From ochre caves to ultramarine skies, Stephanie Krzywonos reminds us: colors are not surface—they are story, blood, memory. To see pigment is to glimpse the history of human longing and grief. 🕯️
Read: emergencemagazine.org/essay/museum...
@stephkrzywonos.bsky.social
From ochre caves to ultramarine skies, Stephanie Krzywonos reminds us: colors are not surface—they are story, blood, memory. To see pigment is to glimpse the history of human longing and grief. 🕯️
Read: emergencemagazine.org/essay/museum...
@stephkrzywonos.bsky.social
emergencemagazine.org/essay/museum...
emergencemagazine.org/essay/museum...
www.poetryfoundation.org/poetrymagazi...
www.poetryfoundation.org/poetrymagazi...
us.macmillan.com/books/978037...
us.macmillan.com/books/978037...
The look of longing you see in his beady brown eyes is for the treats I used to bribe him to sit still.
The look of longing you see in his beady brown eyes is for the treats I used to bribe him to sit still.
[Simone Weil, "Gravity and Grace"]
[Simone Weil, "Gravity and Grace"]
"The contractor and NSF could have had safety protocols to prevent harassment. But making women and victims the problem has long been standard in Antarctic science."
"The contractor and NSF could have had safety protocols to prevent harassment. But making women and victims the problem has long been standard in Antarctic science."