The Cinematic Cut
@thecinematiccut.bsky.social
Discovering the alchemy behind every frame with some kind of humor 🙃. Films move between a form of art and a form of business (they/them/alien👽)
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This is the Oscar that the Academy still owes to Glenn Close.
’Dangerous Liaisons’ Stephen Frears, 1988.
’Dangerous Liaisons’ Stephen Frears, 1988.
Winter in Disney movies is simply magical ❤️🎄🫠
November 20, 2025 at 9:36 PM
Winter in Disney movies is simply magical ❤️🎄🫠
It's that time of year ❤️ and this is one of the perfect movies for it.
In just two years, “The Holdovers” (dir. Alexander Payne) has become a holiday cult classic 🎄
In just two years, “The Holdovers” (dir. Alexander Payne) has become a holiday cult classic 🎄
November 20, 2025 at 2:40 AM
It's that time of year ❤️ and this is one of the perfect movies for it.
In just two years, “The Holdovers” (dir. Alexander Payne) has become a holiday cult classic 🎄
In just two years, “The Holdovers” (dir. Alexander Payne) has become a holiday cult classic 🎄
I need that cape with peacock feathers ❤️
Actually, I need the whole dress.
Actually, I need the whole dress.
November 17, 2025 at 2:28 AM
I need that cape with peacock feathers ❤️
Actually, I need the whole dress.
Actually, I need the whole dress.
The Trauma of the Pandemic: Cinema of Mourning and Death.
The films arriving now, and yet to come, are infused with a deeper, almost visceral residue: death and mourning, an emotional echo rooted in something far more profound.
I hope you like this text 💖
The films arriving now, and yet to come, are infused with a deeper, almost visceral residue: death and mourning, an emotional echo rooted in something far more profound.
I hope you like this text 💖
The Trauma of the Pandemic: Cinema of Mourning and Death
The films arriving now, and yet to come, are infused with a deeper, almost visceral residue: death and mourning, an emotional echo rooted in something far more profound.
paubrunetfuertes.substack.com
November 16, 2025 at 7:20 PM
The Trauma of the Pandemic: Cinema of Mourning and Death.
The films arriving now, and yet to come, are infused with a deeper, almost visceral residue: death and mourning, an emotional echo rooted in something far more profound.
I hope you like this text 💖
The films arriving now, and yet to come, are infused with a deeper, almost visceral residue: death and mourning, an emotional echo rooted in something far more profound.
I hope you like this text 💖
This scene will define 2025 cinema.
‘One Battle After Another,’ directed by Paul Thomas Anderson 🎬🎥
One of the favorite films to win the Oscar for Best Picture and Director. Betting is now open!
‘One Battle After Another,’ directed by Paul Thomas Anderson 🎬🎥
One of the favorite films to win the Oscar for Best Picture and Director. Betting is now open!
November 14, 2025 at 8:38 PM
This scene will define 2025 cinema.
‘One Battle After Another,’ directed by Paul Thomas Anderson 🎬🎥
One of the favorite films to win the Oscar for Best Picture and Director. Betting is now open!
‘One Battle After Another,’ directed by Paul Thomas Anderson 🎬🎥
One of the favorite films to win the Oscar for Best Picture and Director. Betting is now open!
This creepy one stayed in my mind for a while.
“End of Days” (1999).
“End of Days” (1999).
November 10, 2025 at 9:26 PM
This creepy one stayed in my mind for a while.
“End of Days” (1999).
“End of Days” (1999).
Reposted by The Cinematic Cut
Burt Reynolds’ arms in "Deliverance"(1972) 🙃🫠💕
November 9, 2025 at 11:11 PM
Burt Reynolds’ arms in "Deliverance"(1972) 🙃🫠💕
Audrey Hepburn on the cover of Vogue, 1963 💕
November 9, 2025 at 7:00 PM
Audrey Hepburn on the cover of Vogue, 1963 💕
This is the Oscar that the Academy still owes to Glenn Close.
’Dangerous Liaisons’ Stephen Frears, 1988.
’Dangerous Liaisons’ Stephen Frears, 1988.
November 9, 2025 at 12:11 AM
This is the Oscar that the Academy still owes to Glenn Close.
’Dangerous Liaisons’ Stephen Frears, 1988.
’Dangerous Liaisons’ Stephen Frears, 1988.
I want whatever alcohol or drugs the person who planned this scene took.
