Reposted by Spirit Font
make love
like you have no
secrets
like you’ve
never been
left
never been
hurt
like the world
don’t owe you a
single
wretched
thing.
- warsan shire
like you have no
secrets
like you’ve
never been
left
never been
hurt
like the world
don’t owe you a
single
wretched
thing.
- warsan shire
October 24, 2025 at 2:25 AM
make love
like you have no
secrets
like you’ve
never been
left
never been
hurt
like the world
don’t owe you a
single
wretched
thing.
- warsan shire
like you have no
secrets
like you’ve
never been
left
never been
hurt
like the world
don’t owe you a
single
wretched
thing.
- warsan shire
777 & 666 are light & dark forces of god’s love, known as truth. They will remain paired together for the eschatology until all of the fallacious lies afoot die out. We will then arrive at 0 which marks the permanent end of false images, & the birth of our eternal life with God.
October 23, 2025 at 6:52 PM
777 & 666 are light & dark forces of god’s love, known as truth. They will remain paired together for the eschatology until all of the fallacious lies afoot die out. We will then arrive at 0 which marks the permanent end of false images, & the birth of our eternal life with God.
.
“To lose and survive the loss, a new position must be claimed on the side of mourning, tolerating the death that sustains and frames with the veil of fantasy the vivacity of objects, allowing us to enjoy the play of the unconscious,”
—Jamieson Webster & Patricia Gherovici
.
Ph. Florence Henri
“To lose and survive the loss, a new position must be claimed on the side of mourning, tolerating the death that sustains and frames with the veil of fantasy the vivacity of objects, allowing us to enjoy the play of the unconscious,”
—Jamieson Webster & Patricia Gherovici
.
Ph. Florence Henri
June 20, 2024 at 4:15 PM
.
“To lose and survive the loss, a new position must be claimed on the side of mourning, tolerating the death that sustains and frames with the veil of fantasy the vivacity of objects, allowing us to enjoy the play of the unconscious,”
—Jamieson Webster & Patricia Gherovici
.
Ph. Florence Henri
“To lose and survive the loss, a new position must be claimed on the side of mourning, tolerating the death that sustains and frames with the veil of fantasy the vivacity of objects, allowing us to enjoy the play of the unconscious,”
—Jamieson Webster & Patricia Gherovici
.
Ph. Florence Henri
📷 Bertha E. Jaques, Blossom of the Chandelier Plant, 1910, Cyanotype photogram
March 22, 2024 at 11:32 AM
📷 Bertha E. Jaques, Blossom of the Chandelier Plant, 1910, Cyanotype photogram
Elaine de Kooning
Desert Wall
1986
Desert Wall
1986
March 12, 2024 at 2:22 PM
Elaine de Kooning
Desert Wall
1986
Desert Wall
1986
Abanindranath Tagore
Untitled (Siva-Simantini)
circa 1920s
Untitled (Siva-Simantini)
circa 1920s
March 3, 2024 at 11:58 AM
Abanindranath Tagore
Untitled (Siva-Simantini)
circa 1920s
Untitled (Siva-Simantini)
circa 1920s
.
“the emphatic truth of gesture in the important moments of life”
—Baudelaire
.
Chu Teh-Chun, A Gesture of Light
“the emphatic truth of gesture in the important moments of life”
—Baudelaire
.
Chu Teh-Chun, A Gesture of Light
February 24, 2024 at 5:07 PM
.
“the emphatic truth of gesture in the important moments of life”
—Baudelaire
.
Chu Teh-Chun, A Gesture of Light
“the emphatic truth of gesture in the important moments of life”
—Baudelaire
.
Chu Teh-Chun, A Gesture of Light
Danielle Orchard
Studio Nap
2020
Studio Nap
2020
February 24, 2024 at 2:58 PM
Danielle Orchard
Studio Nap
2020
Studio Nap
2020
.
“Think about others in such a way that it is no longer you who comes back from this thought and that it is not in a thought that you dispose yourself towards them.”
