Snr. Advisor and Project Consultant, Terry Southern Literary Trust.
Curator, Graham (Monty Python) Chapman Archives.
Once upon a time/sometimes semi-famous drummer.
Pronouns: Toaster/Laundromat
you get no crown
you full of hate
sit yer fat ass down.
You ain't no king
you get no throne
count yerself lucky
we don't skin ya to the bone.
You ain't no king
this aint no kingdom
it's "we the people"
we stand for freedom.
you get no crown
you full of hate
sit yer fat ass down.
You ain't no king
you get no throne
count yerself lucky
we don't skin ya to the bone.
You ain't no king
this aint no kingdom
it's "we the people"
we stand for freedom.
you get no crown
you full of hate
sit yer fat ass down.
You ain't no king
you get no throne
count yerself lucky
we don't skin ya to the bone.
You ain't no king
this aint no kingdom
it's "we the people"
we stand for freedom.
you get no crown
you full of hate
sit yer fat ass down.
You ain't no king
you get no throne
count yerself lucky
we don't skin ya to the bone.
You ain't no king
this aint no kingdom
it's "we the people"
we stand for freedom.
“It is the madness of folly, to expect mercy from those who have refused to do justice; and even mercy, where conquest is the object."
“It is the madness of folly, to expect mercy from those who have refused to do justice; and even mercy, where conquest is the object."
In a fractured near-future America split between Red States and Blue States, propaganda saturates not just the media but reality itself.
If Kafka had written Terry Gilliam’s Brazil—with Joseph Heller as his editor—you’d get something like this.
In a fractured near-future America split between Red States and Blue States, propaganda saturates not just the media but reality itself.
If Kafka had written Terry Gilliam’s Brazil—with Joseph Heller as his editor—you’d get something like this.
In a fractured near-future America split between Red States and Blue States, propaganda saturates not just the media but reality itself.
If Kafka had written Terry Gilliam’s Brazil—with Joseph Heller as his editor—you’d get something like this.
In a fractured near-future America split between Red States and Blue States, propaganda saturates not just the media but reality itself.
If Kafka had written Terry Gilliam’s Brazil—with Joseph Heller as his editor—you’d get something like this.
(c) 2025 Jim Yoakum
(c) 2025 Jim Yoakum
(c) 2025 Jim Yoakum
(c) 2025 Jim Yoakum