves are at once smooth and relentless, and Mdou’s guitar rips and soars over everything. The most original, invigorating rock being done today. Game changing.
I’ve followed this Irish band since their promising pandemic EPs, and this debut album fulfills that promise, delivering one ferocious punk anthem after another, from the keening shout of “Can anybody be happy?” in "Cathedral" to the soaring heights of "Literary Mind."
I’ve followed this Irish band since their promising pandemic EPs, and this debut album fulfills that promise, delivering one ferocious punk anthem after another, from the keening shout of “Can anybody be happy?” in "Cathedral" to the soaring heights of "Literary Mind."
Nate Amos has released hundreds of tracks under this moniker, and this album feels like a culmination of thousands of hours of woodshedding, pulling from all over today’s pop landscape to create a pile of absolute earworms.
Nate Amos has released hundreds of tracks under this moniker, and this album feels like a culmination of thousands of hours of woodshedding, pulling from all over today’s pop landscape to create a pile of absolute earworms.
MP have been adding strength onto strength these past few years. “Sometimes” is a perfect rock anthem, and the record closes with the ballad “Split Me Open,” but only after they drop the brutal “Ok? Ok! Ok? Ok!” and “Of Her,” reminding you of their hardcore roots.
MP have been adding strength onto strength these past few years. “Sometimes” is a perfect rock anthem, and the record closes with the ballad “Split Me Open,” but only after they drop the brutal “Ok? Ok! Ok? Ok!” and “Of Her,” reminding you of their hardcore roots.
The 21st century's top indie-rock crooner drops a definitive record and immerses you in his world. Groovy, lush, and sure to enshrine a legendary reputation. I was never a huge FJM guy, but with this one, I’m all in.
The 21st century's top indie-rock crooner drops a definitive record and immerses you in his world. Groovy, lush, and sure to enshrine a legendary reputation. I was never a huge FJM guy, but with this one, I’m all in.