—Blanchot (tr. Lycette Nelson), The Step Not Beyond
.
Vivian Springford
“Think about others in such a way that it is no longer you who comes back from this thought and that it is not in a thought that you dispose yourself towards them.”
—Blanchot (tr. Lycette Nelson), The Step Not Beyond
.
Vivian Springford
February 23, 2024 at 1:27 PM
.
“Think about others in such a way that it is no longer you who comes back from this thought and that it is not in a thought that you dispose yourself towards them.”
—Blanchot (tr. Lycette Nelson), The Step Not Beyond
.
Vivian Springford
“Think about others in such a way that it is no longer you who comes back from this thought and that it is not in a thought that you dispose yourself towards them.”
—Blanchot (tr. Lycette Nelson), The Step Not Beyond
.
Vivian Springford
Totoya Hokkei (1780-1850)
Tiger looking at the moon
Tiger looking at the moon
February 22, 2024 at 12:34 PM
Totoya Hokkei (1780-1850)
Tiger looking at the moon
Tiger looking at the moon
.
“An image is the making-one, the making-itself-one of something. This ‘one’ is not unity as opposed to multiplicity: it is the possibility that anything at all, including something multiple or fluid, may come to presence;”
—Jean-Luc Nancy, The Ground of the Image
.
Kazuyuki Futagawa
“An image is the making-one, the making-itself-one of something. This ‘one’ is not unity as opposed to multiplicity: it is the possibility that anything at all, including something multiple or fluid, may come to presence;”
—Jean-Luc Nancy, The Ground of the Image
.
Kazuyuki Futagawa
February 21, 2024 at 1:31 PM
.
“An image is the making-one, the making-itself-one of something. This ‘one’ is not unity as opposed to multiplicity: it is the possibility that anything at all, including something multiple or fluid, may come to presence;”
—Jean-Luc Nancy, The Ground of the Image
.
Kazuyuki Futagawa
“An image is the making-one, the making-itself-one of something. This ‘one’ is not unity as opposed to multiplicity: it is the possibility that anything at all, including something multiple or fluid, may come to presence;”
—Jean-Luc Nancy, The Ground of the Image
.
Kazuyuki Futagawa
Joe Overstreet
Untitled
1970
Untitled
1970
February 14, 2024 at 11:49 AM
Joe Overstreet
Untitled
1970
Untitled
1970
Gertrude Abercrombie
Inheritance
1955
Inheritance
1955
February 12, 2024 at 1:39 PM
Gertrude Abercrombie
Inheritance
1955
Inheritance
1955
Kawanabe Kyosai 河鍋暁斎
Hell Courtesan 地獄太夫図
1871-89
Hell Courtesan 地獄太夫図
1871-89
February 7, 2024 at 3:02 PM
Kawanabe Kyosai 河鍋暁斎
Hell Courtesan 地獄太夫図
1871-89
Hell Courtesan 地獄太夫図
1871-89
Stanisław Witkiewicz
Spring Mist
1893
Spring Mist
1893
February 6, 2024 at 1:18 PM
Stanisław Witkiewicz
Spring Mist
1893
Spring Mist
1893
.
“The room was dark, not that it was obscure: the light was almost too visible, it did not illuminate.”
—Maurice Blanchot
“The room was dark, not that it was obscure: the light was almost too visible, it did not illuminate.”
—Maurice Blanchot
February 5, 2024 at 5:01 PM
.
“The room was dark, not that it was obscure: the light was almost too visible, it did not illuminate.”
—Maurice Blanchot
“The room was dark, not that it was obscure: the light was almost too visible, it did not illuminate.”
—Maurice Blanchot
Reposted by Spirit Font
Charles Ginner (1878-1952)
The Greenhouse
The Greenhouse
January 30, 2024 at 7:51 PM
Charles Ginner (1878-1952)
The Greenhouse
The Greenhouse