It’s both amazing and terrible 🙃
It’s both amazing and terrible 🙃
November 3, 2025 at 1:32 AM
I want whatever alcohol or drugs the person who planned this scene took.
It’s both amazing and terrible 🙃
It’s both amazing and terrible 🙃
One of the most nerve shredding sequences ever filmed.
“Sorcerer” (1977) dir. William Friedkin
“Sorcerer” (1977) dir. William Friedkin
November 2, 2025 at 3:27 AM
One of the most nerve shredding sequences ever filmed.
“Sorcerer” (1977) dir. William Friedkin
“Sorcerer” (1977) dir. William Friedkin
Best #Thanksgiving movie? I start! 🍂🦃
November 1, 2025 at 10:05 PM
Best #Thanksgiving movie? I start! 🍂🦃
This is still the most terrifying movie of the decade.
November 1, 2025 at 1:46 AM
This is still the most terrifying movie of the decade.
'Rebecca' (1940) Alfred Hitchcock.
One of my favorite movies ever 🫶
One of my favorite movies ever 🫶
October 4, 2025 at 8:51 PM
'Rebecca' (1940) Alfred Hitchcock.
One of my favorite movies ever 🫶
One of my favorite movies ever 🫶
Film Tariffs: A Path Toward Institutionalizing North American Cinema?
In the United States, a scenario like this would not only force Trump to confront his own internal contradictions, but would also compel the federal government to define what cinema actually is.
In the United States, a scenario like this would not only force Trump to confront his own internal contradictions, but would also compel the federal government to define what cinema actually is.
Film Tariffs: A Path Toward Institutionalizing North American Cinema?
In the United States, a scenario like this would not only force Trump to confront his own internal contradictions, but would also compel the federal government to define what cinema actually is.
paubrunetfuertes.substack.com
October 3, 2025 at 7:07 AM
Film Tariffs: A Path Toward Institutionalizing North American Cinema?
In the United States, a scenario like this would not only force Trump to confront his own internal contradictions, but would also compel the federal government to define what cinema actually is.
In the United States, a scenario like this would not only force Trump to confront his own internal contradictions, but would also compel the federal government to define what cinema actually is.
Mia Goth and Oscar Isaac on the set of “Frankenstein”.
October 3, 2025 at 12:51 AM
Mia Goth and Oscar Isaac on the set of “Frankenstein”.
Reposted by The Cinematic Cut
TV spot for “Battlestar Galactica” (the movie), 1978.
September 27, 2025 at 6:46 PM
TV spot for “Battlestar Galactica” (the movie), 1978.
“X-Files” through David LaChapelle's eyes and lenses 🔥🫨 I want to live in them.
September 30, 2025 at 6:29 PM
“X-Files” through David LaChapelle's eyes and lenses 🔥🫨 I want to live in them.
Charlize Theron says Uma Thurman should’ve won an Oscar for Kill Bill (2003).
She added, “Men get a lot of credit for these movies. What she did was unbelievable.”
She added, “Men get a lot of credit for these movies. What she did was unbelievable.”
September 30, 2025 at 2:53 AM
Charlize Theron says Uma Thurman should’ve won an Oscar for Kill Bill (2003).
She added, “Men get a lot of credit for these movies. What she did was unbelievable.”
She added, “Men get a lot of credit for these movies. What she did was unbelievable.”
Spooky month is about to start. Are you ready?
September 30, 2025 at 1:49 AM
Spooky month is about to start. Are you ready?
Reposted by The Cinematic Cut
Offering a warm welcome to the American soldiers in Vietnam in, Full Metal Jacket (1987).
September 29, 2025 at 1:01 AM
Offering a warm welcome to the American soldiers in Vietnam in, Full Metal Jacket (1987).
Vanity Fair March 1987 - Isabella Rossellini & David Lynch by Annie Leibovitz.
September 29, 2025 at 1:04 AM
Vanity Fair March 1987 - Isabella Rossellini & David Lynch by Annie Leibovitz.
‘EYES WIDE SHUT’s poster for its Criterion Collection edition, coming out in November.
September 27, 2025 at 9:42 PM
‘EYES WIDE SHUT’s poster for its Criterion Collection edition, coming out in November.
We still have so many questions about this moment in David Lynch’s “Dune” 🙃
September 25, 2025 at 2:18 AM
We still have so many questions about this moment in David Lynch’s “Dune” 🙃